Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
48 Cards in this Set
- Front
- Back
|
Donatello, David with the Head of Goliath, ca. 1400s, bronze rediscovery of lost wax bronze casting/ life-size/ extremely detailed |
|
|
|
Sandro Botticelli, Primavera, ca. 1400s, tempura on panel springtime/allegory of spring/allegory of the renaissance zephyr abducting the nymph chlons/flora scattering flowers/venus, goddess of april and gardens/cupid firing arrows/the three graces dancing |
|
|
|
Botticelli, The Birth of Venus, ca. 1400s, tempura on canvas classical nude, born from sea foam, contemporary poetry |
|
|
|
Botticelli, The Story of Nastagio degli Onesti (four panels), ca 1400s, oil on panel and tempura on panel she rejects a man gets chased every friday, the man tries to take his life/ stages a banquet/ the message is most likely for women to be kinder to their suitors |
|
|
|
Michelangelo Buonarroti, David, 1500s, marble |
|
|
|
Baccio Bandinelli, Self Portrait with drawing of Hercules and Cacus, ca. 1500s, oil on wood |
|
|
|
Benvenuto Cellini, Perseus with the Head of Medusa, 1500s, bronze |
|
|
|
Michelangelo, Sistine Chapel ceiling, 1500s, fresco includes the scenes: The Creation of Adam; The Creation of Eve; The Fall and Expulsion; The Libyan Sibyl; three ignudi |
|
|
|
Michelangelo, study of a reclining male nude for The Creation of Adam, 1500s, red chalk over stylus underdrawing |
|
|
|
Michelangelo, Last Judgement on altar wall, Sistine Chapel, 1500s, fresco |
|
|
|
Albrecht Durer, Adam and Eve, 1504, engraving |
|
|
|
Jan van der Straet, The Practice of the Visual Arts, 1573, pen and brown ink drawing on paper with brown wash, heightened with white |
|
|
|
Johan Joseph Zoffany, Academicians of the Royal Academy, 1771-72, oil on canvas |
|
|
|
Albrecht Durer, Four Naked Women, 1497, engraving |
|
|
|
Giorgione, The Tempest, before 1507, oil on canvas |
|
|
|
Giovanni Bellini, Feast of the Gods, 1514, oil on canvas |
|
|
|
Titian, Bacchanal of the Andrians, 1518, oil on canvas |
|
|
|
Giorgione and/or Titian, Sleeping Venus, ca. 1510, oil on canvas |
|
|
|
Titian, Venus of Urbino, 1538, oil on canvas |
|
|
|
Zacchia il Vecchio after Fra Bartolomeo, Saint Sebastian, 1526, oil on panel |
|
|
|
Jan Gossaert, Danae, 1527, oil on panel |
|
|
|
Annibale Carracci and workshop, The Triumph of Bacchus and Ariadne in the Farnese Gallery, 1597-1608, fresco |
|
|
|
Agnolo Bronzino, Portrait of Cosimo I de' Medici as Orpheus, ca. 1537-39, oil on panel |
|
|
|
Bronzino, Portrait of Andrea Doria as Neptune, ca. 1530-40, oil on canvas |
|
|
|
Giambologna (Jean de Boulogne), The Abduction of the Sabine Women, 1574-82, marble |
|
|
|
Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, marble |
|
|
|
Pieter Paul Rubens, The Elevation of the Cross, ca. 1610-11, oil on panel |
|
|
|
Rubens, The Judgement of Paris, 1639, oil on canvas |
|
|
|
Rembrandt van Rijn, Bathsheba at her Bath, 1654, oil on canvas |
|
|
|
Francois Boucher, Diana Leaving Her Bath, 1742, oil on canvas |
|
|
|
Theodore Gericault, The Raft of the Medusa, 1818-19, oil on canvas |
|
|
|
Eugene Delacroix, The Death of Sardanapalus, 1827, oil on canvas |
|
|
|
Edouard Manet, Luncheaon on the Grass, 1863, oil on canvas |
|
|
|
Manet, Olympia, 1863, oil on canvas |
|
|
|
Guerilla Girls, Do women have to be naked...? 1989 and 2011, screenprint on paper |
|
|
|
Paul Gauguin, The Spirit of the Dead Watching, 1892, oil on burlap mounted on canvas |
|
|
|
Erich Heckel, Franzi, 1911, woodcut |
|
|
|
Pablo Picasso, Les Demoiselles d'Avignon, 1907, oil on canvas |
|
|
|
Paula Modersohn-Becker, Self Portrait with Amber Necklace, 1900s, oil on canvas |
|
|
|
Schiele, Male Nude (Self-Portrait), 1900s, Sema lithograph |
|
|
|
Mapplethorpe, Self-Portrait with Whip, in the X portfolio, 1970s, selenium-toned gelatin silver print |
|
|
|
Sally Mann, The Perfect Tomato, 1990s, gelatin silver print |
|
|
|
Mapplethorpe, Jesse McBride, 1976, gelatin silver print |
|
|
|
Klein, Anthropometries of the Blue Period, photograph by Shunk-Kender from 1960s |
|
|
|
Schneemann, Meat Joy, photographs from 1964 performance |
|
|
|
Marina Abramovic & Ulay, Imponderabilia, photographs from 1977 performance |
|
|
|
Viola, The Messenger, 1996, single channel video and sound installation, continous loop, approx. 25 minutes controversial because he was fully nude |
|
|
|
Kara Walker, A Subtlety, or the Marvelous Sugar Baby, 2014, resin and sugar |
|
