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24 Cards in this Set

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o Jean-Honoré Fragonard. The Swing. 1767. Oil on canvas, 2’ 8 5/8” x 2’ 2” (Rococo).


o Angelica Kauffman, Cornelia Pointing to Her Children as Her Treasures, c. 1785. Oil on canvas, 40” x 50” (Neoclassicism).


o Jacques-Louis David, Oath of the Horatii, 1784-1785. Oil on canvas, 10’ 8 3/8” x 14’ (Neoclassicism).


o Théodore Géricault, The Raft of the “Medusa,” 1818-1819. Oil on canvas, 16’ 1” x 23’ 6” (Romanticism).


o Eugène Delacroix, Liberty Leading the People: July 28, 1930, 1830. Oil on canvas, 8’ 6½” x 10’ 8” (Romanticism).


o J.M.W. Turner, Snowstorm: Hannibal and His Army Crossing the Alps, 1812. Oil on canvas, 4’ 9” x 7’ 9” (Romanticism).


o James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, 1875. Oil on panel, 23¾” x 8⅜” (Realism).


o Thomas Eakins, The Gross Clinic (Portrait of Dr. Samuel D. Gross), 1875. Oil on canvas, 8’ x 6’ 6” (Realism).


o Édouard Manet, Olympia, 1863. Oil on canvas, 4’ 3” x 6’ 2¼” (Realism).


o Claude Monet, Boulevard des Capucines, Paris, 1873-1874. Oil on canvas, 31¼” 23¼” (Impressionism).


o Edgar Degas, The Rehearsal of the Ballet on Stage, c. 1874. Pastel over brush-and-ink drawing on thin, cream-colored woven paper, laid on Bristol board, mounted on canvas, 21⅜” x 28¾” (Impressionism).


o Vincent van Gogh, The Starry Night, 1889. Oil on canvas, 28¾” x 36¼” (Post-Impression, Expressionism)


o Ernst Ludwig Kirchner, Street, Berlin, 1913. Oil on canvas, 47½” x 37⅞”. (German Expressionism).


o Vasily Kandinsky. Improvisation 28 (Second Version). 1912. Oil on canvas, 43⅞” x 63⅞”. (Blue Rider).


o Pablo Picasso, Les Demoiselles d’Avignon (The Young Ladies of Avignon), 1907. Oil on canvas, 8’ x 7’ 8”. (Cubism).


o Marcel Duchamp, Fountain, 1917. (Dada).


o Marsden Hartley, Portrait of a German Officer, 1914. Oil on canvas, 68¼” x 41⅜” (Modern).

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Pablo Picasso, Guernica, 1937. Oil on canvas, 11’ 6” x 25’ 8” (Modern).


o Aaron Douglas, Aspects of Negro Life: From Slavery Through Reconstruction, 1934. 5’ x 11’ 7”. (Harlem Renaissance).


o Jackson Pollock, Autumn Rhythm (Number 30), 1950. Enamel on canvas, 8’ 9” x 17’ 3” (Abstract Expressionism).


o Willem de Kooning, Woman I, 1950-52. Oil on canvas, 6’ 3 7/8” x 4’ 10” (Abstract Expressionism)


o Mark Rothko, No. 61 (Rust and Blue) [Brown Blue, Brown on Blue], 1953. Oil on canvas, 9’ 7¼” x 7’ 10¼” (Abstract Expression).


o Robert Rauschenberg, Canyon, 1959. Combine painting with oil, pencil, paper, metal, photograph, fabric, wood on canvas, plus buttons, mirror, stuffed eagle, cardboard box, pillow, paint tube, 6’ 1” x 5’ 6” x 2’ ¾” (Assemblage).


o Andy Warhol. Marilyn Diptych. 1962. Silkscreen ink on synthetic polymer paint on canvas, two panels, each 6’ 10” x 4’ 9” (Pop Art).