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47 Cards in this Set

  • Front
  • Back
SIMILE
COMPARISON THAT USES LIKE OR AS
METAPHOR
DIRECT COMPARISON THAT DOES NOT USE LIKE OR AS
HYPERBOLE
EXTREME EXAGGERATION OR OVERSTATEMENT
CONNOTATION
THE IMPLIED MEANING OF A WORD

METONYMY
SUBSTITUTING ONE WORD FOR ANOTHER WORD CLOSELY ASSOCIATED TO IT

ONOMATOPOEIA
A WORD THAT IMITATES THE SOUND IT REPRESENTS
SOLILOQUY
A SPEECH MADE BY A CHARACTER IN A PLAY WHO IS TALKING TO THEMSELVES ALONE ONSTAGE IN ORDER TO LET THE AUDIENCE IN ON WHAT THEY ARE FEELING. IT IS GENERALLY MORE THAN 20 LINES

PARONOMASIA

A PLAY ON WORDS, A PUN

ALLITERATION

THE SAME SOUND STARTS A SERIES OR WORDS (USUALLY 3 OF 5 WORDS HAVE THE SAME SOUND AT THE BEGINNING OF IT)

CLIMAX

THE TURNING POINT OR THE HIGH POINT IN A STORY
FORESHADOWING

THE USE OF HINTS OR CLUES TO SUGGEST WHAT MIGHT HAPPEN LATER
DENOTATION

THE LITERAL MEANING OF A WORD
EUPHEMISM

USING A MORE PLEASANT EXPRESSION IN PLACE OF AN UNPLEASANT OR OFFENSIVE EXPRESSION
PERSONIFICATION

GIVING HUMAN QUALITIES TO ANIMALS OR OBJECTS
SYNECDOCHE
USING A PART TO REPRESENT A WHOLE
OXYMORON
PUTTING TWO CONTRADICTORY WORDS TOGETHER
IRONY

AN IMPLIED DISCREPANCY BETWEEN WHAT IS SAID AND WHAT IS MEANT
DEUS EX MACHINAE

THE RESOLUTION OF A PLOT THROUGH HIGHLY IMPROBABLY CHANCE OR COINCIDENCE

CLICHÉ

A WORD OR PHRASE THAT HAS LOST ITS FRESHNESS DUE TO OVERUSE

CONSONANCE

THE REPETITION OF CONSONANT SOUNDS, BUT NOT VOWEL SOUNDS (NOT AT THE BEGINNING OF WORDS)

ASSONANCE

THE REPETITION OF VOWEL SOUNDS, BUT NOT CONSONANT SOUNDS (NOT AT THE START OF WORDS)

ARCHAISM

USING AN OUTDATED WORD OR PHRASE INTENTIONALLY

APOSTROPHE
when an absent person,an abstract concept, or an important object is directly addressed, usuallypreceded by an exclamatory O… but the O is not always REQUIRED
ADAGE
An old saying, which has obtained credit by long use; a proverb
VICTORIAN

OF OR DURIING THE REIGN OF QUEEN VICTORIA

JACOBEAN

OF OR DURING THE REIGN OF KING JAMES
ELIZABETHAN

OF OR DURING THE REIGN OF QUEEN ELIZABETH

ALLEGORY
a form of extended metaphor, in which objects, persons, and actions in anarrative, are equated with the meanings that lie outside the narrative. Characters are often personifications of abstract ideas as charity, greed,or envy
SYMBOLISM
using an object or action that means something more than its literalmeaning
SATIRE
a kind of literature that ridicules human folly or vice with the purposeof bringing about reform or of keeping others from falling into similar follyor vice
PARADOX
a self-contradictory phrase or sentence revealing a kind of truth whichat first seems contradictory

MOTIF
a recurrent thematic element in an artistic or literary work. A dominanttheme or central idea
JUXTAPOSITION
a literary technique in which two or more ideas, places, characters andtheir actions are placed side by side in a narrative or a poem for the purposeof developing comparisons and contrasts
IMAGERY

language that evokes one or all of the five senses:seeing, hearing, tasting, smelling, touching.


HAMARTIA
the error, frailty, mistaken judgement, or misstep through which thefortunes of a tragic hero are reversed (from good to bad) ; this error is notnecessarily a flaw in character but causes the problems for the protagonist.
CACOPHONY
harsh, discordant sounds

ANAPHORA
deliberate repetition of a word or phrase at the beginning of several successive verses, clauses, or paragraphs
CATACHRESIS
an extravagant, impliedmetaphor using words in an alien or unusual way
ANTISTROPHE
the repetition of the sameword or phrase at the end of successive lines or clauses.
ANTITHESIS
contrasting or combining twoterms, phrases, or clauses with opposed or antithetical meanings.

CHIASMUS
repetition of any group ofverse elements in reverse order
SYLLEPSIS/ZEUGMA
the use of a single word in such a way that it is syntactically related to two or more words elsewhere in the sentence, but has a different meaning in relation to each of the other words.

PLEONASM/TAUTOLOGY
the use of more words than areneeded to express an idea; redundancy

PARALIPSIS
a figure of thought where lessinformation is supplied than appears to be called for by the circumstances

LITOTES
understatement, especially oneexpressed by a negation of an affirmative

PERSONA
the speaker of a poem, adramatic character distinguished from the poet

ELEGY

sorrowful ormournful poem or musical composition, especially a lament for the dead.