Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
80 Cards in this Set
- Front
- Back
A Tempo |
Return to the original tempo after some deviation |
|
A Cappella |
Without instrumental accompaniment |
|
Accent Marks |
Symbols that indicate a note is strongly played or sung |
|
Accidentals |
Symbol used to raise or lower a given pitch by 1 or 2 semi-tones, or to cancel a previous sign or part of a key signature |
|
Al fine |
To the end, generally used after a repetition |
|
Allargando |
Slowing of tempo, usually with increasing volume; most frequently occurs toward the end of a piece |
|
Allegretto |
Slightly slower than allegro, often implying lighter texture and character as well |
|
Allegro con spirito |
Fast tempo (happy) with spirit |
|
Amabile |
Sweet, loveable |
|
Andante |
Rather slow, at a moderate walking speed |
|
Arpeggio |
The notes of the chord played in succession to one another, rather than simultaneously; a broken chord |
|
Atonal |
Music that lacks a tonal center; absence of key |
|
Augmented |
Raised or enlarged. Generally refers to the raising of a pitch by one half-step |
|
Bel Canto |
“Beautiful singing”; an Italian Opera term |
|
Binary form |
AB- form of a composition that has two distinct sections |
|
Cadenza |
An improvised or written-out ornamental passage performed by a soloists usually near the final cadence |
|
Caesura |
Grand pause; an interruption or break in the line (aka "Rail road tracks") |
|
Cantabile |
In a singing style; singable |
|
Chromatic |
Motion by half steps; also describes harmony or melody that employs some of the sequential 12 pitches (semi-tones) in an octave |
|
Coda |
A passage that brings a piece of music to its conclusion; an ending |
|
Concerto |
Composition for instruments in which a solo instrument is set against an orchestral ensemble |
|
D. C. or Da Capo |
Repeat from the beginning of the composition |
|
Diminished |
Lowered, or reduced; generally refers to the lowering of a pitch chromatically by one half step |
|
Diminuendo |
Gradually reduce volume, getting softer |
|
Divisi |
Performers singing the same part are divided to sing different parts |
|
Dolce |
Sweetly, usually also softly |
|
Espressivo |
To play or sing with expression |
|
Falsetto |
Type of vocal phonation that enables the singer to sing notes beyond the normal vocal range |
|
Fermata |
A pause or hold |
|
Fortissimo |
Very loud |
|
Grave |
Solemn, with dignity, serious |
|
Grazioso |
Graceful |
|
Half-step |
A semi-tone. There are 12 half-steps in an octave (Think: "Jaws" Theme) |
|
Harmonic minor |
A minor scale with a raised 7th |
|
Interval |
The relationship between two pitches, the distance between an upper and a lower pitch |
|
Key Signature |
Sharps or flats at the beginning of each staff to indicate which pitches are to be raised or lowered from their natural state during the piece |
|
Largo |
Very slow and broad |
|
Legato |
To play or sing in a smooth, connected manner |
|
Leading Tone |
The seventh degree of the diatonic scale, when it is only a half-step below the tonic, gives the feeling of wanting to move up to the tonic |
|
Leggiero |
Lightly |
|
Lunga |
A long pause that is determined by the performer or director |
|
Marcato |
Marked, stressed |
|
Meno Mosso |
Less motion |
|
Meter |
Indicated by a time signature, can be simple or compound |
|
Mezzo forte (mf) |
Medium loud |
|
Mezzo piano (mp) |
Medium soft |
|
Misterioso |
Play or sing in a mysterious manner |
|
Motif |
A short musical idea or melodic theme, usually shorter than a musical phrase |
|
Niente |
Dying away to nothing |
|
Octave (8va) |
An interval eight diatonic scale degrees a pitch. Two notes an octave apart have the same letter name, and form the most consonant interval possible |
|
Opera |
A major vocal work that involves theatrical elements |
|
Opus (Op.) |
A creative work, numbered to designate the order of the composer’s works |
|
Oratorio |
Large scale musical composition on a sacred subject (i.e. Handel's Messiah) |
|
Pesante |
Heavy, ponderous |
|
Perdendosi |
Gradually dying away, softer and softer |
|
Phrase |
A single musical idea or element which is often defined as a repeated, rhythmic pattern, or a melodic contour |
|
Poco più mosso |
A little more motion |
|
Portamento (port.) |
Special manner of singing where the voice glides from one tone to the next through all the intermediate pitches |
|
Presto |
Very fast; faster than allegro |
|
Primo |
First or upper part |
|
Rallentando (Rall.) |
Gradually slowing down |
|
Rondo form |
Form of a composition that has a recurring “A” section (ABACA) |
|
Rubato |
Making the established pulse flexible by accelerating and slowing down the tempo; an expressive device |
|
Senza |
Without |
|
Sequence |
The repetition of a phrase at different pitch levels using the same or similar intervals |
|
Sforzando (sf or sfz) |
Strongly accented; forced |
|
Simile (sim.) |
Continue to perform in a similar manner |
|
Slur |
Curved line that indicates to sing or play in a legato manner; without separation (different notes) |
|
Solfège |
A system used for teaching sight-singing (Do-Re-Mi) |
|
Sotto voce |
Softly; with subdued sound; performed in an undertone (almost like a whisper but still singing "on voice") |
|
Sostenuto |
In a sustained manner |
|
Staccato (stacc.) |
Detached; crisply played, separated, short |
|
Strophic |
Describes a song where the stanzas are all sung to the same music (like hymns - same music, different words) |
|
Subito |
Suddenly; quickly |
|
Tempo primo |
The original speed |
|
Tenuto (ten.) |
Fully sustained; occasionally even a bit longer than the note value requires (stickier) |
|
Tessitura |
Most widely used range of pitches in a piece of music |
|
Triad |
Three note chord consisting of the root, third, and fifth (i.e. Do-Mi-Sol) |
|
Tutti |
In a choral work, would indicate all voices (everyone!) |
|
Vivace |
Lively; briskly |