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8 Cards in this Set

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What is English Renaissance Theatre?

Can be easily described as theatre performed in England during the Renaissance




Much more than that




Also known as Elizabethan Theatre (named after Queen Elizabeth I)


Queen Elizabeth I: A proponent of the arts and encouraged more freedom (non-religious) within her country




Performed between 1588-1642




Shakespeare in American Communities: “The greatest period of England theatre”




Evolution from Middle Ages: Thought (ERT; theatre less conservative than MAT, subject material limited, but more broad in variety than MAT) vs. Belief (MAT; based off religion, theatre very conservative, limited subject material)

Stage Design

Stage: Where all the action took place




Yard/Pit: Normal citizens could not sit in the galleries. Probably where the term "standing room only" came from




Gallery Above Stage: Musicians/spectators usage

Set Design

Minimalistic (stage largely empty, often highly suggestive, with set pieces representing locations)




Done to keep the story at a quick pace; also monetary

Costumes

Elaborate




Rich materials




Didn’t always represent the era




Had to be made quickly




Costume changes limited




Monetary reasons




The costumes still stuck to English “Sumptuary” law: Colors had to stick to specific social classes (gold, purple, silver, crimson or scarlet, deep indigo blue, violet colors and even deep black and pure white colors meant royalty; yellow, russet (a reddish brown color), orange, green, pale blue and pink would indicate lower class

Theatre Conventions

Crossdressing


Eavesdropping


A Play Within A Play


Battling


Aside


Masque

Soliloquy

Latin for “Talking by oneself” (No Sweat Shakespeare)


Different from a monologue


Voices inner thoughts to audience


Lengthy with a dramatic tone


No other character can hear soliloquy


Understanding the character


Old-fashioned


Commonly linked with Shakespeare

Case Study: William Shakespeare

A master of the soliloquy


The majority of his most famous lines were soliloquies


Looked deep into the thoughts of his characters, made the plays stronger


Hamlet: To be or not to be... (One of the most famous lines in his career)


Romeo and Juliet: Act 2, Scene 1


Richard III: Act 1, Scene 1


The Merchant of Venice: Act 1, Scene 3 (Shylock)


Othello: Act 2, Scene 3 (Iago)

Influence

Elizabethan theatre troupes still in existence




Minimalistic staging (we still use this today)




Creation of the fourth wall (Soliloquy, a play within a play, eavesdropping, aside)




A main influence for Restoration Comedy




Looked at deep philosophical themes (love, hate) and why we do what we do [carries through to modern day theatre]