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56 Cards in this Set
- Front
- Back
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GORDON WALTERS, Genealogy 5, 1971 |
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MICHAEL PAREKOWHAI, Kiss the Baby Goodbye, 1994 |
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MICHAEL PAREKOWHAI, The Horn of Africa, 2006 |
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LISA REIHANA, Digital Marae, 2001 |
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EMILY KAME KNGWARREYE, Untitled (Winter Painting), 1993 |
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MIKE PARR, Aussie Aussie Aussie Oi Oi Oi (Democratic Torture), 2003 |
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IMANTS TILLERS, The Nine Shots, 1985 |
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ROD MOSS, Reconciliation Walk (Todd River Bridge), 2003 |
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BRIAN JUNGEN, Nicotine, 2007 |
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SONNY ASSU, Yeah... ****'s about to go sideways, I'll take you Amerind. You'll like it, looks like home, 2016 |
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AMIR NOUR, Grazing at Shendi, 1969 |
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SAM NHLENGETHWA, It Left Him Cold - The Death of Steve Biko, 1990 |
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JOHANNES SEGOGELA, Burial of Apartheid, 1993 |
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WILLIAM KENTRIDGE, Sobriety, Obesity & Growing Old, 1991 |
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MOKE, Express Taxi Populaire Kinshasa, 1990 |
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EL ANATSUI, Fresh and Fading Memories, Part I-IV, 2007 |
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MALICK SIDIBE, Photographs, 1962 - 1972 and SIAKA PAUL, sculptures, 1999 |
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LALLA ESSAYDI, Converging Territories #30, 2004 |
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SUE WILLIAMSON, Messages from the Moat, 1997 |
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TRACEY ROSE, The Kiss, 2001 |
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MESCHAC GABA, The Museum of African Art, 1997 |
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YINKA SHONIBARE MBE, Victorian Philanthropist's Parlour, 1996 - 1997 |
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SHAKIR HASSAN AL-SAID, The Envious Shall Not Prevail (Al Hasud la yasud), 1979 |
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SHIRIN NESHAT, Women of Allah series, 1993 - 1997 |
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SHIRIN NESHAT, Fervor, 2000 |
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AFSHAN KETABCHI, Self-Portrait, 2004 |
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TINA MALHI SHERWELL, Map of Palestine, 1990 |
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MONA HATOUM, Measures of Distance, 1988 |
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EMILY JACIR, Ramallah/New York, 2004 - 2005 |
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MARK LOMBARDI, BCCI - ICIC & FAB, 1972 - 1991 |
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ZOE LEONARD, Analogue, 1998 - 2009 |
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ALLAN SEKULA, Fish Story series, 1989 - 1995 |
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THOMAS HIRSCHHORN, Bataille Monument, 2002 |
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MARK BRADFORD, Mithra (Ark Sculpture), 2008 |
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SANTIAGO SERRA, Workers Who Cannot Be Paid, Remunerated to Remain Inside Cardboard Boxes, 2002 |
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THEASTER GATES, How to Build a House Museum, 2016 |
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ANDY GOLDSWORTHY, Storm King Wall, 1997 - 1998 |
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MAYA LIN, Storm King Wavefield, 2007 - 2008 |
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AGNES DENE, Wheatfield - A Confrontation: Battery Park Landfill, Downtown Manhattan..., 1982 |
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JOSEPH BEUYS, 7,000 Oaks, 1982 - 1987 |
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MIERLE LADERMAN UKELES, Touch Sanitation Performance Fresh Kills Landfills, 1977 - 1980 |
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THE INSTITUTE FOR FIGURING AND COMPANIONS, Crochet Coral and Anemone Garden, 2005 - |
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RALPH BORLAND, Suited for Subversion, 2002 |
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HANS HAACKE, DER BEVOLKERUNG (To the Population), 1999 - 2000 |
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PATRICIA PICCININI, Still Life with Stem Cells, 2002 |
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TEA MAKIPAA, 10 Commandments for the 21st Century, 2006 |
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OLAFUR ELIASSON, The Weather Project, 2003 |
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OLAFUR ELIASSON, Ice Watch Paris, 2015 |
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EDWARD BURTYNSKY, Nickel Tailings #34 Sudbury, Ontario, 1996 |
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PIERRE HUYGHE, The Third Memory, 1999 |
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CANDICE BREITZ, King (A Portrait of Michael Jackson), 2005 |
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JEREMY DELLER, The Re-enactment of the Battle of Orgreave, 2001 |
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ALFREDO JAAR, The Sound of Silence, 2006 |
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THE YES MEN, Bhopal Apology, 2003 |
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FELIX GONZALEZ-TORRES, "Untitled" (Perfect Lovers), 1987 - 1990 |
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AMALIA ULMAN, Excellences & Perfections series, 2014 onwards |
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