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God as Creator of theWorld, 1220-1230
-Moralized French Bible
-God in the process of creating the world
-not typical creation story, God uses geometry
Nicola Pisano, Annunciation relief panel, 1259
-Marble,angel coming down to tell Mary shes pregnant, copy naturalistic forms ofancient roman art
-“Fatherof renaissance”
-similar to roman architecture
Giotto, Arena Chapel, 1305
-fresco, window looking into the world, foreshortening, shading-folds
-temporality- specific movement
-Naturalistic, individuals, figures generated space, figures tacked appear father, rock wall creates line to jesus (in one of the frescos)
Masaccio, Holy Trinity, 1424
-Painting that looks like a sculpture
-Linear perpective
-Orthogonal- lines that converge at a right angle to the picture
-Vanishingpoint- lines of architecture meet at point that appears to be gone (ex. Train trakcs), mimicking a visualexperience
Michelangelo, David, 1501
-Not as rational as Leonardo, more about beauty -Large ass hands
-Usedhis hands to use slingshot to defeat enemy- expressing his unexpected powerfrom his hands
-Hellenistic emotion
Breughel, NetherlandishProverbs, 1559
-Senseof what it was like to live in northern Europe in 16th cent.
-Usessetting to illustrate proverbs/sayings of the time
-“to beat ones head against the wall” “shortsidedness” “kissa pole”- be hypocritical
-lessserious
Caravaggio, Conversion of Saint Paul
-Light/symbolism
-Conversionscene
-St Paulfalls down in inspiration when he converts
-perspective, chiaroscuro, and dramatic lighting
Vermeer, Allegoryof the Art of Painting
-Knownfor documenting landscapes
-Alsointerior scenes- precise and reproduction of detail
-Middleclass people having precise interactive moment
-He mayhave used camera obscura
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