Coms 4H Final Study Gues

Front 1

the four big ideas

Back 1

parts of speech
canions of rhetoric
types of appeals, sources of power in speech
Stasis theory

Front 2

parts of speech

Back 2

introduction
body
conclusion

Front 3

introduction

Back 3

grab audience attention, focus attention

establish ethos

these, preview, authority

Front 4

body

Back 4

teach something

persuade to do something

excite, bring our emotion, create emotional experience

Front 5

canons of rhetoric

Back 5

invention
arrangement
style
delivery
memory

Front 6

invention

Back 6

investigation, research, history, facts, finding information for topic, asking questions and answering them, measuring

Front 7

arrangement

Back 7

choosing what to use in speech
Some information might be relevant
some may not be

Front 8

style

Back 8

word choice, vocals necessary, speed, tones, atmoshpher needed to get points accross

Front 9

delivery

Back 9

hand gestures, voice, practice, tone

Front 10

memory

Back 10

recall information in order to establish ethos

leaving audience with information or something valuable, effective, insightful

Front 11

Types of Appeal or the sources of power in speech

Back 11

ETHOS

PATHOS

LOGOS

Front 12

Pathos

Back 12

Emotion drawn our of the audience
created to move the audience into persuasion, or simply to get a point accross

Front 13

ethos

Back 13

Authority, credibility, knowledge on topic that creates a genuine feeling of credibility by the audience

4 kinds, prevenient (president), presented (dr. so and so, who did this), and constucted ethos(created throughout speech) presented ethos, (experinece)

Front 14

LOGOS

Back 14

clear thinking: syllogisms, enthememes

Front 15

syllogisms

Back 15

contains two premises and a conclusion
(Major premis)because all A is C
(Minor premise) And B is A
(conclusion) Then we can conclude that B is C

Front 16

enthymeme

Back 16

syllogism based on probabilities, signs, and examples, [and] whose function is rhetorical persuasion.

argument in which premise or conclusion is unexpressed, cannot be proved, but goes off of probabilities, signs and examples

Front 17

conviction

Back 17

strong belief, fixed

Front 18

Stasis theory

Back 18

stasis of fact
quality
and action

Front 19

stasis of fact

Back 19

what are the facts? X is Y

Front 20

Stasis of quality

Back 20

X is better than Y,

Front 21

stasis of action

Back 21

what must we do? we must do X

Front 22

conviction

Back 22

belief

Front 23

opinion

Back 23

a view, judgement, or appraisal formed in the mind about a particular matter

Front 24

knowledge

Back 24

the fact or condition of knowing withing with familiarity

Front 25

rhetoric

Back 25

set of skills, words, and actions creating a powerful use of words

Front 26

monologic

Back 26

one idea

Front 27

division

Back 27

every I. II... must have a A, which needs a B

Front 28

coordination

Back 28

every new marker throughout outline needs the same function

Front 29

subordination

Back 29

bullet which must relate to the one above

Front 30

signposting

Back 30

next, first, second, indicates a new main point

Front 31

main points

Back 31

fits thesis, be related,

Front 32

preview

Back 32

tells HOW you will talk about a topic

Front 33

thesis,

Back 33

tells audience what you are going to talk about

Front 34

dissoi logoi

Back 34

takes a different line of argument, or uses different organization of outline in order to get a full understanding of topic from all angles

Front 35

telos

Back 35

is an end, or purpose

Front 36

is-ought problem

Back 36

cars are polluting the world, we ought to stop driving them

Front 37

dealing with nervousness

Back 37

preparation:practice, get comfortable with speeking
physical steps: pushups, hands together, breathing
psyhological steps, picture yourself doing well,
using nervousness: to enhance gestures and voice projections

Front 38

sentiment

Back 38

appropriate emotion
direct audience towards emotion
words with meaning, draws emotion
depth, metaphors
describes an event, which then bring emotion
stays beside the target, it will come around

Front 39

sentimentality

Back 39

drawn to excess of emotion, too much feeling
too much feeling
cliche
presents emotional words, no depth
"happiness was grief"
shoots directly to emotional

Front 40

episteme

Back 40

knowledge: measurements
JAR

Front 41

pistis

Back 41

BOX
faith , god, politics,

Front 42

DOXA

Back 42

opinion, TIE

Front 43

Persuasion

Back 43

FACts lead to Values lead to actions
connect with values of audience

Front 44

tropes

Back 44

a literary trope is the use of figurative language
irony
metaphore
allegory

Front 45

epideictic

Back 45

designed to excited audience's emotions, move passions toward a celebration of some form of shared value

Front 46

stasis of fact

Back 46

relevant info and reasons to support conclusion
usually topical X is true/false, becuase of facts

Front 47

stasis of quality

Back 47

Worth: arguing P is bad/Good

argument of definition: set criteria for something, then define your side to be part of that criteria.
consequence: here's what is true amd this will happen, this is the best we can do in this situation
circumstance: this is just how it is, its the best we can do
Comparison: X does this better than Y

Importance: X is important to our lives, therfore....

Front 48

stasis of policy

Back 48

argument to take action.You must do something. take action
Problem-solution

Front 49

Monroes motivated sequence

Back 49

attention:bring to attention a problem, grab attention
need: bring to attention the need for a change
satisfaction: relaxing a day of the week is needed
visualization: Can you imagine a stress free world?
call to action: DO it now!