Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
96 Cards in this Set
- Front
- Back
|
Name: Hephaisteion Place: Athens Agora Date: 450-415 BC Who: Started under Cimon Significance: - one of best preserved doric temples -on hill beside the Agora -preserved as changed into a church in 7th (iconography faces removed for reason) -metal workshop nearby (hephestus = name) -garden around temple -similar to parthenon - similar workers on both - 2 story porch / covered ceiling - coffers = removable lid and only fits in 1 place - |
|
|
Name: Theseus Place: East frieze of the Hephaisteion Date: 450-410 BCE Significance: -Thought originally temple for Theseus -metopes head have been removed by 7th cent church -theseus' uncle wants to be king of Athens -Theuses goes to fight minotaur -local myth depicted -stylistically Severe Style |
|
|
Name: Athena, hera and zeus Place: East frieze of the Hephaisteion Date: 450-410 BCE Significance: - 3 dieties seated on rocks -fight of theseus -heads remain because not pagen symbolism -local myth therefore exceptable |
|
|
Name: theseus and Athena cult staues Place: Hephaisteion Date: 450-410 BCE Significance: -had 2 gods/ goddesses - made By Alkamenes -blue limestone on base background -Theseus = 1st king of Athens -Athena = warrior/protector of the city -orgional statues in bronze |
|
|
Name: Place:Date:Significance: |
|
|
Name: Place:Date:Significance: |
|
|
Name: Stoa of Zeus Eleutherios (one who gives freedom) Place: Athens Agora Date: 430-420 BCE Significance: -beside royal stoa -free from persians -porch with 2 wing -outside is doric, inside ionic columns - in front is statue with zeus statue - Stored paintings of famous painters (picture of Olympians,democracy and the people ect. -ref. to historical events) - |
|
|
Name: Royal Stoa Place: Athens Agora Date: 300BCE Significance: -renovated and added 2 wings -code of laws for Athens kept here -Socrates dies here? -levels of Agora diffes, Lower than Stoa of Zeus -magistrates swore oath here |
|
|
Name: South Stoa 1 Place: Athens Agora Date: 430-420 BCE Significance: -mudbrick not marble -porch with small rooms on back (dining halls) -entrance at side of room for benches -measures and weights found -public space -offices fed at state expense |
|
|
Name: Temple of Hera D Place: Akragas Date: 450 BCE Significance: -doric temple -by Temple F site |
|
|
Name: Temple of Concord (Temple F) Place: Akragas Date: 430 BCE Significance: -ped. and met. not sculptured -well preserved -pronoas, cella and opisthodomos |
|
|
Name: Temple of Concord (Temple F) Place: Akragas Date: 430 BCE Significance: -ped. and met. not sculptured -well preserved -pronoas, cella and opisthodomos |
|
|
Name: Unfinished Doric Temple Place: Segesta Date: 430-420 BCE Significance: -attic features -indegenous settlements nearby asked for help from Athenians -mix of local and attic traditions |
|
|
Name: Acroteria Group Place: Locri, Marasa Date: c. 420 BCE Significance: -acroteria from ionic temple -triton supporting horses = local tradition - ionic temple (older than normal for period) -Aphrodite's temple Maybe? |
|
|
Name: Doryphoros "spear bearer" Who: Polykleitos Place: - Date: 440 BCE Significance: -roman copy of a bronze origional ( no support) -tilt of hips -1 knee bent -new= heel of back foot is lifted - head slightly tilted to where weight is - 1 arm along body and other arm bent (off body) -face calm expression -mouth slightly open -hair with texture -spear probably on an angle -classical style -more movement -similar to Riace warrior -maybe Achilles represented (like on 440bce vase) |
|
|
Name: Diadoumenes (the youth binding a filet round his hair) Who: Polykleitos Place: - Date: 430 BCE Significance: - Classical style -original bronze -tilt hips and raised heel -both arms free -textured hair -calm expression with lips slightly open |
|
|
Name: Hermes Propylaios Who: Alkamenes Place: Pergamon Date: Significance: |
|
|
Name: Nike Who: Paionios Place: Sanct. of Zeus Olympia Date: c.420 BCE Significance: -moment of touching soil -victory = olympia- games -wind blowing = movement of fabrics -has inscription of who made it |
|
|
Name: Stele of Hegeso Place: Athens Date: c.400 BCe Significance: - after Peloponnesian war local cults gain favor and begin making funerary monuments -high relief emerge -marble -everyday life depicted -Hegeso = daughter of Proxenos |
|
|
Name: Cat Stele Place: Aegina Date: 430 BCE Significance: - marble Stele -freize frames the stele -high relief emerge -everyday life depicted |
|
|
Name: Two-sided Votive Side A = Echelos and the Nymph Basile Place: Phaleron Date: 410 BCE Significance: -show local cults -funerary monuments -has pediment on top -other side Kephisos depicted ( local river) |
|
|
Name: Seated Woman in front of a tomb (group R) Place: Attica Date: 410-400 BCE Significance: - Attic white-ground (increase in period) -outlined in colour and then colour added -many white ground were Lekythos (perfume bottle shape) -found in burials in Attica - funerary scenes and underworld scenes -stele painted on top -white = modelled after wall paintings |
|
|
Name: Seated Woman in front of a tomb (group R) Place: Attica Date: 410-400 BCE Significance: - Attic white-ground (increase in period) -outlined in colour and then colour added -many white ground were Lekythos (perfume bottle shape) -found in burials in Attica - funerary scenes and underworld scenes -stele painted on top -white = modelled after wall paintings |
|
|
Name: Achilles, Attic red fig. Amphora Who: Achilles Painter Place: - Date: c.440 BCE Significance: - look like the Doryphoros "spear bearer" -look like achilles on W. ped of the Temple of Zeus in Olympia |
|
|
Name: Red Figure Hydria Who: Meidias Painter Place: - Date: 410-400 BCE Significance: -2 friezes on it - split into 2 sections -bottom = Herekles in garden with tree and golden apple -Top = kidnapping of daughters - they were promised to other men but he fell in love with them and abducted them (Meidias) -movement in fabric ( like Nike in Olympia) -horses look like parthenons frieze -gold added for decoration |
|
|
Name: red fig. Krater/ Lucanian Production Who: Cyclops Painter Place: Thurii ( south Italy) Date: 420-400 BCE Significance: -Lucanian Production Pottery -blinding cyclops -refering to satyr play rather than a myth -Southern- Italian pottery -Attic artists went to Thurrii and produced for native people of S. Italy |
|
|
Name: Temple of Apollo Who: Iktinos (architect of parthenon) Place: Bassae Date: 430-390 BCE Significance: - on mountains - doric temple -covered by tents to preserve them -2nd beauty of stone and symmetry -Apollo= helper and shelter saved Phigalians -1st corinthian capital emerge -doric colonnade, ionic in cella -entrance in the North (not east) -Adyton had east side entrance and sun shine in on cult statue magically |
|
|
Name: Temple of Apollo Who: Iktinos (architect of parthenon) Place: Bassae Date: 430-390 BCE Significance: -doric temple -made from Archaic temple at same place -Archaic = no opistrodomos, pronoas, adyton bigger -Classical= Dimensions very similiar, opistrodomos bigger, more south on mountain -enterance north for both = importance of cult |
|
|
Name: Temple of Apollo Who: Iktinos (architect of parthenon) Place: Bassae Date: 430-390 BCE Significance: - doric temple -1st corinthian capital emerge -doric colonnade, ionic in cella -entrance in the North (not east) -Corinthian Capitals = leafs of Acanthus, volutes at top with rosettes in middle, fluted columns ( successful in Roman world not really in Greece) |
|
|
Name: Temple of Apollo Corinthian Capital Who: Iktinos (architect of parthenon) Place: Bassae Date: 430-390 BCE Significance: -1st corinthian capital emerge -doric colonnade, ionic in cella -Corinthian Capitals = -leafs of Acanthus, -volutes at top with rosettes in middle, -fluted columns (successful in Roman world not really in Greece) |
|
|
Name: Temple of Apollo Who: Iktinos (architect of Parthenon) Place: Bassae Date: 430-390 BCE Significance: - Frieze in Cella -lapiths and centaurs (political matters of period reflected) -overlaping of figures -guy getting pushed into the ground -Achilles and Panthesilea - Amazonmarchy -fell in love when he was killing her -always seen with direct eye contact -frieze only on part of the colonnade |
|
|
Name: Temple of Apollo Who: Iktinos ( architect of Parthenon) Place: Bassae Date: 430-390 BCE Significance: - Frieze in Cella -lapiths and centaurs (political matters of period reflected) -overlaping of figures -guy getting pushed into the ground -Achilles and Panthesilea - Amazonmarchy -fell in love when he was killing her -always seen with direct eye contact -frieze only on part of the colonnade |
|
|
Name: Temple of Apollo Who: iktinos (Architect of Parthenon) Place: Bassae Date: 430-390 BCE Significance: - Frieze in Cella -Achilles and Panthesilea - Amazonmarchy -fell in love when he was killing her -always seen with direct eye contact -overlapping figures |
|
|
Name: Plan of the Sanctuary of Asklepios Who: Architect = theodotos Place: Epidauros Date: 4th cent and later Significance: Asklepios =god of health -would go if sick to be cured -Tholos, theatre, staduim ect. -snakes and curing |
|
|
Name: Temple of Asklepios Who: Architect = Theodotos Place: Epidauros Date: c.380 BCE Significance: -missing opistodomos -e. ped = amazonmarchy -w. ped = Ilioupersis (troy vs. greek) -doric temple -colossal cult statue (ivory and gold) -snake, dog and staff |
|
|
Name: Abaton (Dormitory) Place: Epidauros, Sant. of Asklepios Date: c.400- 350 BCE Significance: - were they slept -doric colonnade in the front -ionic in back -Asklepios came in and cured people as they slept |
|
|
Name: Tholos Who: Architect = polykleitos Place: sanct. of Asklepios (epidauros) Date: 360-340 BCE Significance: - function uncertain -inscriptions = Thymele " altar and hearth" - but closed top -3 ring plan -exterior colonnade doric with metopes and tryglphs -wall then colonnade of corinthian columns -floor has black and white patterns -under floor = labyrinth of spirals ( burial of asklepios? Snakes kept there? sacrifices? dancing?) |
|
|
Name: Tholos Who: Architect = polykleitos Place: sanct. of Asklepios (epidauros) Date: 360-340 BCE Significance: - function uncertain -inscriptions = Thymele " altar and hearth" - but closed top -3 ring plan -exterior colonnade doric with metopes and tryglphs -wall then colonnade of corinthian columns -floor has black and white patterns -under floor = labyrinth of spirals (burial of asklepios? Snakes kept there? sacrifices? dancing?) |
|
|
Name: Corinthian Order Place: --- Date: Significance: -with capital, base, architrave and abacus -continuous freize (like Ionic?) -fluted column Compare Ionic, Doric and Corinthian |
|
|
Name: Theatre Place: Epidauros ( sant. of Asklepios) Date: early 3rd cent Significance: -used natural slope of hill -circular orchestra -1st row was chiefs, magistrates, priests - local stone used -acoustics were great ( masks also amplified) - seats at top were probably an addition -stairs divide sections of semicircle -dressing room and backstage building made after |
|
|
Name: Theatre Place: Epidauros ( sant. of Asklepios) Date: early 3rd cent Significance: -used natural slope of hill -circular orchestra -1st row was chiefs, magistrates, priests - local stone used -acoustics were great ( masks also amplified) - seats at top were probably an addition -stairs divide sections of semicircle -dressing room and backstage building made after |
|
|
Name: Theatre of Dionysus Place: Athens Date: c. 350 BCE Significance: -used to be in Athens Agora but kept collapsing -Dionysus= dramatics -Eleuthereus= on who gives freedom - used to be trapezoid shaped and wooden -on south slope of acropolis -Odeion is way so not exactly semi-circlular -used a lot of spoiled material -1st row had inscriptions for who was to sit there (priest of Dioysus) - Proedria = 1st row |
|
|
Name: Ancient street of the Tripods Place: Athens Agora Date: --- Significance: -monuments for winning theatre -Tripods = victory gift |
|
|
Name: Monument of Lysikrates Place: Athens, street of Tripods Date: 335/334 BCE Significance: -He was a choregos (choir of young boys) -Cylindrical monument -corinthian order -2 different marbles used -closer at point because too heavy stop stealing -top relief =Dionysus kidnapped by pirates and turned them into dolphins -Satyrs playing instruments then tripod right on top |
|
|
Name: Monument of Lysikrates Place: Athens, street of Tripods Date: 335/334 BCE Significance: -He was a choregos (choir of young boys) -Cylindrical monument -corinthian order -2 different marbles used -closer at point because too heavy stop stealing -top relief =Dionysus kidnapped by pirates and turned them into dolphins -Satyrs playing instruments then tripod right on top |
|
|
Name: Temple of Apollo Patroos (Fatherly) Place: Athens Agora Date: c.330 Bc Significance: - no really normal temple layout -close to Stoa of Zeus -urban planning not really a thing yet - Chaotic |
|
|
Name: Square Peristyle Place: Athens Agora Date: c.300 BCE Significance: - reused material and cheap material -square with gate for access in - monumnetal enterance -type of plan also for houses (central peristyle/ courtyard) - |
|
|
Name: Villa of Good Fortune Place: Olynthos Date: 4th cent Significance: - domestic architecture -peristyle in centre with colonnade around -rooms open up to yard - pool or fountain in the middle -Adroon = mens room for symposiums -Verandas on houses |
|
|
Name: Villa of Good Fortune, Achilles and Thetis Place: Olynthos, floor of Androon Date: 4th cent Significance: - Mosaics on floor with pebbles -area before the couches were set up - other Mosaic in room = Dionysus on chariot |
|
|
Name: Priene Plan Who: architect = Pytheos Place: Asia Minor Date: mid 4th cent Significance: - Like Athens Agora / sant of Athena -Ionic Temple ( normally eastern tradition) |
|
|
Name: Temple of Athena Polias Who: Architect = Pytheos Place: Priene, Asia Minor Date: c.340 BCE Significance: - accessible through monumental gate -ionic temple -pronoas and opisthodomos smaller than normal -King Alexander dedicated temple ( addressed as a king for the 1st time) - link to greek tradition = King Alex connection and Ionic Order |
|
|
Name: Mausoleum of Halikarnassos Who: Architects = Satyros and Pytheos Place: Halikarnassos (capital of Persia) Date: c. 350 BCE Significance: - 1 of the 7 wonders of the world - decorated by best artists of the time (Leochares, Bryaxis ect) - Erected by wife of Mausolos' (Artemisia) - not a lot preserved now - podium with steps ( eastern tradition) - deorated with life-sized battle scene ( hunting and sacrificing scenes) -ionic colonnade - between were colossal dynastic portraits of family -architrave lions -Amazonmarchy - top = centaur frieze then 4 horse chariot with Mausolos and Artemisia on it - no overlapping figures ( less detailed than Greece) |
|
|
Name: So- called Mausolos Who: Architects = Satyros and Pytheos Place: Mausoleum of Halikarnassos Date: c.350 BCE Significance: -member of family for sure -may not be him -wear greek dress - face not have greek characrteristics - hair swept back, flat checks, short beard, lips different - more of a real portrait than idolized greek |
|
|
Name: So- called Artemisia Who: Architects = Satyros and Pytheos Place: Mausoleum of Halikarnassos Date: c.350 BCE Significance: - Face not preserved - dress and sandals = hellanized ( greek) - mantel = dress that covers the arms -best artists chosen to do this |
|
|
Name: Antikythera Bronze Place: --- Date: 350 BCE Significance: - bronze widely used for sculpture at time - posture influenced - heel raised -arms outstretched -meant for 360 viewing -inlaid eyes with ivory - maybe Perseus holding head of Gorgion he killed and holding weapon in other hand ( seen on pots ect.) |
|
|
Name: Athena from Peiraieus Place: Peiraieus Date: c.350 BCE Significance: - warrior Athena ( aegis smaller) -found in a store room was burnt ( waiting to get shipped maybe?) -No more wet drapery used - see a volume but dress is quite heavy - inlaid eyes with ivory -popular because many copies found |
|
|
Name: Eirene (Peace) and Ploutos (wealth) Who: kephisodotos Place: --- Date: 370 BCE Significance: -bronze origional -Pausanias wrote about it = name of artist - wealth is the baby -heavy thick dress -intense stare between the 2 -depicted on various media (vases ect.) |
|
|
Name: Hermes and Dionysus Who: Praxiteles and Nicias painted Place: Temple of Hera at Olympia Date: 340 BCE Significance: - painted by Nicias = his best -Praxiteles = tall and slim figures - head proportionally too small - S shaped posture used - hair messy- not well combed -robust chin -lips slightly open - tilted hips -heel raised - Original?? - No sandals too late fro time made, tool used looks like later technology - struct holding hip = seen in a lot of later reconstructions - Roman copy put back into the original position |
|
|
Name: Vatican Venus ( Roman reproduction of Aphrodite of Knidos) Who: Praxiteles Place: Vatican? Date: 350 BCE Significance: = tall and slim figures - head proportionally too small - S shaped posture used - hair messy- not well combed -robust chin -narrow eyes - liquid stare/ dreamful stare -lips slightly open - start to see female bodies naked now -360 views |
|
|
Name: Round Temple Who: Praxiteles?? Place: Knidos Date: 350 BCE Significance: - Round temple -Corinthian capitals - altar in front - open-air colonnade - can see statue in centre from all angles -worshippers not allowed in though - start to see female bodies naked now |
|
|
Name: Temple of Athena Alea (mythical founder of Tegea) Who: Skopas of Paros Place: Tegea Date: 340 BCE Significance: - hunting of the calidonian boar -mother of Thelephs? |
|
|
Name: head of Achilles Who: Skopas of Paros Place: Tegea Date: 340 BCE Significance: - square heads with deep eyes - mouth slightly open -expressed a lot of emotion |
|
|
Name: head of Telephos Who: Skopas of Paros Place: Tegea Date: 340 BCE Significance: - square heads with deep eyes - mouth slightly open -expressed a lot of emotion |
|
|
Name: Meleager (hero of Calidonian Boar hunt) Who: SKopas of Paros Place: Tegea Date: 340 BCE Significance: -roman copy - square heads with deep eyes - mouth slightly open -expressed a lot of emotion |
|
|
Name: Pighini Meleager (hero of Calidonian Boar hunt) Who: Skopas of Paros Place: Tegea Date: 340 BCE Significance: -roman copy with boar and dog - square heads with deep eyes - mouth slightly open -expressed a lot of emotion |
|
|
Name: Maenad Who: Skopas of Paros Place: Tegea? Date: 350 BCE Significance: - represented dancing - frenzied dancing -torsion of chest and head pulled back -roman copies |
|
|
Name: Apoxyomenos ( Mac scraping himself) Who: Lysippos from Sykion Place: --- Date: 350-325 BCE Significance: - rendered hair - heads smaller -bodies slimer and harder -elongated figures with small heads and slim limbs to make look tall - In front of Baths of Agrippa - foot turned out and heel raised -Strigil = scraper -both arms outstretched -bronze -wrinkle on fore-head -mouth slighly open - head tilt/ neck slightly bent |
|
|
Name: Apoxyomenos and Doryphoros Who: Lysippos and Polykleitos Place: --- Date: 350-325 and 440 BCE Significance: - D= looks smaller in heght - foot is straight / legs straight - S shaped posture A= slender legs and small head makes look taller -foot turned outward - leg turned out too - heel raised - both arms outstretched |
|
|
Name: Fano Athlete Who: Lysippos Place: Fano (found in Adriatic Sea) Date: 340 BCE Significance: - Bronze - has same Lysippos characteristics -not sure if original or not - crowning himself as victor - rendered hair - heads smaller -bodies slimer and harder -elongated figures with small heads and slim limbs to make look tall |
|
|
Name: Portrait of Alexander the Great ( Azara Herm = Roman copy) Who: Lysippos Place: ---- Date: 330 BCE Significance: - show real traits of the King (hair part -anastole) - rendered looking at the sky -torsion of the neck - make clear that he is connected to the gods |
|
|
Name: Alexander Sarcophagus (Abdalonymus) Who: -- Place: Sidon Date: 320 BCE Significance: - shape= house motif -long sides = battle of the Greeks vs Persians and Hunting scenes -richly decorated ( meanders) |
|
|
Name: Alexander Sarcophagus (Abdalonymus) Who: -- Place: Sidon Date: 320 BCE Significance: - shape= house motif -long sides = battle of the Greeks vs Persians and Hunting scenes -richly decorated ( meanders) |
|
|
Name: Alexander Sarcophagus (Abdalonymus) Who: -- Place: Sidon Date: 320 BCE Significance: - shape= house motif Short side = Gable battle scence and Persians fighting - battle of Issus ( alex won against Darius) - some paint and polychromy still visible -long sides = battle of the Greeks vs Persians and Hunting scenes-richly decorated ( meanders |
|
|
Name: Grave Stele of Dexileos Who: Kerameikos Place: Athens Date: 390 BCE Significance: -knights on a horse very much like parthenon Frieze - doesnt say birth/death date - tells who/ how died/ and what they did -dates to confirm not part of uprising |
|
|
Name: Ilissos Stele Place: --- Date: 330 BCE Significance: - father, son, boy and dog depicted - relief more detailed -high relief steles popular - Decree of Demetrios and Phaleras against luxury monuments in 317 |
|
|
Name: Electra and Orestes at the tomb of Agamemnon Place: Taras Date: 300 bce Significance: -Steles used in Greek colonies - looks like temple of Artemis in Ephesus - Decree of Demetrios and Phaleras against luxury monuments in 317 |
|
|
Name: Eros and Female (Ariadne?) Who: Meleager Painter Place: Date: 390- 380 BCE Significance: - not on different levels anymore -figures more stiff -painting in 4th cent not as good in Athens ( South Italy took over market) Kerch Style - named after ukranian city - attic production -slender and mannered figures -polychromy -added clay for relief work |
|
|
Name: Peleus, Thetis, Eros and Nymphs Who: Marsyas Painter Place: Attic? Date: 360-350 BCE Significance: - Peleus crowing Thetis -white detailing - represntation of naked nymph - shown from back ( dont see front at all) |
|
|
Name: Striding Athena, Attic Panathenaic Amphora Who: --- Place: Athens? Date: 332-331 BCe Significance: -contained oil for the winner of the games -1 side always has Athena Promekos - other side has event you won |
|
|
Name: Alexander Mosaic Who: Philoxenos of Eretria Place: Pompeii Date: 1st cent (after 310BCE wall painting ) Significance: - battle of Issos - lots of individuality and expression -looks like Alexander Sarcophagus -Persian looking in reflection in shield -iconography repeated through artists and places - make comparisons with different representations in different mediums |
|
|
Name: Bellerophon and the Chimaera Who: Olynthos Place: House of the Rape of Helen Date: early 4th Significance: - pebble mosaic - Stag scene -have signature of Gnosis (made it) -looks like Alex's sacophagus |
|
|
Name: House of the Rape of Helen Who: Gnosis Place: Pella Date: 325-300 BCE Significance: - pebble mosaic - Stag scene -have signature of Gnosis (made it) -looks like Alex's sacophagus |
|
|
Name: House of the Rape of Helen Who: Gnosis Place: Pella Date: 325-300 BCE Significance: - pebble mosaic - Stag scene -have signature of Gnosis (made it) -looks like Alex's sarcophagus |
|
|
Name: Alexander with a Thunderbolt Who: --- Place: Pompeii - House of the Vettii Date: 1st cent Significance: - After a painting by Apelles of Alexander -20 talents ( expensive) -used only 4 colours - Plutarch = was too back are swarthy (skin fairer) -reproductions |
|
|
Name: Palace at Vergina Place: Vergina, Macedonia Date: late 4th cent Significance: -mix of greeks and barbarian culture/influence -kingship -central court with peristyle -veranda -banqueting rooms off of peristyle -monumental entrance - have Shrine of kerakles Patroos (fatherly) -claimed to be descendants of Herakles
|
|
|
Name: Plan of Sanct. at Olympia - Philppeion Place: Olympia Date: 330 BCE Significance: -round building -roof had a bronze poppy on top -left side of the town hall in Olympia -Statues of Alex, Philip, and Amyntas (philips father) by leochares -made by burnt brick and columns -placed by Pelops statue which Herakles is related -Placed by Temple of Zeus too (importance of god) |
|
|
Name: Philippeion Place: Olympia Date: 330 BCE Significance: - exterior colannade is ionic -room inside had semi-columns corinthian style -round building -statues on the base |
|
|
Name: Tomb of Persephone -Hades carrying off Persephone Place: Vergina Date: 340 BCE Significance: - Tomb 1 under Great Tumulus -Demeter depicted in mourning -show re-birth and hope in good afterlife -cyst tomb and most simple |
|
|
Name: Great Tumulus/ Tomb of Philip Place: Vergina Date: 340-310 BCE Significance: - disputed if Philip the 2nd (Great) or Philip 3rd -Doric facade -2 chambers 1) Anti-chamber -a sarcophagus with gold larnax -symbol of macedonia on larnax -woven fabric of gold and purple cover bones (like Hector in Iliad) -Possible for Female/ wife -was an extension to the original temple 2) Chamber -more detailed gold larnax -lion legs -inside had crown of oak leaf and acorn -silver banqueting vessels -ivory heads ( Philip and Alex?) -Iron and gold Cuirass -man buried in here - aged 45
Philip 3 = buried with flesh still so wouldnt have moved the body there when claimed to have dies. Measma= pollution |
|
|
Name: Tomb of Philip- Doric Facade Place: vergina Date: 340-310 BCE Significance: - hunt scene with a Lion -are wearing Macedonian Kausia ( head piece) - Lion and Kausia fit time period despite some peoples claim - philip 2 buried here most likely |
|
|
Name: Tomb of Philip - Gold Larnax Place: Vergina - Main Chamber Date: 340-310 BCE Significance: - lion feet -symbol of Macedonia -more detailed than in anti-chamber -wrapped in purple and gold fabric -gold crown of oak and Acorn leaves |
|
|
Name: Tomb of Philip - Wall Painting Place: Vergina Date: 340-310 BCE Significance: - reconstruction of the hunt scene -shows Lions and Kausia ( macedonian head piece) -argued that macedonian motifs are too early but not. -therefore philip 2 in chamber |
|
|
Name: Krater from Derveni Place: Derveni Date: 330 BCE Significance: - gilded bronze ( copper and silver) -Ashes of Astion from Larissa inside -satyrs sleeping -volutes = head of Herakles -neck=frieze of animals |
|
|
Name: Pella Plan Place: Pella Macedonia Date: 400 BCE Significance: -moved to be capital of macedonia -temple on hill overlooking city -orthogonal grid planning |
|
|
Name: Pella Palace Place: Pella Macedonia Date: 4th cent Significance: - central courtyard -rooms surrounded courtyard -pebble mosaics -has House of Rape of Helen and House of Dionysus - temple on hill overlooking city -orthogonal grid plan |
|
|
Name: Pebble Mosiac Lion Hunt Place: Pella - House of Dionysus Date: 325-300 BCE Significance: - pebble mosaic -Lion hunt - individual stones made to decorate floor ect. |
