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24 Cards in this Set

  • Front
  • Back
Allegro

{ a-lay-GROH}
Brisk and Lively.
Adage

{a-DAHZH}
Slow and sustained
Raccourci

{Ra- Koor- SEE}
Shortened
Allonge

{a-lawn-ZHAY}
Extended, outstretched.
First Arabesque

{a-ra-BESK}
Supported on a straight leg with other leg extended at a right angle to the supported leg. Forward arm extended on same side as the supporting leg, and the other extended straight in direction of extended leg.
Supported on a straight leg with other leg extended at a right angle to the supported leg. Forward arm extended on same side as the supporting leg, and the other extended straight in direction of extended leg.
Second Arabesque
The arms are reversed so that the forward arm is the opposite to the supporting leg. The head is slightly inclined and turned toward the audience.
The arms are reversed so that the forward arm is the opposite to the supporting leg. The head is slightly inclined and turned toward the audience.
Third Arabesque
Both arms are extended forward to the side of the supporting leg, The fingertips of the arm farther from the audience are in a line with the centre of the space between the eyes while the arm nearer the audience is in a line with the shoulder.
Both arms are extended forward to the side of the supporting leg, The fingertips of the arm farther from the audience are in a line with the centre of the space between the eyes while the arm nearer the audience is in a line with the shoulder.
Fourth Arabesque
The supporting leg is nearer the audience and is demi-plie. The arms and head are held as in the first arabesque with the arm on the side of the raised leg being forward.
The supporting leg is nearer the audience and is demi-plie. The arms and head are held as in the first arabesque with the arm on the side of the raised leg being forward.
Fifth Arabesque
The arms and head are held as in third arabesque With the arm father from the audience being the higher. The supporting leg is the leg nearer the audience and is in demi-plie.
The arms and head are held as in third arabesque With the arm father from the audience being the higher. The supporting leg is the leg nearer the audience and is in demi-plie.
En Arriere

(Accent check)

{ah na-RYEHR}
Backward.
Assemble

(Accent check)

{a-sahn-BLAY}
Assembled or joined together.
Assemble Battu

(Accent check)
Assemble beaten.
Assemble Porte

(Accent check)

{pawr-TAY}
Assemble Carried.
Assemble Derriere/Devant

(Accent check)
Assemble in back/front.
Assemble en arriere/ en avant
Assemble backward/forward.
Assemble simple

(accent check)
Ordinary Assemble, single.
En attitude

(accent check)

{ah na-tee-TEWD}
In attitude.
Attitude

{a-tee-TEWD}
Position on one leg with the other lifted in back, the knee bent at a 90 degree angle and well turned out so the knee is higher than the  foot.
Position on one leg with the other lifted in back, the knee bent at a 90 degree angle and well turned out so the knee is higher than the foot.
En avan/En arriere

{ ah na-VAHN} / {ah na-RYEHR}
Forward, towards the audience/ Backward, away from the audience.
Balance

(Accent check)

{ba-lahn-SAY}
Rocking Step
En balancoire

(Accent heck)
Like a seesaw. Series of grand battements executed with a continuous swinging motion through first position to the fourth position front and back. As leg is thrown forcefully forward, the body leans backward, then as the leg is thrown backward, the body leans forward.
Ballon

{ ba-LAWN}
Bounce. - Like a smooth bouncing ball.
Pas Ballonne

(Accent check)

{pah ba-law-NAY}
Ball-like or bouncing step. Step in which the dancer springs into the air exteneding one leg to the front, side or back and lands with the extended leg either in sur le cou-depied or ritire. There are two kinds of of ballonne : Ballonne simple, which may be performed petite or grand; and ballonne compose, which is a compound step consisting of 3 moments.
Coupe ballonne

(Accent Check)
Ballonne cut.