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83 Cards in this Set
- Front
- Back
Ikebana and cherry blossoms |
Represent the beauty of its cultural heritage |
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Traditional form of theater |
Traditions that is very popular until today which began at the end of sixteenth century |
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Traditional form of theater |
Became the most successful theater entertainment in the red light districts of the great cities |
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No and Kabuki |
Considered as the most important Japanese contribution to world theater |
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Noh and Kabuki |
Are unique and genuine expressions of the Japanese spirit and culture. |
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Sakura |
One of the popular traditional songs of Japan that produces distinct characteristics used in the Asian style of making melodies. |
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Pentatonic scale |
Distinct characteristics used in the Asian style I'd making melodies that is adopted mainly in China. - this style is mostly used in noh and Kabuki |
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Vocal technique used in singing |
One of the key features of Japanese theater |
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Ipponchoshi |
Or the continuos pattern used in speeches building up to an explosive climax hn thd aragato style |
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Aragato |
Oversize, supernatural, rough hero style |
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Ipponchoshi |
Repuires an extraordinary breath control that only few experts succeed in achieving |
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Nori |
Technique adapted from chanting joruri . it implies a very sensitive capacity of riding the rhythms of the shamisen |
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Shamisen |
string instrument |
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Yakuharai technique |
subtle delivery of poetical text written in Japanese metrical form of alternating seven and five syllables |
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Dance and movements |
These are accompanied. by shamisen instruments |
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Gagaku |
Classic court music imported from China during the 18th century |
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Kagura |
Performed in shinto shrines |
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Nô |
Chant derives from shomyo, the sophisticated and rich tradition of Buddhist chanting |
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Nagauta |
Popular shamisen music also called as long song |
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Henge mono |
Quick change pieces |
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Nagauta |
Reached a golden age in the first half of the 19th century as dance music for henge mono. |
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Can be performed by one shamisen or by an entire orchestra of twenty musicians Ten are shamisen players while others play flutes and drums |
How is Nagauta performed |
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Kotsuzumi |
Small drum |
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Otsuzumi |
Waist drum |
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Taiko |
Stick drum |
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Chinese theater |
Traditionally considered as the highest form of arts in China |
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Peking opera theater |
According to the Oxford dictionary, it is the stylized Chinese form of opera dating from the late 18th century |
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18th century |
Century in which speech, singing, mime and acrobatics are performed to an instrumental accompaniment |
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Peking opera theater |
Regarded as one of the cultural treasures of China |
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Qing Dynasty court |
What dynasty court was the peking opera theater extremely popular? |
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Erh-huang and his-p'l |
Two main styles of peking opera kusic |
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His-p'l |
It has a lower sound than Erh-huang. They also utilize the technique called fan-pan |
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Comprises about eight musicians sitting on stools in the far corner of the stage |
What comprises of peking opera? |
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Ta-lo and siag-lo |
Each performance in a peking opera begins with? |
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Ta-lo and siag-lo |
A small and large gong cymbals |
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Music |
It is an integral part of every performance |
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Ti-ts |
Cross flutes- usually played along with singing |
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Siao |
Recorded flutes -usually played along with singing |
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Sona |
Trumpet announces prosperous occasions |
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Ti-ts Siao Sona |
Aerophone instruments |
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Hu-ch'in and Bu-chin |
Two-stringed instruments |
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Hu-ch'in Bu-chin |
Violin like instruments |
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Yue-ch'in |
Four stringed instruments |
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San-sien |
Three-stringed instruments |
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Pi-p'a |
Similar to lute with four strings |
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Yue-ch'in San-sien Pi-p'a |
Guitar-like instruments |
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Ta-lo and Siao-lo |
Gongs that signify the beginning of performance |
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Tan-pi-ku |
Kettle drum used to create the tempo of the performance. |
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Ta-lo Siao-lo Tan-pi-ku |
Idiophone instruments |
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Chou |
Rarely has a singing part in peking opera |
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To put beauty into every motion |
Highest aim of the performers of Peking opera |
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Shadow puppet Theater |
Is a well-known Indonesian theater |
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Wayang Kulit |
One of the oldest continuous traditions of storytelling in the world |
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Wayang kulit |
Includes the use of puppet materials and background musical accompaniment. |
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Wayang |
Indonesian-Malay word for Theater |
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Kulit |
Means skin. Refers to the leather construction of the puppets cut into very fine tools and supported with buffalo horns |
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Audience |
The most important person in a wayang kulit performance |
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Puppets in the right side of the stage |
Signifies the good character |
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Puppets on the left side of stage |
Signifies the bad character |
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Open space between the puppets about two meters |
Represents the stage |
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Dalang |
Characterized by his being creative humurous and flexible. |
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In royal court and in public on religious occasions |
Where is wayang kulit performed |
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Use of voice interchangeably |
Main ability of a dalang to give more life to the character |
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Saron |
Xylophone of heavy bronze bars |
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Gender |
Bronze xylophone with resonance chambers beneath |
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Bonang |
Set of bronze bowls |
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Gong and kempul |
Hanging gongs |
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Kenong and kentuk |
Single inverted bronze bowl |
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Gambang |
Wooden xylophone |
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Rebab |
Two stringed fiddle |
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Suling |
Flute |
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Kendang |
Horizontal drum beat with the fingers in both ends |
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Tjelempung |
A zither of thirteen double strings |
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The preponderance of bronze instruments |
Fives gamelan music a bright lingering sound |
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Accompanies singing and stage actions including dance |
Two dramatic function of music to the theater |
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Suluk |
Mood songs |
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Jinghu |
Two-stringed instruments played with a bow |
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Yueqin |
Four stringed instrument that is plucked |
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Sanxian |
Three stringed instrument which is also plucked |
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Variety of gongs and cymbals |
creates rhythmic and graceful melodies |
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Wawadiao |
An aria in xipi style that is sung by a young she ng to indicate heightened emotion |
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Qupai |
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Okuni |
A shinto princess who founded the Kabuki in 1603 |