Arthist 107 Slide Test

Front 1

Back 1

Duccio,

Maesta,

1308-11,

for the high altar of theSiena Cathedral, tempera and gold leaf on panel. now in theMuseo dell’ Opera del Duomo, Siena

Front 2

Back 2

Simone Martini,

Maestà,

c.1315,

for the Room of theCouncil, Palazzo Pubblico, Siena, fresco.

Front 3

Back 3

Simone Martini,

Annunciation,

c.1329/31-33,

for the altar of St. Ansanus inSiena Cathedral, tempera and gold leaf on panel, now in theUffizi

Front 4

Back 4

Arnolfo di Cambio and Francesco Talenti,

Santa Maria del Fiore (the duomo or cathedral),

begun 1296

(Italian Gothic style for the main building, early Renaissance dome)

Front 5

Back 5

Arnolfodi Cambio,

Palazzo Vecchio,

Piazza della Signoria,

1299-1310

Front 6

Back 6

Probably by Arnolfo di Cambio,

Santa Croce,

begun1294

Front 7

Back 7

Santa Maria Novella,

monastic complex begun 1246,

façade begun c.1300 and completed in 1470

by Alberti

Front 8

Back 8

Michelozzo,

Medici Palace,

Florence,

begun1446-c.1460

Front 9

Back 9

Andrea Orcagna,

tabernacle for Or San Michelewith Madonna and Child

by Daddi,

1347

Front 10

Back 10

Michelozzo,

Cloister of San Marco,

1436

Front 11

Back 11

Interior view of theBrancacci Chapel,

Santa Maria del Carmine,

1425-1428 & 1481-1485

Front 12

Back 12

Interior view of theSassetti Chapel,

c.1485

Front 13

Back 13

Interiorview of the Tornabuoni Chapel,

Santa Maria Novella,

1486-1490

Front 14

Back 14

Masaccio,

Holy Trinity,

ca.1428,

in Santa MariaNovella

Front 15

Back 15

Ghirlandaio,

The Birth ofthe Virgin,

Tournabuoni chapel,

Santa Maria Novella,

1485-90.

Front 16

Back 16

Masaccio,

Tribute Money,

fresco,

Brancacci Chapel,

SantaMaria del Carmine,

1423-48

Front 17

Back 17

Benozzo Gozzoli,

The Procession of the Three Magi (thescene depicting the youngest king, Balthazar),

fresco,

c.1459,

Chapel of the Magi, Medici Palace.

Front 18

Back 18

Gentile da Fabriano,

Adoration of the Magi,

1423,

temperaon panel,

for the Strozzi Chapel in Santa Trinita

now in theUffizi, Florence

Front 19

Back 19

Fra Angelico,

Crucifixion,

1440s,

fresco,

chapter house, monastery of San Marco

Front 20

Back 20

Fra Angelico,

Annunciation,

1440s,

fresco,

monasteryof San Marco, Florence

Front 21

Back 21

Ghirlandaio,

Last Supper,

refectory, monastery of San Marco,

c.1486

Front 22

Back 22

Paolo Uccello,

Battle ofSan Romano,

ca.1455,

tempera on wood,

National Gallery, London

Front 23

Back 23

Sandro Botticelli,

Primavera,

ca.1482,

tempera on panel,

Florence, Uffizi

Front 24

Back 24

Sandro Botticelli,

Birth of Venus,

c.1485,

tempera on canvas,

Florence, Uffizi

Front 25

Back 25

Andrea Pisano,

FlorenceBaptistery south doors,

‘Life of St John the Baptist’,

1330-36,

gilded bronze

Front 26

Back 26

Ghiberti,

The Baptistery Doors (North Doors),

1401-19

Front 27

Back 27

Ghiberti,

Gates of Paradise (East Doors),

1425-52

Front 28

Back 28

Ghiberti,

The Story of Jacob and Esau,

c.1435

Front 29

Back 29

Ghiberti,

St. John the Baptist,

1412-16

commissioned bythe Cloth Merchants Guild for Or San Michele

Front 30

Back 30

Nanni di Banco,

St. Luke,

1408-15,

commissioned for one of the niches of Florence Cathedral,

now in the Museo dell’Opera delDuomo, Florence

Front 31

Back 31

Donatello,

St. John,

1408-15,

commissioned by the Opera del Duomo for thefaçade of Florence Cathedral, marble,

now in the Museo dell’Opera delDuomo, Florence

Front 32

Back 32

Donatello,

St. Mark,

1411-13,

commissioned from the Arte dei Linaiuoli for the south sideof Or San Michele,

Florence,

marble

Front 33

Back 33

Donatello,

St. George,

commissioned by theArmourers’ Guild for Or San Michele,

1416-17

Front 34

Back 34

Donatello,

St. Louis of Toulouse,

commissionedby the Guelphpolitical party for Or San Michele,

c.1422-25

Front 35

Back 35

Donatello,

David,

ca.1428-32,

bronze,

Bargello, Florence,

originally for the courtyard of the Medici Palace

Front 36

Back 36

Donatello,

Judith and Holofernes,

gilt bronze,

late 1450s

originally set in a garden in the MediciPalace, now in the Palazzo dellaSignoria, Florence

Front 37

Back 37

Andrea del Verrocchio,

David,

ca.1465-70,

bronze,

Museo Nazionale del Bargello, Florence

Front 38

Back 38

Michelangelo,

David,

1501-04,

commissioned by the Cathedral building committee for the north tribuneof the Catheral, but on completion installed in front of the Palazzo Vecchio, Florence,

marble

Front 39

Back 39

Antonio del Pollaiuolo,

Hercules and Anteus,

early 1470s,

bronze,

Museo Nazionale del Bargello,Florence

Front 40

Back 40

Equestrian statue of Erasmodi Narni, ‘Il Gattamelata’,

bronze with a marble base,

c.1445-53,

Piazza di SanAntonio, Padua

Front 41

Back 41

Andreadel Verrochio,

Equestrian Statue of Bartolommeo Colleoni, Campo die SantiGiovanni e Paolo,

Venice,

ca.1483-88,

bronze

Front 42

Back 42

Alberti,

Sant Andrea,

1472-1494

Front 43

Back 43

Andrea Mantegna,

Camera degli Sposi,

view of the ceiling,

1465-74,

fresco,

Castello di San Giorgio

Front 44

Back 44

Mantegna,

La Corte dei Gonzaga,

Camera degli Sposi,

north wall

Front 45

Back 45

Mantega,

Pallas Expelling the Vices from the Garden of Virtue,

1499-1502

Front 46

Back 46

Leonardo,

Last Supper,

1495-98,

tempera and oil on plaster,

Santa Maria delle Grazie

Front 47

Back 47

Polykleitos,

Doryphorus,

marble copy after bronze original of c.450-440 BC,

Naples, Museo Nazionale

(Ancient Greek: High Classical)

Front 48

Back 48

Praxiteles,

Hermes and the Infant Dionysus,

from the Temple of Hera, Olympia, Greece,

marble copy after original of ca.340 BC,

Archaeological Museum, Olympia

(Ancient Greek: Late Classical)

Front 49

Back 49

Anthanadorus,

Hagesandros and Polydorus of Rhodes,

Laocoön and His Sons,

from Titus’s palace, Rome, early 1st century A.D., marble,

Vatican, Rome

(Ancient Roman—Hellenistic)

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Front 50

Back 50

Equestrian statue of Marcus Aurelius,

from Rome, Italy, ca.175AD,

bronze,

Musei Capitolini, Rome

(Ancient Roman)