Arth Midterm

Front 1

Marsden Hartley, Painnting No. 50, 1914-15 – oil on canvas

Back 1

Front 2

Jim Dine, Green Suit, 1959 – corduroy suit, corrugated cardboard, wire, and oil paint

Back 2

Front 3

Elizabeth Murray, In the Dark, 1986 – oil on 3 canvases over shaped wooden armature

Back 3

Front 4

Elie Nadelman, Tango, 1920-24 – cherry wood with gesso and paint

Back 4

Front 5

Robert Smithson, Spiral JeFy, 1970 (outer edge is 1500’ from terminus at shore) – mud, black basalt rocks, water, salt crystals, time

Back 5

Front 6

Felix Gonzalez-Torres, Untitled (Portrait of Ross in L.A.), 1991 – candy, perpetually depleted and replenished

Back 6

Front 7

Yoko Ono, Action: Cut Piece, 1964 (first performance, Yamaichi Concert Hall, Kyoto) – performer, garment, scissors, audience participants, actions

Back 7

Front 8

Lawrence Weiner, Many Things Brought from One Climate to Another to Make a Grouping of Things NotRelated to the Climate at Hand, 1981 – vinyl lettering on wall

Back 8

Front 9

Dara Birnbaum, Damnation of Faust, 1984 – video installation

Back 9

Front 10

Robert Henri, Himself and Herself, both 1913

Back 10

Front 11

John Sloan, Chinese Restaurant, 1909

Max Weber, Chinese Restaurant, 1915

Back 11

Front 12

Stanton MacDonald-Wright, Synchromy in Purple, 1918-19

Stanton MacDonald-Wright, Abstraction on Spectrum (Organization No. 5), 1914

Back 12

Front 13

Stanton MacDonald-Wright, Aeroplane Synchromy in Yellow-Orange, 1920

Back 13

Front 14

Max Weber, Rush Hour, New York, 1915

John Marin, Lower ManhaJan (Composing Derived from Top of Woolworth), 1922

Back 14

Front 15

John Marin, Lower ManhaJan (Composing Derived from Top of Woolworth),

1922John Marin, Camden Mountain across the Bay, 1922

Back 15

Front 16

Joseph Stella, BaJle of Lights, Coney Island, Mardi Gras, 1914-18

Back 16

Front 17

Marsden Hartley, Maine Mountains, Autumn, 1910

Marsden Hartley, Pain;ng No. 50, 1914–15

Back 17

Front 18

Marsden Hartley, Portrait of A German Officer, 1914

Back 18

Front 19

Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912 – showed in NYC 1913

Back 19

Front 20

The Blind Man – photograph:

A. Stieglitz, background painting: M. Hartley, The Warriors, 1913)

Back 20

Front 21

Marcel Duchamp, Fountain, 1917

Back 21

Front 22

Arthur Dove, Golden Storm, 1925 - oil and metallic paint on plywood panel

Arthur Dove, Silver Sun, 1929 - Oil, metallic paint, and wax ? on canvas

Back 22

Front 23

Arthur Dove, Waterfall, 1925 - oil and metallic paint on plywood panel

Arthur Dove, Pine Tree, 1931

Back 23

Front 24

Charles Demuth, Business, 1921

Stuart Davis, Saw, 1923

Back 24

Front 25

Charles Demuth, Welcome to Our City, 1921 – politics of Lancaster

Elsie Driggs, Pittsburgh, 1927

Back 25

Front 26

Charles Sheeler, Classic Landscape, 1931

Back 26

Front 27

Charles Sheeler, Upper Deck, 1929

Charles Demuth, I Saw the Figure 5 in Gold, 1928

Back 27

Front 28

various WPA project-work: posters for Cleveland, Chicago and Springfield, and mural for San Pedro, CA Post Office

Back 28

Front 29

Lester Beall, Light, 1937

Back 29

Front 30

Reginald Marsh, Tattoo and Haircut, 1930-32 – egg tempera on Masonite

Back 30

Front 31

Reginald Marsh, Bowery, 1930 – egg tempera on Masonite

Thomas Hart Benton, Boomtown, 1928

Back 31

Front 32

Thomas Hart Benton, America Today murals, 1930(Two views out of ten: City Building and The Changing West)

Back 32

Front 33

Grant Wood, American Gothic, 1930

Back 33

Front 34

Grant Wood, Spring Turning, 1936 – never seen it, can’t vouch for color

Back 34

Front 35

Archibald Motley, Nightlife, 1943

Archibald Motley, Tongues (Holy Rollers), 1929

Back 35

Front 36

Jacob Lawrence, MigraTon of the Negro (series), 1940-41 (here: panel nos. 1 and 60)60 panels, casein tempera on hardwood board, 12 x 18 ins. each

Back 36

Front 37

Aaron Douglas, Aspects of Negro Life (four murals), 1934

1. ‘Song of the Towers’ - 2. ‘From Slavery to ReconstrucBon’ 3. ‘An Idyll of the Deep South’ - 4. ‘The Negro in An African Sekng’

Back 37

Front 38

Beauford Delaney, Self-Portrait, 1944

Edward Hopper, Automat, 1927

Back 38

Front 39

Edward Hopper, Nighthawks, 1942

Back 39

Front 40

Jacob Lawrence, MigraTon of the Negro (series), 1940-41 – casein on hardboard Here: panel 15: “There were lynchings.”

Back 40

Front 41

WPA FAP poster, ca. 1936. The project ended in June 1943.

Back 41

Front 42

John Steuart Curry, Tragic Prelude, 1938-40

Grant Wood, Parson Weems’s Fable, 1938

Back 42

Front 43

While we are certain that we have expressed the spirit and life source of our Folkcorrectly in politics, we also believe that we will be capable of recognizing its culturalequivalent and [that we will] realize it. – Adolf Hitler, Party Day 1935, Nürnberg (d.4/30/1945)A young art that contains its passion in simple realism represents the new poliMcalthinking of our epoch. – Walter Horn, 1930

Back 43

Front 44

top row, L to R: Claesz, Still Life, 1647 - Ingres, time. Moitessier, 1851 - Ingres, Scene at a Turkish Bath, 1862

bottom, L to R: Cézanne, Still Life, 1890 - Matisse, The Green Stripe, 1905 - Picasso, Les Demoiselles d'Avignon, 1907 (entered MoMA 1939)

Back 44

Front 45

Norman Rockwell, The Connoisseur, as cover art onThe Saturday Evening Post (13 Jan 1962) – for many decades a kind of Everyman’s New Yorker

Back 45

Front 46

Franz Kline, Wotan, 1950 – Oil on canvas mounted on Masonite (55 x 79 5/16 ins)

Jackson Pollock, One: Number 31, 1950, 1950 – oil and enamel paint on canvas (8 x 10 ins by 17 x 5 5/8 ins)

Back 46

Front 47

Adolph Gottlieb, The Seer, 1952

Adolph Gottlieb, Tournament, 1951

Back 47

Front 48

Willem de Kooning, Woman, 1949 (60 x 48 ins)

Back 48

Front 49

Pablo Picasso,Demoiselles d’Avignon, 1907

Back 49

Front 50

Wm de Kooning, Night, 1948

Wm de Kooning, Untitled, 1948-49

Wm de Kooning, Excavation, 1950

Back 50

Front 51

Willem de Kooning, two drawings entitled Two Women, both 1954

Back 51

Front 52

Jackson Pollock, Untitled, ca. 1943

Jackson Pollock, Free Form, 1946 (oil on canvas, 19¼ x 14 ins.)

Back 52

Front 53

Jackson Pollock, Autumn Rhythm, No. 30, 1950 (105 x 207 ins.)

Back 53

Front 54

Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950 (87 x 118 ins)

Back 54

Front 55

L: Joan Miró, Shooting Star, 1938

R: Jackson Pollock, Stenographic Figure, 1942 (40 x 56 ins.)

Back 55

Front 56

Jackson PollockTotem Lesson #21945

Back 56

Front 57

L: Thomas Hart Benton, The Ballad of the Jealous Lover of Green Valley, 1934

R: Jackson Pollock, Gothic, 1944 (7' 5/8" x 56”)

Back 57

Front 58

Norman Lewis, Prehistory, 1950 (26 x 50 ins.)

Back 58

Front 59

Norman Lewis, City Night, 1949 (24 x 18 ins.)

Back 59

Front 60

Robert Motherwell, Elegy to the Spanish Republic XXXIII, 1953-54 (82 x 114 ins)

Back 60

Front 61

Robert Motherwell, Personage, 1943

Robert Motherwell, Elegy to the Spanish Republic LV, 1955-60

Back 61

Front 62

Mark Rothko, Rites of Lilith, 1945

Back 62

Front 63

Mark Rothko, Tan and Purple, 1954

Back 63

Front 64

R: Composition in Orange and Yellow, 1954

Back 64

Front 65

L: Clyfford Still, No. 2 (Untitled), 1938 (26 x 30 ins) R: Hoodoo in the Drumheller bandlands, Alberta, Canada

Back 65

Front 66

L: Clyfford Still, 1947 – J, 1947 (70 x 62 ins)

R: Clyfford Still, 1948 - A, 1948 (70 x 65 ins)

Back 66

Front 67

Clyfford Still, Untitled, 1951 (82 x 69 ins)

Back 67

Front 68

Barnett Newman, Pagan Void, 1946 (33 x 38 ins)

Back 68

Front 69

L: Barnett Newman, Onement I, 1948 (27 x 16 ins)R: Barnett Newman, Onement III, 1949 (71 x 33 ins)

Back 69

Front 70

Barnett Newman, Onement V, 1953 (60 x 38 ins)

Back 70

Front 71

Barnett Newman, Vir Heroicus Sublimis, 1950-51 (7′ 11″ x 17′ 9″)

Back 71

Front 72

Roy Lichtenstein, Little Big Painting, 1965(68 x 80 ins.) – oil and Magna on canvas (oil in the dots,Magna on the solid color areas)

Back 72

Front 73

Adolph Gottlieb, The Seer, 1950

Lee Krasner, Number 3 (Untitled), 1951 – cf.

E. L. Kirchner, Women in the Street, 1915

Franz Kline, Wotan, 1950

Back 73

Front 74

Helen Frankenthaler, Mountains and Sea, 1952 (86 5/8 x 117 1/4 in.)

Back 74

Front 75

Jackson Pollock, Lavender Mist, 1950

Helen Frankenthaler, Mountains and Sea, 1952 (both roughly 7’ x 10’)

Back 75

Front 76

Helen Frankenthaler, Shatter, 1953 (48.5x54in)

Helen Frankenthaler, Before the Caves, 1958, (104 in x 102in)

Back 76

Front 77

Helen Frankenthaler, Small's Paradise, 1964 (100 x 93 5/8 in.)

Back 77

Front 78

Morris Louis, Feh, 1958 (94.5 x 140 ins.)

Back 78

Front 79

Morris Louis, Daleh, 1959 (103 x 146 ins.)

Back 79

Front 80

Morris Louis, Beta Kappa, 1961, (103x171ins.)

Back 80

Front 81

Kenneth Noland, Number One, 1958

Back 81

Front 82

Kenneth Noland,High Easter, 1960-6164 x 66 ins.

Back 82

Front 83

Kenneth Noland, Thrust, 1963

Raphael, The Cangiani Holy Family, ca. 1507

Back 83

Front 84

Frank Stella, Die Fahne Hoch [The Flag on High], 1958 (10’ x 6’) – commercial black enamel paint on canvas

Frank Stella, Tuxedo Park Junc/on, 1960

Back 84

Front 85

Hollis Frampton, The Secret World of Frank Stella, 1958-62 – Stella is painting Getty Tomb

Back 85

Front 86

Frank Stella, Quathlamba, 1964

Frank Stella, Harran II, 196720’10’

Back 86

Front 87

Jules Olitski, Born in Snovsk, 1962 (10’ x 7.5’)

Jules Olitski, Sacred Courtesan Blue, 1962 (90” x 80”)

Back 87

Front 88

Olitski, Patutsky in Paradise, 1966

Back 88

Front 89

Jules Olitski in detail and in situ J

ules Olitski, High A Yellow, 1967

Back 89