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103 Cards in this Set
- Front
- Back
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Monument of Alfonso XII Retiro Park |
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Cristina Iglesias Doors Prado |
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Day & Night Atocha Station |
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Palacio de Cristal Retiro Park |
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Homage to Newton Dalí Square |
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La Sierna Varada Public Art Museum |
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Atocha Memorial Atocha Train Station |
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Botero Plaza Colon |
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Matadero Arganzuela district |
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Habsburg Baroque |
XVII (17th) century 1614-1700 |
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Bourbon Baroque |
c. 1750s-1780s XVIII (18th) century |
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Habsburg Baroque Architecture |
1. Plaza Mayor 2. Royal Alcazar 3. Palace of Buen Retiro |
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Name: Plaza Mayor History: Modern Time: 1614- c. 1700 Style: Habsburg Baroque Artist: Philip III & Juan Gomez Place for: walking Bullfighting brick and granite symmetry |
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Name: Royal Alcazar History: Islamic origin Time: 8th-15th century Style: Islamic burned in a fire in 1735 |
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Name: Palace of Buen Retiro History: Modern Time: 1614- c. 1700 Style: Habsburg Baroque Artist: Philip IV symmetry was losing power --> built as symbol to regain power by construction |
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Name: Equestrian Statue of Philip IV History: Modern Time: 1614 - c.1700 Style: Habsburg Baroque Galileo did physics (hind legs & tail are solid) & front end is hallow Velazquez --> design Montages --> sculptor Tacca --> cast in bronze |
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Royal Family Tree |
1. Reyes Catholicos (Isabel & Ferdinand) 2. Juana la Loca & Philip I of Habsburg 3. Charles I (V of Habsburg) 4. Philip II (El Escorial) 5. Philip III (Plaza Mayor) 6. Philip IV (Palacio de Buen Retiro) 7. Charles II (dies in 1700s end of Habsburg dynasty) *war of succession 8. Philip V (1714, Bourbon dynasty begins) 9. Charles III |
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Name: Waterseller of Sevilla Artist: Velazquez History: Modern Time: 1599-1623 Style: Habsburg Baroque; 1st period Sevilla earthly tones transparencies on oil canvas |
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Name: Old Woman Cooking Eggs Artist: Velazquez History: Modern Time: 1599-1623 Style: Habsburg Baroque; 1st period Sevilla mother? Family cook |
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Name: Adoration of the Magi Artist: Velazquez History: Modern Time: 1599-1623 Style: Habsburg Baroque; 1st period Sevilla Wife Juana is depicted as Virgin Mary Daughter Francesca is depicted as Baby Jesus painting reality felt closer to religion (supports counter-reformation) diagonals achieves naturalism ordinary people earthly tones |
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Name: Philip IV of Habsburg Artist: Velazquez History: Modern Time: c.1623 Style: Habsburg baroque; 2nd period Madrid -court painter official portrait paper = absolutist monarchy (king signs laws) in Prado |
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Name: Los Borrachos Artist: Velazquez History: Modern Time: 16th-19th century Style: Habsburg Baroque: 2nd period Madrid pt. I diagonals no blues or reds, earthly tones ordinary people --> drunks Bacchus --> Roman god of wine |
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Name: Vulcan's Forge (1930) Artist: Velazquez History: Modern Time: 1629-1631 Style: Habsburg Baroque; 3rd period Italy pt. I -earthly tones -play of diagonals (short & smaller) gives movement NOT action -anatomy --> inspired by Michaelangelo -subjects jealous --> represents other artists who said Velazquez couldn't paint well or didn't deserve to be court painter |
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Name: The Surrender of Breda/ The Lances Artist: Velazquez History: Modern Time: 1631-1649 Style: Habsburg Baroque; 4th period Madrid pt. 2 -foreshortening -diagonals -LOOSE brush strokes -**Atmospherical perspective Breda flemish town --> temporary victory 2 groups: Spanish (winners) & Flemish Spanish = organized Flemish: disorganized --> seeking sympathy; captain gives key to Spanish captain emphasize power of: -habsburg dynasty -monarchy self portrait as a solider: -belongs to group of winners -gets viewer into painting |
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Name: Hall of Realms (in palacio buen retiro) Artist: Velazquez & 12 others emphasis of Habsburg dynasty & monarchy equestrian paintings --> 12 victories of Spain |
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Name: Equestrian Portrait of Prince Baltasar Carlos Artist: Velazquez History: Modern Time: 1631-1649 Style: Habsburg Baroque; 4th Period Marid pt. 2 was 6 yrs old; died at 17 yrs old b4 las meninas cester --> next heir (holds absolute power) landscape: -sierra de madrid -painting out of reality equestrian Roman ideas = emphasis on power |
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Name: Las Meninas Artist: Velazquez History: Modern Time: 1656 Style: Habsburg Baroque; 6th period Family portrait of Philip IV; placed himself in it w/royal crest Margarita de Austria looking at King & Queen (parents) Augustina & Isabel --> noble family Maria Barbula - holding ring --> loyalty Nicholas --> dwarf playing with dog |
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Message of Las Meninas |
-was fighting to be noble -went to trial twice --> rejected twice -painted the Red Cross of Santiago on himself 1. Nobility of Art deal with art = noble person conceptual philosophical 2. Loyalty to the Royal Family |
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Technique of Las Meninas |
Light #1 to foreground light #2 to middle ground interior of study light #3 to background *light gives ariel perspective narrow palet of colors -few touches of red -earthly tones -loose brush strokes --> inspiration for impressionism -light dissolutes forms |
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War of Succession |
1710-1714 -dispute between France and Germany about who should be next kind of Spain -Spain helped France -England helped Germany France won = Philip V now King of Spain enters Bourbon Dynasty of Spain |
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Bourbon Baroque |
History: Modern Time: 18th century; 1714-1770 more rich & abundant -Palacio de la Granja -Palacio Real |
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Baroque XVIII |
History: Modern Time: 18th century; 1714-1770 more rich & abundant mixed lines: -broken -convex -circular -concave goal was to add movement *ex) Facade of the Cathedral of Santiago de Compostela ex) Basilica de San Miguel -Madrid -Facade (convex) -18th century -dome (elliptical) -alter (convex) |
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Name: Palacio de la Granja History: Modern Style: Bourbon Baroque Time: 1721 commissioned by Philip V faces Segovia -intended for retirement -artists were from FRANCE & ITALY -gardens & foundations (follows inspiration & guidelines of Versailles) |
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Palacio Real Philip V + Juvara Modern Bourbon Baroque 1770 (18th century) artists: -Juvarra & Sabatini interior decorated by Carlos III doric columns lions brought back from Velazquez from Italy |
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Neoclassicism |
-against the success of Baroque -back to Roman and Greek -symmetry and harmony History: contemporary time: 1770s-1850(+/-); 19th century |
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Name: Prado Museum commissioned by Carlos III History: Contemporary Time: 1819 (19th century) |
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Carlos III |
enlightened king promoted: -art -wisdom -knowledge |
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Goya |
-born in 1746 -died in 1828 -considered father of modern painting -against absolutism |
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Goya and Kings |
1. Carlos III 2. Carlos IV 3. Ferdinand VII |
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Name: Second of May 1808 Artist: Goya History: Contemporary Time: Romanticism (1800-1850) painted in 1814 French army invaded Spain Madrileños defended Spain |
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Name: Third of May 1808 Artist: Goya History: Contemporary Time: Romanticism (1800-1850) painted in 1814 many executions, killings of Madrileños Madrileños = heroes changed the way war was depicted -1st to paint war as death, fear, and panic -see faces of victims not killers -war in general kills, kills innocent people |
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Name: Saturn Devouring his Son Artist: Goya History: Contemporary Time: 19th century Style: Romanticism |
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Court Painter |
-Carlos IV: 1800 -making official portraits of royalty -conflict b/c he had to portray absolutism & he didn't want to |
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Name: Family of Carlos IV Artist: Goya History: Contemporary Time: 1800 -Carlos IV expected huge, pompous painting but not like that -Goya included himself 1.painting is noble 2. all members of royal family are humans w/defects, bad relationships, too human to absolutists 3. Goyas dignity as valuable as royalty 4. inspired by las meninas |
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War of Independence |
Time: 1808-1814 -Napoleon invaded Spain (wanted to get to portugal) -his brother king of spain (Jose I bonaparte) -spain started war of independence from france |
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Goya in Madrid |
1774-1823 -started as a cartoonist in Royal Factory of Tapestries -painter = underworld, subconscious |
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Goya as engraver |
techniques: -etching -aquatints -engravings -drypoint 4 series: -Los caprichos (dreams) -los desastres -tauromaquia -los disparates |
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La Dama de Elche Ancient Iberia 4BC-1AD |
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Crown Jewels Medieval Visigoths 5th-8th century |
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La Almudena Medieval Romanesque 10-12th century |
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Palace of Charles V at La Alhambra Charles V Modern Classical Renaissance 16th century |
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Great Mosque, Cordoba Haram Islamic 8-15th century |
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Annunciation Fra Angelico Early Italian Renaissance 13- 15th century |
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San Jermino de Real Modern Plateresque 16th century |
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Charles V and the Fury Leoni Modern Classical Renaissance 16th century |
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Mujedar (san pedro church, san nichols church) Medieval Islamic & Romanesque 8-15th & 10-12th century |
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Triptych of Earthly Delights Bosch Medieval Early Renaissance in Flanders 13th-15th century |
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El Escorial Philip II & Herrera Modern Spanish Renaissance 16th century |
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Disrobing of Christ El Greco Modern Late Renaissance 16th century |
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Patio of Lions in La Alhambra Medieval Islamic 8-15th century |
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La Giralda Medieval Islamic 8-15th century |
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Aqueduct of Segovia Ancient Roman 1-5th century |
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Cathedral of Sevilla Medieval Gothic 12-15th century |
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El Generalife Summer Palace of La Alhambra Medieval Islamic 8-15th century |
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La Alhambra Medieval Islamic 8-15th century |
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Saint Catherine of Alexandria Yañez Modern Classical Renaissance 16th century |
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The Annunciation Greco Modern Spanish Renaissance 16th century (1570s) Titian --> color (red) Tintoreno --> composition, space Michael Angelo -- > human body |
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The Annunciation Greco Modern late Renaissance 1600 |
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Islamic |
Medieval 8-15th centuryHorro Vascui Geometric |
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Visigoths |
Medieval 8-10th century Plaza Oriente |
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Gothic |
Medieval 12-15th century pointed arches ribbed cross vaults flying buttress rose window pinnacles |
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Romanesque |
Medieval 10-12th century Roman semi-circle arches Valut --> barrel windows --> flat |
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Roman |
Ancient 1-5AD perfect half circle Mosaic tessera |
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Classical Renaissance |
Modern 16th century Palacio de Carlos V |
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Plateresque |
Modern 15/16th century only in spain |
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Jovellanos Goya Contemporary Romanticism 1800-1850+/- |
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Cathedral of Santiago de Compostela Modern Bourbon Baroque 18th century |
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Los Caprichos Goya Contemporary Romanticism 19th century (1800-1880s) |
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Stick Fight (Black Painting) Goya Contemporary Romanticism 19th century |
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Facade of Basilica San Miguel Modern Bourbon Baroque 18th century |
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Defense of Zaragoza A. Cubero Contemporary Neoclassicism 18-19th century |
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Prado Carlos III & Villanueva Contemporary Neoclassicism 19th century |
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Death of Viriato Contemporary Neoclassicism 19th century |
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Science & Charity Picasso Contemporary 19-20th century Formation Period (until 1901) 1897 social realism |
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Woman in Blue Picasso Contemporary 19-20th century Blue Period (1901-1904) |
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Family of Saltimbanques Picasso Contemporary 19-20th century Rose Period (1904-1907) |
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Boy with a Pipe Picasso Contemporary 19-20th century Rose Period (1904-1907) |
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Cubism |
1907-1917
-decomposing figures and objects into different 2D planes using geometric shapes influences: -African masks -Iberian art -Egyptian art (completeness & decomposing) -P. Cezanne (The Bathers --> geometric) -Ingres --> Turkish Baths -Greco |
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Les Demoiselles D'Avignon Picasso Contemporary 19-20th century Proto Cubism (1907-1910) 5 female figures in a brothel key concept: can only be captured by showing it from multiple POVs at the SAME time |
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Picasso: Analytical Cubism (1910-1912) |
analyze forms from every POV planes becomes smaller, more decomposition intellectual step less color (tones are GREY + BROWN) flat + geometric |
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Picasso: Synthetic Cubism (1912-1917) |
-bigger planes -more color -2D -glue bits of real life objects to paintings ex: 1) 3 Musicians 2) 2 circus people |
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Picasso: Classicist Period |
1917-1925 ex) 1. 3 women at a fountain |
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Picasso: Surrealism (1925-1937) |
started as a literary movement ex) 1. Musical Instruments on a Table 2. The Bather |
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Guernica Picasso Contemporary (19-20th century) Synthetic Cubism & Surrealism (May & June 1937) -city of Guernica bombed by Germans -civil war of spain 1936; commissioned by Republíca -painted for the spanish pavilion for worlds fair in Paris |
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Influences of Guernica |
-Rubens -->Horrors of War - Goya --> 3rd of May -E. Hemingway --> Farewell to Arms -Velazquez Las Meninas |
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Symbolism of Guernica |
-b&w --> more dramatic - painting reads from R to L; 3 women trying to escape bombings -triangular composition war brings: -death -pain -suffering -loneliness painting traveled from 1937-1992; returned to spain in 1981 MoMA Director: Alfred Bahr |
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Picasso: Last Period until death in 1973 Las Meninas 1957 |
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Sorolla Periods |
1. Valencia 1863:Formation & Consolidation (end of the 19th century) 2. Madrid 1923 |
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Women Traffic |
Sorolla Contemporary 19-20th century Impressionism 1870s |
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Hispanic Society of America 1911-1919 Mr. Archer Huntington & Sorolla 14 panels representing different regions of Spain |
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Horse's Bath Sorolla Contemporary 19-20th century Impressionism 1870s |
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El Bote Blanco Sorolla Contemporary 19-20th century Impressionism 1870s |
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Modernism |
Contemporary 19th-20th century 1900s ex) Gaudí |
