Arth 476 Midterm

Front 1

Matisse, Woman with Hat, 1905

Back 1

Front 2

Dufy, Street Decked with Flags, Le Havre, 1906

Back 2

Front 3

Matisse, Joy of Life, 1905-6

Back 3

Front 4

Rouault, Prostitue before a Mirror, 1906

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Front 5

Nolde, Crucifixion, 1911-12

Back 5

Front 6

Nolde, Head of Prophet, 1912

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Front 7

Kirchner, Street in Berlin, 1913

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Front 8

Marc, Blue Horses, 1911

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Front 9

Kandinsky, Street in Murnau, 1908

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Front 10

Kandinsky, Composition VII, 1913

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Front 11

Klimt, Nuda Veritas, 1899

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Front 12

Klimt, Philosophy, 1900

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Front 13

Schiele, Self-Portrait, 1910

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Front 14

Schiele, Edouard Kosmack, 1910

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Front 15

Kokoschka, Plate from Dreaming Youths, 1908

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Front 16

Maillol, The Mediterranean, 1902-05

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Front 17

Lehmbruck, Kneeling Woman, 1911

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Front 18

Brancusi, The Kiss, 1916

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Front 19

Brancusi, Bird in Space, 1925

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Front 20

Picasso, Old Guitarist, 1903

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Front 21

Picasso, La Toilette, 1906

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Front 22

Picasso, Les Demoiselles d'Avignon, 1907

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Front 23

Braque, Houses at L'Estaque, 1908

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Front 24

Braque, The Portuguese, 1911

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Front 25

Picasso, Still Life with Chair Caning, 1911-12

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Front 26

Picasso, Maquette for Guitar, 1912

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Front 27

Leger, The City, 1919

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Front 28

Severini, Dynamic Hieroglyphic of the Bal Tabarin, 1912

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Front 29

Balla, Dynamism of a Dog on a Leash (Leash in Motion), 1912

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Front 30

Boccioni, Unique Forms of Continuity in Space, 1913

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Front 31

Tatlin, Model for Monument to the Third International, 1919-20

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Front 32

Rodchenko, Hanging Construction, 1920

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Front 33

Malevich, Morning in the Village after a Snowstorm, 1912

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Front 34

Malevich, Suprematist Composition, 1913

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Mondrian, Composition with Red, Blue and Yellow, 1930

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Front 36

Fauvism

Back 36

More raw and brilliant color, unnaturalistic, recognizing the forms of color and the canvas (the materials), flowing lines, going beyond the scene, capturing essences (france)

Front 37

German Expressionism

Back 37

Parallel to fauvism (but in Germany), expressive emotions, brutal reality, experiencing the work rather than "reading" it, express emotion and energy (not just subject) with color and form and loose brush strokes

Front 38

Der Blaue Reiter

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(Munich) Less attention to subject matter & increasingly ambiguous, ideas and inner desires of the artist, color moves away from the natural, convey the spirit of a piece

Front 39

Cubism

Back 39

Geometric breakdown, flattening of pictorial space, conceptual, simultaneity of time, faceting

Front 40

Futurism

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Movement, speed, energy [of modern life], dynamism, glorified war & violence

Front 41

Constructivism

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Makes use of materials, focuses on how they can be put together to create something that exists uniquely, incorporating space

Front 42

Suprematism

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non-objective, against rationalism, flattening of space and dissolving the figure into space, mechanical, inspired by cubism

Front 43

De Stijl

Back 43

abstract, pared-down aesthetic centered in basic visual elements such as geometric forms and primary colors

Front 44

Neo-Plasticism

Back 44

pure, uncompromising, heavily structured abstraction, no curves or symmetry, primary colors, black, white and grey