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23 Cards in this Set
- Front
- Back
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Petrus Christus, A Goldsmith in His Studio,1449
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Petrus Christus, Nativity,c. 1450-55, panel, 51.25”x 38.25”
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Dieric Bouts, Madonna and Child,c. 1465. |
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Joos van Ghent, Duke Federigoof Urbino and his Son,Guidobaldo, c. 1475 |
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Joos van Ghent, Allegory ofMusic, c. 1475 |
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Hugo van der Goes, Adoration of the Magi (Monforte Altarpiece), c. 1472
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Hugo van der Goes, Portinari Triptych, c. 1474-76 (open) |
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Hugo van der Goes, Portinari Triptych, c. 1474-76, center panel |
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Hugo van der Goes, Dormitionof the Virgin, c.1480 |
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Hans Memlinc, “Joys of Mary,” c. 1480, panel, 32” x 74.5” |
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Hans Memlinc, Diptych of Maarten van Nieuwenhove, 1487 |
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Fouquet, Melun Diptych, c. 1450 |
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Martin Schongauer, Temptation ofSt Anthony, c. 1475. Engraving, |
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Martin Schongauer, Carrying of the Cross to Calvary, 1475-80
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Tilman Riemenschneider, Altarpiece ofthe Holy Blood, 1499-1505 |
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Veit Stoss, Annunciation ofthe Rosary, 1517-18 This type of limewood art was encouraged by the church. The joys of Mary are in a lot of art regarding her. Drapery is sculpted in big, deep forms, so when lights hit it you get big contrasts in shadow. Enhances dramatics, as do colors. curls heavily pronounced. Dove represents holy spirit. They're bestowing in a way that the layman would immediately understand. |
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Matthias Grünewald, Isenheim Altarpiece, 1515 (closed)
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Grünewald, Temptation of St. Anthony,right wing of Isenheim Altarpiece (open),c. 1510-15 |
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Albrecht Dürer, FourHorsemen of the Apocalypse,from the Apocalypse series,1497-98. |
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Albrecht Dürer, Adam andEve, 1504, engraving
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Albrecht Dürer, Melancholia I, 1514
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Albrecht Dürer, Self-Portrait,1500 |
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Dürer, Young Christ among the Doctors, 1506
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