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22 Cards in this Set
- Front
- Back
- 3rd side (hint)
Fig.95 |
Fig.95,Alexander Calder,Sequential view of Dots and Dashes in motion,1959
Painted sheet metal wire
IMPLIED LINE/ KINETIC |
Dots and dashes |
|
Fig.96 |
Fig.96,Titian, Assumptionand Consecration of the Virgin,1516-1518
Oil on wood
HORIZON LINE |
Virgin |
|
Fig.101 |
Fig.101,Vincent Van Gogh, The starry Night,1889
Oil on canvas
EXPRESSIVE LINE |
Night |
|
Fig.105 |
Fig.105,Sol LeWitt,Wall Drawing No.681C,1993 Colored ink washes AUTOGRAPHIC/ANALYTIC LINE |
681C |
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Fig.110 |
Fig.110,Eugene Delacroix,Study of Death of Sardanapalus,1827-1828
Pen,watercolor,and pencil
ROMANTIC LINE/ EXPRESSIVE |
Death |
|
Fig.127 |
Fig.127,Barbara Hepworth,Two figures,1947-1948 Elmwood and white paint NEGATIVE SPACE AND SHAPE THREE DIMENSIONAL |
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Fig.105 |
Fig.105, Sol LeWitt,Wall Drawing No.681C,1993 Colored ink washes AUTOGRAPHIC/ANALYTICAL LINES |
681C |
|
Fig.110 |
Fig.110,Eugene Delacroix,Study of the death of Sardanapalus,1827-1828
Pen,watercolor,pencil
ROMANTIC/EXPRESSIVE LINE |
Death |
|
Fig.127 |
Fig.127,Barbara Hepworth,Two figures,1947-1948
Elmwood and white paint
NEGATIVE SHAPE AND SPACE
THREE DIMENSIONAL |
Figures |
|
Fig.128 |
Fig.128,Dan people of liberia,"Feast making spoon"(Wunkirmian),20th century Wood and iron NEGATIVE SPACE |
Wunkirle |
|
Fig.133 |
Fig.133,Leonardo da Vinci,The Last Supper,1495-1498
Oil and tempera on plaster
ONE-POINT LINEAR PERSPECTIVE |
Da vinci |
|
Fig.140 |
Fig.140,Peter Paul Rubens,"The Kermis",1635 Oil on Panels VANISHING POINT |
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Fig.148 |
Fig.148,Andrea Mantegna,"The Dead Christ",1501 Tempera on canvas FORSHORTENING |
Christ |
|
Fig.158 |
Fig.158,J.M.W. Turner,"Rain,steam,and speed- The Great Western Railway,1844 Oil on Canvas ATMOSPHERIC PERSPECTIVE |
Railway |
|
Fig 163 |
Fig.163,Michelangelo,"Head of a Satyr",1620-1630,
Pen and ink over chalk
HATCHING/ VALUE |
Satyr |
|
Fig.163 |
Fig.163,Sanford R. Gifford,"October in the Catskills,"1880 Oil on Canvas WARM COLOR SCHEME |
October |
|
Fig.186 |
Fig.186,Georges Seurat,"A Sunday on La Grande Jatte,1884-1886
Oil on Canvas
COMPLEMENTARY COLORS |
Sunday |
|
Fig.190 |
Fig.190,Chuck Close,"Stanley",1980-1981, Oil on Canvas LAYERED POINTILLISM |
Stan |
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Fig.191 |
Fig.191,Charles Serles,"Filas for Sale" ,1972 Acrylic on canvas POLYCHROMATIC |
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Fig.205 |
Fig.205,Max Ernst,"Europe after the Rain",1940-1942 Oil on Canvas FROTTAGE |
Rain |
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Fig.221 |
Fig.221,Leonardo DaVinci,"Study of Human Propotion:The Vitruvian Man",1492
Pen and ink drawing
SYMMETRICAL |
Proportion |
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Fig.226 |
Fig.226,Nancy Graves,"Zeeg,1983 Bronze with polychrome patina ASYMMETRICAL BALANCE |
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