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25 Cards in this Set
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Postmodernism Audrey Flack, Chanel, 1974. Acrylic on canvas. still life. genre had been rejected by high art |
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Appropriation art Cindy Sherman, Untitled Film Still no. 6, 1977. Photograph. purporting to catch the blond bombshell in unguarded moments at home. She stopped, she has explained, when she ran out of clichés. |
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Appropriation art Sherrie Levine, After Walker Evans #4, 1981 Black-and-white photograph,10 x 8 in. art’s relationship to originality reclaiming work changing the context of the work |
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Postmodernism Leon Golub, Interrogation, 1981. Acrylic on canvas. golub focuses on central and south american political violence sort of childlike rendering of forms |
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Postmodernism Jenny Holzer, Abuse of Power Comes asNo Surprise, 1983. Screenprint onT-shirt. holzer comes up with short phrases that describe her experience and are relatable. truisms. 1982 — times square 1982. site of intervention |
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Postmodernism Anselm Kiefer, The Red Sea, 1984. Mixed media on canvas. abstraction a la whistler burnt, scorched earth symbolic of reality in germany |
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Appropriation art Louise Lawler, Pollock & Tureen, Arranged by Mr. and Mrs. Burton Tremaine,Connecticut, 1984. Photograph. using zoom to emphasize context of work pollock, endpoint of painting - becomes decoration, like porcelain vessel |
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Postmodernism Jeff Koons, One Ball Total Equilibrium,1985. Basketball and saline tank. artist as businessperson explicitly connected to financial aspects of art taking object out of consumer exchange |
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Art and ‘The Culture Wars’ Stills from David Wojnarovicz, A Fire In My Belly, 1986. Video. |
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Art and ‘The Culture Wars’ Andreas Serrano, Piss Christ,1987. Photograph. provocative title, etherial photo - fossilized, trapped in time also did this with totally non christian objects too |
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Appropriation art Barbara Kruger, Untitled (I ShopTherefore I Am), 1987; Silkscreened photograph, 111 x 113 in. |
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Postmodernism Ashley Bickerton, Tormented SelfPortrait, 1987. Assemblage. logos from corporate media affixed to formalist sculpture - post minimalist sculpture |
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Appropriation art Richard Prince, Untitled, 1989. Photograph. theme of advertising photo of ad without parts that reference product |
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Art and ‘The Culture Wars’ Felix Gonzalez-Torres, Untitled (Perfect Lovers), 1988/1991.Two synchronized clocks. |
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YBA Damien Hirst, One Thousand Years, 1990. Animal head, maggots/flies, glass vitrine, etc. birth and death of flies based on own predilections vanitas - viiewer is forced to think about own mortality offense to viewer’s senses and sense of self |
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Art and ‘The Culture Wars’ Felix Gonzalez-Torres, “Untitled” (USA Today), 1990 candies piled in gallery - people can take - form instability weight of candies based on partner’s weight while dying of aids |
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Postmodernism Fred Wilson, ‘Mining the Museum,’ Exhibition at the Maryland Historical Society, 1992-93 concepts of ownership |
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Art and ‘The Culture Wars’ Zoe Leonard, Strange Fruit, 1992-7.Mixed media (fruit and thread) failed attempts at finding a cure - outcome v dire, morbid title refers to song referencing hate crimes against black men as well as fruit i.e. a slur for a gay man |
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Postmodernism David Hammons, In the Hood, 1993.Found object (torn hoodedsweatshirt). |
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YBA Tracy Emin, Everyone that I’veEver Slept With, 1963-1995.1995. textiles - feminist tactic |
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New Media Pierre Huyghe andPhillip Parreno, NoGhost Just a Shell,1999. Video. buy rights to character designs - annlee - essentially blank object, body, style invited other artists to use her as a character in their own work - philosophical musings on existence and immprtality of digital character |
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New Media Cory Arcangel, Clouds, 2002Hacked Nintendo game and two-channel projection. |
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New Media Paul Chan, 1st Light, 2005 Digital animated projection, black-and-white and color, silent; 14 minutes,dimensions variable mediation display tied into cultural themes - 9/11, people falling |
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New Media Ai WeiWei, World Map, 2006Fabric, cotton, nylon, wood base39 1/3 x 315 x 236 ¼ in. relationship btwn land masses china a huge supplier of cotton - economic relationship btw china and rest of world raising political questions about ppl who work in those industries |
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New Media Zoe Leonard, Analogue, 1998-2009Color photograph, 11 x 11 in. documenting process of items being reintroduced into different kind of economic system - post-consumer economics tracking objects around the globe via commerce |
