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42 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Prophet (trumeau of portal,saint-pierre, moissac) ca. 1100 CE |
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Gislebertus, last judgement (west portal, saint –lazar, autun), ca.1100 CE |
-tympanum: semicircular or triangular -christ after second coming -heaven left, hell right -heirarchal scale |
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Gislebertus, eve (from the n. portal of saint-lazare, autun), 1100 CE |
-fragment of lintel (horizontal support across top of door) -confessions happened infront of this - original sinner |
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Cloister, priory of saint-pierre, moissac,ca.1100 CE |
-physically and figuratively central to monastic life -74 decorated capitals depicting bible stories |
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Ambulatory, choir of the Royal Abbey Church of Saint Denis (France), ca.1100 |
(patron: Abbot Suger)
made by different artisans from many different reqions |
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Initial I, from Gregory the Great’s Moralia in Job, ca. 1100 CE |
made before official statutes against manuscript decorations were established monkss tattered clothing -avoidance of luxury + engagement in manual labor req'd by benedictine rule |
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West facade of the Cathedral of Notre Dame,Chartres (France), ca. 1200 |
-construction happened in stages & was never fully finished left spire built in 16th century |
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Nave of theCathedral of Notre Dame, Chartres, ca. 1200, interior and exterior with flyingbuttresses |
within crypt is tunic of virgin mary first fully developed example of high gothic |
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Nave of the Cathedral of Notre Dame, Chartres, ca. 1200, interior and exterior with flying buttresses |
within crypt is tunic of virgin maryfirst fully developed example of high gothic buttresses only visible outside - gothic rebuilt |
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Notre Dame de la Belle Verrière, Chartres, ca.1200 (stained glass, ca. 14' high) |
more than 180 original stained glassed peices held together by lead strips only window besides w. facade to survive fire |
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*West facade of the Cathedral of Notre-Dame,Reims, ca. 1300 |
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Visitation (from the jamb of the west portal ofReims Cathedral), ca. 1300 |
virgin mary announcing preg to cousin s curve results from contrapposto reminiscent of roman sculpture |
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Annunciation (from the jamb of the west portal ofReims Cathedral), ca. 1300 |
Mary in the enunciation, sober style, severe nunciate angel, courtly style, emphasized long proportions, smaller head, gothic style standar difference in style due to not intended to originally be a pair |
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Sainte-Chapelle, upper chapel (Paris), ca. 1200 patron: king louis IX |
-king and his family's private use -reliquary as a building, canopy, crown of thorns, sponge, nail, part of the cross -stained glass and gold, blue ceiling-rayonant style-radiate light |
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Jean Pucelle, The Betrayal of Christ and theAnnunciation (Hours of Jeanne d'Evreux), ca. 1300 |
-grisaille (painting in grey) adds dimension + some colour -surrounded by secular scenes, metaphor between the scenes proleries and vignettes fill pages |
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Jan and Hubert van Eyck, Ghent Altarpiece (openand closed, including the portraits of the patrons, the Annunciation, Adam,Eve, God the Father, Mary, St. John the Baptist, and the Altar of the Lamb)ca.1400 |
-polyptych with doors -two registers: >bottom, landscape, crowd extending in space, lamb of Christ on the altar, detailed >top, heavenly court -Adam and Eve, long legs, pear shape, Parisian style -Cain and Abel, sin passed on |
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Jan van Eyck, the arnolfini portrait, ca.1400 |
-marriage contract, signed on the wall -pear shape, not pregnant -transfer of goods -no emotion |
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Donatello, David, ca.1500 patron: cosimo de'medici |
Youthful,Classical ideal -sword of Goliath, too big -narrative contrapposto, looking down at the head, foot on head -first freestanding male nude since antiquity -sympathetic movement -realization of his capability -Medici's saw themselves as David, protecting the state |
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Sandro Botticelli, Primavera, ca.1500 |
assumed it was a wedding gift controversy of interpretation byt could be celebration of marriage and fertility |
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Sandro Botticelli, Birth of Venus, ca. 1500 |
-goddess of love, most beautiful -contemplation of beauty, reach the divine through beauty -gold lines in her hair -stable composition, triangle |
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Hieronymous Bosch, “The Garden of EarthlyDelights” (open and CLOSED, including the Creation of the World, Paradise, “TheGarden of Earthly Delights”, and Hell), ca. 1500 |
"god watching over events from above" -3rd day of creation/flood of noah |
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Hieronymous Bosch, “The Garden of Earthly Delights” (OPEN and closed, including the Creation of the World, Paradise, “The Garden of Earthly Delights”, and Hell), ca. 1500 |
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Hieronymous Bosch, “The Garden of Earthly Delights” (open and closed, including the Creation of the World, PARADISE, “The Garden of Earthly Delights”, and Hell), ca. 1500 |
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Hieronymous Bosch, “The Garden of Earthly Delights” (The Garden of Earthly Delights”), ca. 1500 |
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Hieronymous Bosch, “The Garden of Earthly Delights” (open and closed, including the Creation of the World, Paradise, “The Garden of Earthly Delights”, and HELL), ca. 1500 |
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Nicola Pisano, Fortitude orDaniel, ca. 1300 |
*might be hercules because of lion skin *the anotomy, proportions + stance inspired by ancient roman model |
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Giotto,Madonna Enthroned, ca. 1300 |
tempera on panel blue robe and scale bring attn directrly to main subject |
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Giotto,Christ Entering Jerusalem, ca. 1300 medium: fresco, some parts painted secco |
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Giotto,Lamentation, ca. 1300 |
somber quaity - jesus saying bye, cool colours hunched backs, sad |
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Duccio,Christ Entering Jerusalem, ca. 1300 |
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AmbrogioLorenzetti, Good Government in the City, ca. 1300 |
-fresco for palazzo pubblico aiming to inspire members to achieve good government -has inscription praising Justice + benefits & the city-state of siena |
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FilippoBrunelleschi, Dome of Florence Cathedral, ca. 1400 |
had marble lantern that tied 8 exerior structural ribs together -dome was planned 50 years earlier so only details could be changed but came to represent florentine ambition, skill and innovation due to sixe and form |
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Donatello,St. Mark, ca. 1400 |
-for the linen makers guild, cushion -Classical style, proportions, contrapposto, volume -potential to move and speak |
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Masaccio,Madonna and Child Enthroned with Angels, ca. 1400 |
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Masaccio,Expulsion from the Garden of Eden, ca. 1400 |
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Leonardo da Vinci, Last Supper, ca.1500 |
tempura wall mural, didn't adhere well to wall due to humidity in milan -doorway above head = architectural equivalent of halo -Judas with his hand on the table, holding the money - reflective of relationship to jc |
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Leonardo da Vinci, Mona Lisa, ca. 1500 |
oil on panel -wife of a prominent Florentine, wearing simple garments, break from tradition-shows personality, not status -sfumatto, soft |
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Michelangelo, Pietà, ca.1500 |
-hired by a french cardinal and inspired by northern art -calm and transcendent moment rather than tortured |
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Michelangelo, David, ca.1500 |
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Michelangelo, Temptation and Fall, ca. 1500 |
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Michelangelo, Creation of Adam, ca.1500
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The Creation of Adam, transfer of energy when they touch
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Raphael, School of Athens, ca.1500
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-linear perspective, vanishing point behind Plato and Aristotle-differing views, Plato pointing up, Aristotle pointing down, two halves-groups of figures moving and interacting-massive bodies, inspired by Michelangelo-weaping philosopher is Michelangelo, went back and put him in, contemporary clothing |
