Art History - Renaissance To Modern

Front 1

Back 1

- Watteau
- L'Indifferent
- Rococo
- c 1716
(1700)

Hint 1

Three facts:
- Poetic style, wistfullness
- Pastel colors are Rococo
- Smaller, more intimate

Front 2

Back 2

- Watteau
- Return from Cythera
- Rococo
- c 1717
(1700)

Hint 2

Three facts:
- Fetes Galantes - courtly picnic
- ^ category ^ created for Watteau
- Impasto in painted figures

Front 3

Back 3

- Boucher
- Cupid, A Captive
- Rococo
- c 1754
(1750)

Hint 3

Three facts:
- More prozaic, not poetic
- "Age of Sensibility"
- Quintessential Rococo artist

Front 4

Back 4

- Fragonard
- The Swing
- Rococo
- c 1767
(1750)

Hint 4

Three facts:
- Colors are smoother/quieter
- Patron-commissioned work
- Relaxed, lighthearted

Front 5

Back 5

- Chardin
- Grace at the Table
- Naturalism
- c 1740
(1750)

Hint 5

Three facts:
- Genre scene
- Domestic simplicity
- Muted colors, subdued browns

Front 6

Back 6

- Greuze
- The Village Bride
- Naturalism
- c 1761
(1750)

Hint 6

Three facts:
- Too emotional
- Non-commissioned work
- More relatable

Front 7

Back 7

- Gainsborough
- Mrs. Sheridan
- Naturalism
- c 1785
(1800)

Hint 7

Three facts:
- Rich people ~~ Aristocrats
- Serious portraiture
- Pastel colors, wispy trees

Front 8

Back 8

- Copley
- Paul Revere
- American Realism
- c 1768
(1750)

Hint 8

Three facts:
- Lighter brushstroked
- Black background, dramatic contrast
- More formal than European counterparts

Front 9

Back 9

- David
- Oath of the Horatii
- Neoclassicism
- c 1784
(1800)

Hint 9

Three facts:
- Stoic statement - form expresses content
- Classical because self-contained
- Rational, objective

Front 10

Back 10

- David
- Death of Marat
- Neoclassicism
- c 1793
(1800)

Hint 10

Three facts:
- Marat is heroic, Christ-like
- Neoclassical because implied horizontals/verticals
- Position of arm, similar to Rogier Van der Weyden's Descent.

Front 11

Back 11

- Benjamin West
- Death of General Wolfe
- Neoclassicism
- c 1770
(1750)

Hint 11

Three facts:
- Classical because self-contained
- Analogy to Descent from the Cross
- MAYBE Romantic because of suggested background

Front 12

Back 12

- Fuseli
- Nightmare
- Romanticism
- c 1781
(1800)

Hint 12

Three facts:
- Subjective, stronger emotions
- Night mare, horse is a mare
- Romanticism, attitude not style

Front 13

Back 13

- Goya
- The Dream/Sleep of Reason
- Romanticism
- c 1794
(1800)

Hint 13

Three facts:
- Fairly small print
- "Sleep of reason produces monsters"
- Cat represents scary monster

Front 14

Back 14

- Gros
- The Pest House
- Romanticism
- c 1804
(1800)

Hint 14

Three facts:
- Theatrical setting
- Mysterious unclear background
- Set in Jaffa

Front 15

Back 15

- Trioson
- The Burial (of Atala)
- Romanticism
- c 1808
(1800)

Hint 15

Three facts:
- Sharply outlined contours
- Dramatic contrast of light and dark
- Exotic (North America)

Front 16

Back 16

- Gericault
- Raft of the Medusa
- Romanticism
- c 1818
(1800)

Hint 16

Three facts:
- Contemporary topic
- Unstable triangles add to chaos
- Interviewed real survivors to capture true emotions

Front 17

Back 17

- Gericault
- The Insane Woman
- Romanticism
- c 1822
(1800)

Hint 17

Three facts:
- Bravura - showy, rapid idea
- Loose unblended brushstrokes
- Likes expressing crazy emotions

Front 18

Back 18

- Delacroix
- The Death (of Sardanapalus)
- Romanticism
- c 1826
(1850)

Hint 18

Three facts:
- Based on poem by Lord Byron
- No fusing of colors
- Similar to Rubens, red colors

Front 19

Back 19

- Delacroix
- Liberty Leading the People
- Romanticism
- c 1830
(1850)

Hint 19

Three facts:
- Allegorical painting of Liberty
- Not about French Revolution
- Suggestion of battle is Romantic

Front 20

Back 20

- Ingres
- Odalisque
- Romanticism
- c 1814
(1800)

Hint 20

Three facts:
- Odalisque means Harem Woman
- Subject matter is Romantic
- Distortion of human body is Romantic

Front 21

Back 21

- Goya
- The Third of May (May 3)
- Romanticism
- c 1814
(1800)

Hint 21

Three facts:
- Commissioned by French government
- Innocence is exaggerated via brightness
- Strong emotions

Front 22

Back 22

- Goya
- Saturn Devouring his Children
- Romanticism
- c 1819
(1800)

Hint 22

Three facts:
- Goya painted this on his wall
- Eyes bulge with a /purpose/ of craziness
- Inspired by Rubens

Front 23

Back 23

- Friedrich
- Abbey in an Oak Forest
- Romanticism
- c 1810
(1800)

Hint 23

Three facts:
- Nationalism - German's felt this was THEIR style
- Political commentary on Nationalism crashing.
- Albeit precise, landscape's Romantic.

Front 24

`

Back 24

- Constable
- The Haywain
- Romanticism
- c 1821
(1800)

Hint 24

Three facts:
- "Six Footers"
- Dashes of white lines, optical illusions
- Idealized England

Front 25

Back 25

- Turner
- The Slaveship
- Romanticism
- c 1839
(1850)

Hint 25

Three facts:
- Blood red of skies conveys nature is superior to man
- Represent's Turner's reaction to Industrial Revolution
- Allegory against exploitation of slaves

Front 26

Back 26

- Cole
- The Oxbow
- Romanticism
- c 1836
(1850)

Hint 26

Three facts:
- Confrontation between wilderness and civilization
- Romantic because sublime/awesome
- Jewish letters upside down in background, shaddai - The Almighty

Front 27

Back 27

- Bierstadt
- Sierra Nevada
- Romanticism
- c 1868
(1850)

Hint 27

Three facts:
- Luminosity - fine brushwork for gradations of light
- Manifest destiny
- Idealizes his scenes

Front 28

Back 28

- Courbet
- The Stone Breakers
- Realism
- c 1849
(1850)

Hint 28

Three facts:
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Front 29

Back 29

- Millet
- The Gleaners
- Realism
- c 1850
(1850)

Hint 29

Three facts:
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Front 30

Back 30

- Daumier
- Third Class Carriage
- Realism
- c 1862
(1850)

Hint 30

Three facts:
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Front 31

Back 31

- Manet
- Luncheon on the Grass
- Realism
- 1863
(1850)

Hint 31

Three facts:
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Front 32

Back 32

- Eakins
- The Gross Clinic
- Realism
- c 1875
(1850)

Hint 32

Three facts:
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Front 33

Back 33

- Millais
- Ophelia
- Pre-Raphaelite
- c 1852
(1850)

Hint 33

Three facts:
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Front 34

Back 34

- Monet
- Impression Sunrise
- Impressionism
- 1872
(1875)

Hint 34

Three facts:
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Front 35

Back 35

- Monet
- Rouen Cathedral
- Impressionism
- c 1894
(1875)

Hint 35

Three facts:
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Front 36

Back 36

- Renoir
- Moulin
- Impressionism
- 1876
(1875)

Hint 36

Three facts:
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Front 37

Back 37

- Degas
- Ballet (Rehearsal)
- Impressionism
- 1876
(1875)

Hint 37

Three facts:
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Front 38

Back 38

- Degas
- The Tub
- Impressionism
- c 1886
(1875)

Hint 38

Three facts:
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Front 39

Back 39

- Whistler
- Arrangement in Gray and Black
- American
- c 1880

Hint 39

Three facts:
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Front 40

Back 40

- Seurat
- Sunday Afternoon
- Post Impressionism / Formalism
- c 1884
(1900)

Hint 40

Three facts:
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Front 41

Back 41

- Cezanne
- Mont Ste. Victoire
- Post Impressionism / Formalism
- c 1894
(1900)

Hint 41

Three facts:
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Front 42

Back 42

- Cezanne
- Mont Ste. Victoire
- Post Impressionism / Formalism
- c 1894
(1900)

Hint 42

Three facts:
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Front 43

Back 43

- Cezanne
- Still Life
- Post Impressionism / Formalism
- c 1895
(1900)

Hint 43

Three facts:
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Front 44

Back 44

- Van Gogh
- The Night Cafe
- Post Impressionism / Expressionism
- c 1888

Hint 44

Three facts:
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Front 45

Back 45

- Van Gogh
- Starry Night
- Post Impressionism / Expressionism
- c 1889
(1900)

Hint 45

Three facts:
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Front 46

Back 46

- Munch
- Scream
- Post Impressionism / Expressionism
- c 1893
(1900)

Hint 46

Three facts:
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Front 47

Back 47

- Gauguin
- Vision After The Sermon
- Post Impressionism / Expressionism
- 1888
(1900)

Hint 47

Three facts:
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Front 48

Back 48

- Toulouse - Lautrec
- At The Moulin Rouge
- Post Impressionism / Expressionism
- c 1892
(1900)

Hint 48

Three facts:
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Front 49

Back 49

- Rousseau
- The Sleeping Gypsy
- Primitive
- c 1897
(1900)

Hint 49

Three facts:
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Front 50

Back 50

- Rodin
- The Thinker
- Post-Impressionism
- c 1879
(1900)

Hint 50

Three facts:
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Front 51

Back 51

- Boffrand
- Princess Salon
- Rococo Architecture
- c 1732
(1750)
- Paris

Hint 51

Three facts:
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Front 52

Back 52

- Vignon
- La Madelein
- Neoclassicism
- 1807
(1800)
- Paris

Hint 52

Three facts:
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Front 53

Back 53

- Lord Burlington or Boyle
- Chiswick
- Neoclassicism
- 1725
(1750)
- Chiswick

Hint 53

Three facts:
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Front 54

Back 54

- Robert Adam
- Osterley Park
- Neoclassicism
- 1761
(1750)
- Osterly Park

Hint 54

Three facts:
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Front 55

Back 55

- Thomas Jefferson
- Monticello
- Neoclassicism
- c 1770
(1750)
- Monticello

Hint 55

Three facts:
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Front 56

Back 56

- Sir Charles Barry
- Houses of Parliament
- Gothic Revival
- c 1840
(1850)
- London

Hint 56

Three facts:
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Front 57

Back 57

- Garnier
- The Opera
- Neo-Baroque
- c 1861
(1850)
- Paris

Hint 57

Three facts:
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Front 58

Back 58

- Paxton
- The Crystal Palace
- Nineteenth Century
- 1850
(1850)
- London

Hint 58

Three facts:
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Front 59

Back 59

- Eiffel
- Eiffel Tower
- Nineteenth Century
- 1889
(1900)
- Paris

Hint 59

Three facts:
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Front 60

Back 60

- Sullivan
- Guaranty Building
- Nineteenth Century
- c 1894
(1900)
- Buffalo, New York

Hint 60

Three facts:
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Front 61

Back 61

- Canova
- Pauline
- Neoclassicism
- c 1808
(1800)

Hint 61

Three facts:
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Front 62

Back 62

- Rodin
- The Burghers of Calais
- Post-Impressionism
- c 1884
(1900)

Hint 62

Three facts:
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Front 63

Back 63

- Dali
- Persistance of Memory
- Surrealism
- 1931
(1950)

Hint 63

Three facts:
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Front 64

Back 64

- Oppenheim
- Object
- Surrealism
- 1936
(1950)

Hint 64

Three facts:
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Front 65

Back 65

- Kandinsky
- Improvisation
- Non-Objective
- c 1912
(1900)

Hint 65

Three facts:
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Front 66

Back 66

- Mondrian
- Composition with Red, Yellow, Blue
- De Stijl
- 1930
(1950)

Hint 66

Three facts:
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Front 67

Back 67

- Picasso
- Guernica
- Surrealism
- 1937
(1950)

Hint 67

Three facts:
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Front 68

Back 68

- Lawrence
- Migration of the Negro
- Lawrence
- c 1940
(1950)

Hint 68

Three facts:
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Front 69

Back 69

- Hopper
- Nighthawks
- Realism
- c 1942
(1950)

Hint 69

Three facts:
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Front 70

Back 70

- Brancusi
- Bird
- Abstraction
- c 1927
(1925)

Hint 70

Three facts:
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Front 71

Back 71

- Moore
- Reclining Figure
- Abstraction
- c 1939
(1925)

Hint 71

Three facts:
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Front 72

Back 72

- Gabo
- Column
- Constructivism
- c 1922
(1925)

Hint 72

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Front 73

Back 73

- Calder
- Lobster Trap
- Constructivism
- c 1939
(1925)

Hint 73

Three facts:
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Front 74

Back 74

- Gaudi
- Casa Mila
- Art Nouveau
- c 1905
(1900)
- Barcelone

Hint 74

Three facts:
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Front 75

Back 75

- Tony Smith
- Die
- Minimalism
- c 1962
(1950)

Hint 75

Three facts:
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Front 76

Back 76

- David Smith
- Cubi
- Minimalism
- 1964
(1950)

Hint 76

Three facts:
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Front 77

Back 77

- Beuys
- How to Explain (Pictures to a Dead Hare)
- Performance Art
- c 1965
(1975)

Hint 77

Three facts:
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Front 78

Back 78

- Mendieta
- Self Portrait
- Performance Art
- 1977
(1975)

Hint 78

Three facts:
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Front 79

Back 79

- Hanson
- Shopper
- Pop Art
- c 1970
(1975)

Hint 79

Three facts:
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Front 80

Back 80

- Frank Lloyd Wright
- The Robie House
- International Style
- c 1909
(1925)
- Chicago

Hint 80

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Front 81

Back 81

- Frank Lloyd Wright
- Falling Water
- International Style
- 1936
(1925)
- Pennsylvania

Hint 81

Three facts:
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Front 82

Back 82

- Francis Bacon
- Painting
- Figurative
- 1946
(1950)

Hint 82

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Front 83

Back 83

- Jackson Pollock
- Number 1
- Abstract Expressionism
- c 1950
(1950)

Hint 83

Three facts:
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Front 84

Back 84

- DeKooning
- Woman
- Abstract Expressionism
- c 1950
(1950)

Hint 84

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Front 85

Back 85

- Rothko
- Red and Blue
- Color Field
- c 1960
(1950)

Hint 85

Three facts:
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Front 86

Back 86

- Newman
- Vir Heroicus Sublimus
- Color Field
- c 1950
(1950)

Hint 86

Three facts:
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Front 87

Back 87

- Kelly
- Red, Green, Blue
- Color Field
- c 1963
(1950)

Hint 87

Three facts:
- Also called Hard Edge Abstraction
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Front 88

Back 88

- Hamilton
- Today's Homes
- Pop Art
- c 1956
(1950)

Hint 88

Three facts:
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Front 89

Back 89

- Warhol
- Marilyn
- Pop Art
- c 1962
(1950)

Hint 89

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Front 90

Back 90

- Johns
- Flag
- Pop Art
- c 1954
(1950)

Hint 90

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Front 91

Back 91

- Rauschenberg
- Canyon
- Pop Art
- 1959
(1950)

Hint 91

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Front 92

Back 92

- Lichtenstein
- Hopeless
- Pop Art
- c 1962
(1950)

Hint 92

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Front 93

Back 93

- Flack
- Marilyn
- Pop Art
- c 1977
(1975)

Hint 93

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Front 94

Back 94

- Kruger
- Untitled
- Feminism
- 1983
(1984)

Hint 94

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Front 95

Back 95

- Tansey
- A Short History of Painting
- Post-Modern
- c 1982
(2000)

Hint 95

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Front 96

Back 96

- Ofili
- Holy Virgin Mary
- Post Modern
- 1996
(2000)

Hint 96

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Front 97

Back 97

- Giacometti
- Man Pointing
- Figurative
- 1947
(1950)

Hint 97

Three facts:
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