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269 Cards in this Set
- Front
- Back
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Post Impressionism PierrePuvisde Chavannes, TheSacred Grove, beloved of the Arts and the Muses, 1884 very renaissance |
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Henride Toulouse-Lautrec, SacredGrove, 1884 adding n |
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ClaudeMonet, Rouen Cathedral, Sunlight, 1892 |
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ClaudeMonet, Rouen Cathedral, Sunset, 1892-1894 |
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ClaudeMonet, Water Lilies, 1906 |
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EdgarDegas, A Woman Seated Beside a Vase of Flowers, 1865 no clear perspective |
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EdgarDegas, Dancers Practicing at the Barre, 1877 |
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EdgarDegas, The Tub, 1886 view abruptly cut off |
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Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892 bad side of night life what drunk person would see |
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Toulouse-Lautrec,Equestrienne, 1888 |
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Toulouse-Lautrec,Moulin Rouge: La Goulue, 1891 perspective cut off |
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Toulouse-Lautrec,Jane Avril leaving the Moulin Rouge, 1892 using large swatches of color instead of light complimentary colors |
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GeorgeSeurat, La Grande Jatte, 1884-1886 pointillism class difference |
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PaulGaugin, Vision after the Sermon, 1888 |
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PaulGaugin, Where Do We Come From? What Are We?Where Are We Going?, 1897-1898 |
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PaulGaugin, Manao Tupapau: The Spirit of the Dead Watching, 1892 |
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VincentVan Gogh, The Potato Eaters, 1885 |
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VincentVan Gogh, The Night Café, 1888n |
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PaulCézanne, Still Life with Apples, 1890-94 |
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VanGogh, Still Life with Lemons, 1887 |
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PaulCézanne, Basket of Apples, 1893 |
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PaulCézanne, Still Life with Cherub, 1895 |
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Cézanne,The Bathers, 1898-1905 would repeat painting |
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Art Nouveau VincentVan Gogh, Wheat Field with Crows, 1890 |
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Art Nouveau Cézanne, Mont Sainte-Victoire, 1904-1906 |
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Art Nouveau JohnEverett Millais, Christin the House of His Parents, 1850 |
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Art Nouveau Rossetti,Behold the Handmaid of the Lord, 1850 |
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Art Nouveau WilliamMorris, King Arthur and Sir Lancelot, 1862 |
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Art Nouveau WilliamMorris and Belfort Bax, Socialist League Manifesto Cover, 1886R |
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Art Nouveau WilliamMorris, Acanthus, wallpaper, 1890 |
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Art Nouveau WilliamMorris, Strawberry Thief, fabric, 1883 |
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Art Nouveau JamesMcNeiilWhistler, The Princess of the Land ofPorcelain, 1865 |
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Art Nouveau Whistlerand Richard Shaw, ThePeacock Room, 1876-77 |
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Art Nouveau VictorHorta,Tassel House, Stairway, 1892-93 |
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Art Nouveau HectorGuimard,Desk, 1899 |
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Art Nouveau AlphonseMucha,Interior of George Fouquet jewelry,1900-01 |
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Art Nouveau AlphonseMucha,Interior of George Fouquet jewelry,1900-01 |
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Art Nouveau LouisTiffany, Desk Lamp, 1910-1920 |
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Art Nouveau Henryvan de Velde,Tropon, 1899 |
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Art Nouveau GustaveMoreau, The Apparition, 1876 |
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Art Nouveau AubreyBeardsley, Saloméwith the Head of John the Baptist, 1893-4 For Oscar Wilde’s Salomé (1894) |
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Art Nouveau C:Alphonse Mucha,Zodiac, 1896 |
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Art Nouveau R:Gustave Klimt, Dining Room mural, Palais Stoclet 1905-08 |
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Art Nouveau R:Gustave Klimt, Dining Room mural, Palais Stoclet 1905-08 |
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Art Nouveau GustavKlimt, Beethoven Frieze, Vienna Secession Building, 1902 |
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JosephMaria Olbrich,Secession Building, Vienna, 1897-98 |
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AntonioGaudi, Casa Batllò, 1900-1907 |
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HenryHobson Richardson, MarshallField Wholesale Store, Chicago |
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PalazzoMedici, 1444-1484, Florence |
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LouisSullivan, Wainwright Building, St. Louis, 1890-91 |
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LouisSullivan and Dankmar Adler,Prudential (Guaranty) Building, 1896 |
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WilliamVan Alen,Chrysler Building, 1928-1930 |
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WilliamLamb, Empire State Building, 1930-31 |
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ErnstKirchner, Die Brücke manifesto, 1906 |
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Edvard Munch, The Scream, 1893 |
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ErnstKirchner, Gentleman with Lap-Dog at the Café,1911 |
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EmilNolde,Prophet, 1912 |
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Egon Shiele, Self-Portrait with arm twisted abovehead, 1910erence |
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GustavKlimt, Woman in a Black-Feather Hat, 1910 |
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Egon Schiele, Portrait of Anton Peschka, 1909 |
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Egon Schiele, Self-Portrait (Grimacing), 1910 |
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Egon Schiele, Two Women, 1915ody> |
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Die Brücke:“The Bridge” |
bridge between past and present |
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ErichHeckel,Standing Child, 1910I |
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ErnstKirchner, Nude Dancers, 1909 |
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ErnstKirchner, Marzella, 1909-1910 |
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Ernst KirchnerStreet, Dresden. 1907-8 |
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Ernst KirchnerSelf-Portrait as Soldier, 19150 |
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ChaimSoutine, Hanging Turkey, 1925 |
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ChaimSoutine, Flayed Rabbit, 1924 |
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EmilNolde,Flower Garden, 1908 |
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EmilNolde,The Burial, 1915 |
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WassilyKandinsky, DerBlaue Reiter almanac,1912 |
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WassilyKandinsky, DerBlaue Reiter, 1903 |
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FranzMarc, Blue Horse I, 1911 |
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PaulSignac, Portrait of Felix Feneon, 1890 |
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WassilyKandinsky, Improvisation28, 1912 |
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WassilyKandinsky, CompositionIV, 1911 |
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WassilyKandinsky, CompositionVII, 1913 |
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Kandinsky, Squares with Concentric Circles, 1913 |
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fauvisme Vincentvan Gogh, Self-Portrait, 1888 |
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fauvisme Vincentvan Gogh, Portrait of Joseph Roulin, 1889 |
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fauvisme Matisse,Icarus, 1946 |
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fauvisme AndréDerain, Charing Cross Bridge, London, 1906 |
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Bauhaus Color Sphere in 7 light values and 12 tones, Johannes Itten, 1921 |
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Bauhaus Johannes Itten at the Bauhaus, 1921 |
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Bauhaus Josef Albers, Gitterbild, 1921 |
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Bauhaus Joseph Albers, Homage to the Square, 1951 reproducing your own devices to test the limits of color |
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What was the fate of the Bauhaus |
THey seperate all over the world |
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Paul Klee, Twittering Machine, 1922 |
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Paul Klee, Architecture of the Plane, 1923 |
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Paul Klee, Maibuild, 1925 introducing breakdown to scientific color |
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Bauhaus Vasily Kandinsky, Designs for wall paintings for the Juryfreie Kuntschau, 1922 works could never be destroyed |
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Oskar Schlemmer, Costumes for the Triadic Balley, 1926 bauhaus |
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Walter gropius, Bauhaus Building, Dessau, 1925-26 bauhaus |
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El Lissitzsky, Proun 19D, 1922 bauhaus |
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Erich Consemuller, Woman in B3 Club chair, 1926 bauhaus |
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Henry van de velde, DIrectors Office, 1923 bauhaus |
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Luzlo Moholy-Nagy, Construction in Enamel 3, 1923 bauhaus |
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Der Stijl Piet Mondrian, Composition Number 3 with Color Planes, 1917 |
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Der Stijl Theo van Doesburg, Color Design for a Chimney, 1917 |
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Der Stijl Theo van Doesburg, Composition, 1918 |
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Der Stijl Piet Mondrian, Grey Tree, 1911 |
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Der Stijl Piet Mondrian, Composition 10, Pier and Ocean, 1915 |
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Der Stijl Pier Mondrian, Composition in Line, 1917 |
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Der Stijl Piet Mondrian, Composition with Grid 9, 1919 |
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Der Stijl Mondrian, Composition No. II, 1920 neutrality of white wall becomes problamatic- artists rebel against it |
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Der Stijl Composition with Large Red Plane, Yellow,Black, Gray, and Blue,1921 |
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Der Stijl Theo van Doesburg, The Card Players, 1918 |
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Der Stijl Piet Mondrian, Tableau IV, 1925 |
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Der Stijl Theo van Doesburg, COunter-Composition in Dissonance 16, 1925 Diagonal line controversy |
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Der Stijl Mondrian, Composition with Large blue plane, Red, Black, Yellow and grey, 1921 |
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Der Stijl Spatial Color Composition for an Exhibition, Berlin, 1923 |
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Der Stijl GerritReitveld, Red Blue Chair, 1918 |
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Der Stijl Piet Mondrian, Broadway Boogie Woogie, 1942-43 |
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Der Stijl Piet Mondrian, Victory Boogie Woogie 1942-44 unfinished |
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DADA AlfredJarry,Ubu Roi [King Turd], First edition cover, 1896 |
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Who used music and poet and puppetry in dada to impact war as meaningless slaughter? |
Hennings and Ball |
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Art itself is the real enemy- grand enabler |
Tzara, Hennings, and Ball |
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Hugo Ball, Performing in Bishop Dress by Marce Janco, at Carbaret Voltaire, 1916 |
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Where did Hugo Ball start and where did he go? |
Started on modern art and became religious |
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Dada Sophie Tabauer-Arp, Oval Composition with Abstract Motifs, 1922 |
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Dada Jean Arp, Untitled (Collage with Squares Arranged According to the Laws of Chance), 1917 |
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Max Ernst, Switzerland: Birthplace of Dada, 1920 comical humans--mocking fight |
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Dada Max Ernst, Ubu Imperator, 1923 |
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Max Ernst, The Masters Bedroom is worth spending a night in, 1920 used children book and painted over all but three work with the fragments of what remains |
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How is Berlin Dada different? |
Less anti art but far more political |
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Raoul Haussmann, Mechanical Head (Spirit of Our Time), 1920 body gets unneeded attachments |
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Hannah Hoch, Dada Dolls, 1916 inadequate, pathetic |
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Dada Hannah Hock, Heads of State, 1918-20 mocking political figures |
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Dada Hannah Hock, Cut with the Dada Kitchen Knife through the last Weimar Beer-Belly Cultural Epoch in Germany, 1919 |
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Dada Kurt Schwitters, Anna BLume, 1919 |
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Dada Kurt Schwitters, Untitled (Katan or 703), "Merz, 1921K |
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Dada Kurt Schwitters Merzban, 1933 |
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Dada Raoul Haussmann, kp'erioUM phoneme, 1919 |
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Dada Raoul Haussmann, ABCD a self portrait, 1923 |
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Dada Otto Dix, The Skat Players, 1920 |
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Dada Otto Dix, Stromtroopers advancing under gas, 1924 |
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Dada Otto Dix, War Veterans (45 percent fit for service), 1920 |
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Dada First International Dada Fair, Berlin 1920 |
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Dada Vladimir Tatlin, Monument to the Third International, 1919 |
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Dada Francis Picabia, Relache, 1924 |
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Marcel Duchamp, Fountain, 1924 dada |
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Marcel Duchamp, Nude descending a staircase (no 1), 1911 |
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Etienne-Jules Marey, Man walking, 1890-91 |
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Marcel Duchamp, Nude Descending a Staircase (No. 2), 1912 |
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Marcel Duchamp, Bicycle Wheel, 1913 (1964 replica) |
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Francis Picabia, Young American Girl in a State of Nudity, 1915 |
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Duchamp, Prelude to a Broken Arm, 1915 |
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Duchamp, Bottle-Rack, 1914 |
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Ready made |
an ordinary object elevated to the dignity of a work of art by the mere choice of the artist |
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Francis Picabia, c'est ici Stieglitz, 1915 |
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Stieglitz, Sun Rays-Paula-Berlin, 1889 |
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Duchamp, Three Standard Stoppages, 1913-14 |
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Marcel Duchamp, The Bride Stripped Bare by her Bachelors Even (The Large Glass), 1915-23 |
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Duchamp, The Green Box, 1934 |
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Duchamo, Boite en Valise, 1935-41 |
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Marcel Duchamp, Etant Donnes (Given:1. The Waterfall, 2. The Illuminating Gas, 1946-1966) |
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Etant donnes inside |
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fauvisme PaulCézanne, Portrait of Madame Cézanne, 1888-1890 |
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fauvisme VanGogh, Starry Night, 1889 |
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fauvisme GustaveMoreau, Salome, 1876 |
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fauvisme Mauricede Vlaminck, TheRiver Seine at Chatou, 1906 |
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fauvisme HenriRousseau, TheHungry Lion Throws itself on theAntelope, 1905 |
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fauvisme HenriMatisse, Luxe, Calme et Volupté, 1904 |
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fauvisme HenriMatisse. Womanwith a Hat, 1905. |
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fauvisme HenriMatisse, Portrait of Madame Matisse (The GreenStripe)1905 |
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fauvisme Matisse,Blue Nude, 1907pKXtyZX |
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fauvisme Matisse,The Dessert: Harmony in Red, 1908 |
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fauvisme HenriMatisse, Lebonheur de vivre, 1905-6 |
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fauvisme Matisse,Music,1910 |
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fauvisme Matisse,Dance, 1910 |
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fauvisme HenriMatisse. Two Dancers, 1937-38 |
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fauvisme Matisse,The Swimming Pool, 1952 |
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fauvisme Matisse,Jazz, 1947 |
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cubism ElGreco, St. Jacobus,1600 |
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EdvardMunch, The Kiss, 1897 cubism |
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Picasso,Old Guitarist, 1903 cubism |
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Odilon Redon, The Cyclops, 1898-1900 cubism |
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Picasso,Family of Saltimbanques, 1905 cubism |
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GeorgesBraque, The Large Trees, L’Estaque, 1906-1907 cubism |
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AndréDerain, Charing Cross Bridge, London, 1906. cubism |
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GeorgesBraque, Viaduct at L’Estaque, 1907 cubism |
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PaulCezanne, Mont Saint-Victoire, 1885-1887 cubism |
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Picasso,Gertrude Stein, 1906 cubism |
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Picasso,Two Nudes, 1906 cubism |
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desmoiselles |
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GeorgesBraque, Houses at L’Estaque, 1908q cubism |
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PabloPicasso, Girl with a Mandolin, 1910 cubism |
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GeorgesBraque, Violin and Palette, 1909 cubism |
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Picasso,Ma Jolie, 1911-1912 cubism |
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Picasso,Still Life with Chair Caning, 1912 cubism |
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Picasso,Guitar, Sheet Music and Wine Glass,1912 cubism |
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Braque, Fruit Dish and Glass, 1912 cubism |
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Picasso,Maquette for Guitar, 1912 cubism |
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Picasso,Glass of Absinthe, 1914 cubism |
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Braque,Corner Sculpture, 1914 cubism |
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GiacomoBalla,Street Light, dated 1909 but probably 1911 futurism |
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GiacomoBalla,Dynamism of a Dog on a Leash, 1912 futurism |
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Eadweard Muybridge, The Horse in Motion, 1878 futurism |
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AntonioBragaglia,Change of Position, 1911 futurism |
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AntonioBragaglia,The Cellist, 1913 futurism |
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UmbertoBoccioni, Unique Forms of Continuity in Space, 1913 futurism |
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UmbertoBoccioni, The City Rises, 1910 futurism |
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CarloCarrà,The Funeral of the Anarchist Galli, 1910-1911 futurism |
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GinoSeverini,Dynamic Hieroglyphic of the Bal Tabarin, 1912 futurism |
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GinoSeverini,Dynamism of a Dancer, 1912 futurism |
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GinoSeverini,Dancer at Pigalle, 1912 futurism |
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CarloCarrà,Patriotic Celebration or Interventionist Demonstration, 1914 futurism |
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Marinetti,Futurist Performance, 1927 futurism |
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GinoSeverini,Red Cross Train Passing a Village, 1915 futurism |
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GinoSeverini,Armored Train in Action, 1915 futurism |
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NataliaGoncharova,Cyclist, 1913 futurism in russia |
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MikhailLarionov,Red Rayonism, 1913 futurists in russia |
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DavidBurliuk,Futurist Painting: Cyclist, 1915 futurists in russia |
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MikhailLarionov,Dancer in Motion, 1915 futurist in russia |
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A.G.Ambrosi, Aeropainting of Mussolini, 1930 futurist in russia |
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FrancisPicabia,set for Relâche, 1924 futurists in russia |
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Kasimir Malevich, The Woodcutter, 1912 Suprematism |
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NataliaGoncharova,Khorovod [Circle Dance], 1910 Suprematism |
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Liubov Popova, Air+Man+Space, 1912 Suprematism |
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LeonBakst, Costume for “Firebird”, 1910 Suprematism |
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K.Malevich, Costume of New Man,“Victoryover the Sun”, 1910-1913 |
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K.Malevich, Costume of Athlete of the Future,“Victoryover the Sun”, 1910-1913 Suprematism |
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Malevich,Black Square, 1913 Suprematism |
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Malevich,Black Square, 1915 Suprematism |
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Vassily Maximov, The Sick Man, 1881 Suprematism |
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Malevich,0.10 Exhibition, 1915 Suprematism |
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Braque,Corner Sculpture, 1914 Suprematism |
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VladimirTatlin,Corner Relief, 1918 Suprematism |
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Malevich,Suprematist Composition [White on White], 1918 Suprematism |
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Malevich,Suprematist Composition [Airplane taking off],1914 Suprematism |
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LowerLeft: D. Burliuk,Project for a Police Uniform, 1917 |
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ElLissitzky,New Man, For “Victory over the Sun”, 1920-23 Suprematism |
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ElLissitzky,The Constructor, 1924 Suprematism |
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Lissitzky, Proun 19D, 1920 Suprematism |
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ContemporaryReconstruction of Lissitzky, Proun Room, 1923 Suprematism |
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ElLissitzky,Beat the Whites with the Red Wedge, 1920 Suprematism |
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VarvaraStepanova,Project for Athletic Outfits, 1923 Suprematism |
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Dzhiga Vertov, Kino Glaz, 1924 Suprematism |
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Aleksandr Rodchenko, Pure Red Color, Pure Yellow Color, PureBlue Color, 1921 Suprematism |
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Rodchenko, Spatial Construction no. 12, 1920 Suprematism |
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VladimirTatlin,Monument to the Third International, 1919-1920 Suprematism |
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Malevich’sTomb, 1935 Suprematism |
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Duchamp,Fountain, 1917. Photograph by Alfred Stieglitz |
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Duchamp,Tu ‘m, 1918 Translates as “You ____[to] me” |
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GiorgioDe Chirico, TheSong of Love, 1914 |
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MaxErnst, Murderous Airplane, 1920 |
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Tanguy,Miro, Morise,Man Ray, Exquisite Corpse, 1927 |
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AndréMasson, Automatic Drawing, 1924 |
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HansBellmer,La Poupée, 1936 |
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ManRay,IngresViolin, 1924 |
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MaxErnst, fromThe Week of Kindness, 1934 |
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SalvadorDali and Louis Bunuel, Stills from Un Chien Andalou [An Andalusian Dog], 1929 |
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JoanMiró,Tilled Field, 1923-1924 |
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JoanMiró,The Smile of the Flamboyant Wings, 1953 |
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RenéMagritte, The Empire of Light, 1950-54 |
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RenéMagritte, Not to be Reproduced, 1937 |
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SalvadorDali, The Persistence of Memory, 1931 |
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SalvadorDali, Dream Caused by the flight of aBee, 1944 |
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MaxErnst, The Barbarians, 1937 |
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MaxErnst, The Robing of the Bride, 1940 |
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Jacques-AndreBoiffard,Big Toe, 1929. Illustrates Bataille’s article of the same name. |
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AlbertoGiacometti, SuspendedBall, 1930 |
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MarcelDuchamp,The Bride Stripped Bare by her Bachelors,Even, 1915-23 |
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ManRay, The Gift, 1924 |
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AlbertoGiacometti, Womanwith Her Throat Cut, 1932 |
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Meret Oppenheim, Object, 1936 |
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RenéMagritte, The Treachery of Images, 1928-1929 |
