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9 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Henri Matisse, Red Room France 1908-1909 +The use of bright and bold primary colours +Play with the viewer's perception and assumption of perspective + The table and wall seems to be merging together only a line to separate +The questioning of the background window or painting +Joyous content to cheer up due to the turbulent French politics |
Fauvism |
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Ernst Ludwig Kitchner, Street, Dresden Germany 1908 +Painting reflect the anxiety due to nationalism +Use unsettling colours to make the painting look very uncomfortable +Half of the people in the painting are looking at the view +This questions if the people are welcoming or staring in an unfriendly way +Influenced by Munch with the flame-like rendering +Use of random colours |
Die Brucke |
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Vassily Kandinsky, Improvisation 28 Germany +A non-representational art +Based on Kandinsky's own belief in cleansing the world +Make up his own colour symbols--> Purpose of each use of colour and their placement +The series of lines are underletting in different directions +A lot of energy |
Der Blaue Reiter |
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Pablo Picasso, Les Demoiselles d' Avignon France 1907 +A very scandalous painting +An indication of artistic direction of Picasso +Influenced by a lot of things e.g exotic items, Cezanne.etc +A mixture of each influences +Broken the plane and place them back together in an angular way +Very flat +5 prostitute: 2 in Venus pose, 2 with African masks and 1 w/ Iberian head +Inside a brothel--> to Challenge 20th century morals +Two perspectives used |
Proto-Cubism |
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Gorges Braque, The Portuguese 1911 +A collaboration w/ Picasso +Interest in Cezanne +Analytical Cubism--> use of neutral colours and traditional subject matter +Incorporate text-->Braque's innovation +Trying to have the illusion of form merging outwards (3D) |
Cubism |
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Pablo Picasso, Still Life with Chair Caning 1912 +A multi-media painting/ Synthetic Cubism +Used paint to paint the chair canings--> very realistic +Incorporated an oil cloth +Questioning out perception of what is real and what's not +The rope is real |
Cubism |
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Umberto Boccioni, Unique forms of Continuity in Space Italy 1913 +Interested in movement +The figure is flame-like and striding forward +Emphasis on the legs--> the limb that moves forward +Striding towards the future +Strong abstract form |
Futurism |
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Gino Severini, Armored Train Italy 1915 +Severini embraced nationalism and military +The train is seen as "Progress" +The machine is seen as a 'new weapon' +A flat style +The soldiers has no face +Overlapping to create the illusion of depth |
Futurism |
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Marcel Duchamp, Urinal New York, USA 1917 +Create a controversy +Created the 'Ready-made' art +Caused rejection and drama between Duchamp and the Art Administrator +'R. Mutt' is the company of the urinal +Question that should we appreciate the creators of the urinal because it could be art +Used a more intellectual way to approach art and developed the artistic concept +Created a shift in Art |
DaDa |
