Art History Ii

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Title: Modonna Enthroned
By: GIOTTO DI BONDONE
Where and When Italy, ca. 1305-1310.
What: Tempera and gold leaf on wood
Significance:

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Title: Virgin and Child Enthroned with Saints,
By: DUCCIO DI BUONINSEGNA
Where and When: Siena Cathedral, Siena, Italy, 1308–1311
What: Tempera and gold leaf on wood
Significance:

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Title: Betrayal of Jesus
By: DUCCIO DI BUONINSEGNA,
Where and When: Siena Cathedral, Siena, Italy, 1308–1311.
What: Tempera and gold leaf on wood, detail

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Title: Arena Chapel
By: Giotto di Bondone,
Where and When: Padua, Italy, 1305–1306.

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Title: The Betrayal of Christ
By: GIOTTO DI BONDONE
Where and When: Arena Chapel, Padua, Italy, ca. 1305
What: Fresco
Significance:

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Predella

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The base of an altar piece, often decorated with small scenes that are related in subject to that of the main panel or panels.

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Fresco

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Buon Fresco- A painting technique in which water based pigments are applied to a surface of wet plaster. Color is absorbed in the plaster, becoming permanent part of the wall.
Fresco secco- painting dried plaster, color may flake off

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Humanism

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perspectives which emphasize the value and agency of human beings, individually and collectively, and generally prefers individual thought and evidence , over established doctrine or faith.

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Contrapposto

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Italian term "set against." used to describe the pose that results from setting parts of the body in opposition to each other around the axis.

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Linear Perspective

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LP: is a mathematical system for creating the illusion of space and distance on a flat surface.

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Di sotto in su

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( Italian: “from below to above”) in drawing and painting, extreme foreshortening of figures painted on a ceiling or other high surface so as to give the illusion that the figures are suspended in air above the viewer.

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Foreshortening

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The illusion created on a flat surface in which figures and objects appear to recede or project sharply into space.

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Atmospheric Perspective

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A method of rendering the effect of spatial distance by subtle variation of color and clarity of representation

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Chiaroscuro

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Italian word designated the contrast of dark and light in painting, drawing and print. Creates spacial depth and volumetric forms through gradation in the intensity of light and shadow.

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Medici

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the most renowned art patrons in history,

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Neoplatonism

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influence Michaengelo work-- focused on the spiritual and cosmological aspects of Platonic-- Medici interest along with Humanism

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Title: Sacrifice of Isaac
By: Filippo Brunelleschi
When and Where: Florence, Italy 1401-1402
What:Gilded Bronze

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Title: Sacrifice of Isaac
By: Lorenzo Ghiberti
When and Where: Florence, Italy 1401-1402
What:Gilded Bronze Relief

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Title: Four Crowned Saints/ San Michele
By: Nanni Di Banco
When and Where: Florence, Italy 1409-1417
What: marble

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Title: St. Mark
By: Donatello
When and Where: Florence, Italy 1411-1413
What: Marble

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Title: David
By: Donatello
When and Where: Florence, Italy 1446-1460
What:Bronze

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Title: Holy Trinity
By: Mosaccio
When and Where: Florence, Italy 1425-1427
What: Fresco

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Title: Tribute Money
By: Mosaccio
Where and When: Branacci Chapel-- Florence, Italy 1427
What: Fresco

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Title: Camera Picta
By: Adrea Mantegna
Where and When: Manuta, Italky
What: Fresco

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Title: Giovanna Tornabuoni
By: Domenico Ghirlandaio
When and Where: Thyssen- Bornemisza Collection, Madrid 1488
What: Oil and Tempera on Wood

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Title: Battle of the Ten Nudes
By: Anotonio del Pollaiuolo
When and Where: Met, New York 1465
What: Engraving

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Title: Primavera
By: Sandro Boticelli
When and Where: Florence, Italy 1482
What: Tempera on Wood

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Sfumato

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Italian meaning "smoky," soft, and mellow. In painting , the effects of haze in an image. Resembling the color of atmospheric dust.

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Poesia

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work inspired by the myths, fables and legends related by ancient authors such as Ovid, Virgil and Apuleius.

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Mannerism (vocab)

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was an art style that focused on the human form, depicted in intricate poses and in exaggerated, not always realistic settings.

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Leonardo De Vinci

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1. Painting over Sculpture
2. Master of Chiaroscuro and atmospheric perspective
3. Sfumato = mysterious landscape
4. psychological insights through gesture
5. Anatomical drawing reflect interest in Science

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Title: Last Supper
By: Leonardo Da Vinci
When and Where: Santa Maria delle Grazie, Milan 1495-1498
What: Oil and temepera on plaster

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Title: Mona Lisa
By: Leonardo Da Vinci
When and Where: Louvre, Paris
What: Oil on Wood

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Michelangelo Buonarroti

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1. Worked in painting, architecture and sculpture, which was his first love
2. Figures in both painting and sculpture have heroic physiques with great emotional impact
3. His figures twist and writhe with pent up energy

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Title: David
By: Michelangelo Buonarroti
Where and When: Piazza della Signoria, Florence, Italy 1501- 1504

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Title: Sistine Chapel
By: Michelangelo Buonarroti
Where and When: Vatican City 1473

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Title: The Creation of Adam
By: Michelangelo Buonarroti
Where and When: Vatican City 1511-1512
What: Fresco

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Raphael

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1. Preferred light colors and less obscurity than Leonardo
2. Human forms are sculturesque and monumental
3. Figures often appear in landscapes with perfect blue skies or in architectural setting rendered in perfect perspective

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Title: Modonna in the Medow
By: Raphael
When and Where: Kunsthistorisches Museum, Vienna
What: Oil on Wood

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Title: Philosophy School of Athens
By: Raphael
When and Where: Vatican Palace, Rome, Italy 1509-1511
What: Fresco

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Venetian Renaissance

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1.Titan and Giorgione working in Northern Italy town of Venice
2. Color takes precedence over line-- use of oil paint on canvas and emphasis on texture and pattern
3. Figures often place in idyllic landscape setting
4. Poetic painting- poesia-- mood over clear subject matter

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Title: Pastoral Symphony
By: Giorgioneda Castelfranco
When and where: Louvre, Paris-- 1508-1510
What: Oil on Canvas

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Title: Venus of Urbino
By: Titan
When and Where: Galleria degli Uffzi, Florence 1538
What: Oil on Canvas

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Mannerism

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1520-1600
1) reaction to HIgh Renaissance Style
2) Disproportionate figures
3) Contrive pose
4) Elegance and Artifice
5) Ambiguous Space
6) Lack of Clear Meaning

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Title: Deposition from the Cross or Entombment
By: Pontormo
When and Where: Capponi Chapel, Florence 1525-1528
What: OIl and Tempera on wood pannel

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Title: Mondonna with the Long Neck
By: Parmigianino
When and Where: Baiardi Chapel, Parma Italy 1534-1540
What: 1534-1540

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Title: Isenheim Altar Piece
By: Mathias Gunewald
When and Where: Chapel @ Hospital of St. Anthony Isenheim, Germany 1500
What: Oil on Wood

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Title: Isenheim Altarpiece
By: Mathias Gunewald
When and Where: Chapel @ Hospital of St. Anthony Isenheim, Germany 1500
What: Oil on Wood

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Title: Allegory of Law and Grace
By: Lucas Cranach the Elder
When and Where: British Museum, London 1530
What: Woodcut

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Title: The Fall of Man (Adam and Eve)
By: Albercht Durer
What and Where: Museum of Fine Art, Boston 1504
What: Engraving

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Title: Death of the Matron
By: Hans Baldung Grien
What and Where: Kunstsammlung, Basel
What: Oil and Wood

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Title: Calling of Saint Matthew
By: CARAVAGGIO
When and Where: Contarelli Chapel, San Luigi dei Francesi, Rome;1597–1601.
What: Oil on canvas

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Title: Ecstasy of Saint Teresa
By: GIANLORENZO BERNINI,
Where and When: Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy, 1642–1652
What: Marble

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Title: Saint Peter’s
By: Piazza- Gianlorenzo Bernini; Facade- Carlo Maderno
When and Where Vatican City, Rome, Italy 1607-1626; 1656-1667

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Title: Las Meninas (The Maids of Honor)
By: DIEGO VELÁZQUEZ,
Where and When: Museo del Prado, Madrid, 1656
What: Oil on canvas

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Title: Henry IV Receiving the Portrait of Marie de’ Medici
By: PETER PAUL RUBENS,
When and Where: Louvre, Paris 1621–1625
What: Oil on canvas

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Title: Anatomy Lesson of Dr. Tulp
By: REMBRANDT VAN RIJN,
When and Where: Mauritshuis, The Hague; 1632.
What: Oil on canvas

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Title: Woman Holding a Balance
By: JAN VERMEER
When and Where: National Gallery of Art, Washington DC; 1664.
What Oil on canvas,

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Title: View of Haarlem from the Dunes at Overveen
By: JACOB VAN RUISDAEL,
When and Where: ca. 1670. Oil on canvas, 1’ 10” x 2’ 1”.

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Title: Louis XIV
By: HYACINTHE RIGAUD,
When and Where: Louvre, Paris; 1701
What: Oil on Canvas

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Title: Galerie des Glaces (Hall of Mirrors),
By: JULES HARDOUIN-MANSART and CHARLES LE BRUN,
Where and When: palace of Louis XIV, Versailles, France, ca. 1680.

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Title: Et in Arcadia Ego
By: NICOLAS POUSSIN
When and Where: Louvre, Paris;1633
What: Oil on Canvas