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22 Cards in this Set

  • Front
  • Back

"Portrait of Giovanni Arnolfini and his Wife"




Jan Van Eyck




1425-1450

" Mary at her Devotions, Hours of Mary of Burgundy"




Mary of Burgundy Painter



1475-1500

" Workshop of the Master of Flemalle"




Mérode Altarpiece




1425-1450

"Man in a Red Turban"




Jan Van Eyck




1425-1450

"Ghent Altarpiece (closed), Annunciation with Donors"




Jan and Hubert van Eyck



1425-1450

"Ghent Altarpiece (open), Adoration of the Mystic Lamb"




Jan and Hubert van Eyck




1425-1450

"Deposition"




Rogier van der Weyden




1425-1450

GIORNATTA

A section of a fresco plastered and painted in a single day ("a days work")

SINOPIA

Red brick pigment ( full sized preliminary sketches of frescos were done in this colour on the first rough coat of plaster)

TRIPTYCH

An artwork made of three panels, panels may be hinged together in such a way that the "wings" fold over the central panel.

PREDELLA

The base of an altarpiece, often decorated with small scenes that are related in subject to that of the main panel or panels.

HORIZON LINE

A horizontal "line" formed by the implied meeting point of land and sky.

PICTURE PLANE

The theoretical plane corresponding with the actual surface of a painting, separating the spacial world evoked by the painting from the spatial world occupied by the viewer.

OIL PAINTING

A painting created with pigments suspended in a medium of oil.

POLYPTYCH

An altarpiece constructed from multiple panels, sometimes with hinges to allow for moveable wings.

ALTAR

A table or flat-topped block used as the focus for a religious ritual, especially for making sacrifices or offerings to a deity.

MATTE

A smooth surface without shine.

WOOD BLOCKS

A type of printing books where each page was cut in relief into a single block of wood. (this method was much more efficient than hand writing multiple books)

ENGRAVING

A printmaking process of inscribing an image, design, or letters onto a metal or wood surface from which a print is made.




( engraving is drawn using a sharp tool "burin")

INTAGLIO

A technique in which the design is carved out of the surface of an object. ( see engraving)

BURINS

A sharp tool used for engraving.

TEMPERA

A painting medium made by blending egg yolks with water, pigment, and occasionally other materials such as glue.