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63 Cards in this Set
- Front
- Back
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Characteristics of Baroque art |
Evokes emotional responses, diagonals, Classical references, color, use of multimedia |
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Genre paintings |
Scenes from everyday life |
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How is Bernini's David different than other Davids? |
It protrudes into the viewer's space |
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Borromini is known for.... |
Fountains |
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Carracci characteristics |
Sfumato and chiaroscuro |
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Caravaggio characteristics |
Sfumato and chiaroscuro, realism, dramatic lighting, tenebrism |
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Tenebrism |
forms emerge from dark background into strong spotlight |
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Architecture in Spain |
Lavish decorations, refurbished churches to attract more pilgrims |
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Still lifes are big in... |
Netherlands |
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Group portraiture in... |
Netherlands |
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Rembrandt characteristics |
naturalism, drama, tenebrism |
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Impasto |
Heavily applied pigments |
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Vanitas |
Represent transience of life and material possessions |
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Architecture in England |
Classicism replaces Gothic style |
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Italian Baroque |
Big, elaborate, ornate |
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St. Teresa of Avila in Ecstasy--Bernini |
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St. Peter's Basilica--Bernini and Maderno |
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David--Bernini |
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Church of San Carlo--Borromini, fountains, non-Mannerist composition |
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Ceiling of Gallery, Palazzo Farnese--Caracci, transported paintings and scenes of love |
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Bacchus--Caravaggio, details |
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The Calling of St. Matthew--Caravaggio, not heavenly |
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The Conversion of St. Paul--Caravaggio |
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Judith Beheading Holofernes--Gentileschi, diagonals and tenebrism |
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The Glorification of the Papacy of Urban VIII--Cortona |
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The Triumph of the Name of Jesus and the Fall of the Damned--Gaulli |
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Still Life with Quince, Cabbage, Melon, and Cucumber--Cotan |
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Martyrdom of St Bartholomew--Ribera, Classical and Caravaggio influences |
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St Serapion--Zurbaran |
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Water Carrier of Seville--Velazquez |
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The Surrender at Breda--Velazquez |
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Las Meninas--Velazquez, self-portrait |
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Immaculate Conception--Murillo, Church's demands for depictions of Mary |
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Self-Portrait with Isabella Brandt--Rubens |
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The Raising of the Cross--Rubens, triptych, tenebrism, diagonal |
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Henry IV Receiving the Portrait of Marie de Medici--Rubens, political propaganda to show Marie's power |
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Prometheus Bound--Rubens and Snyders |
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Charles I at the Hunt--Van Dyck |
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Still Life with Flowers, Goblet, Dried Fruit, and Pretzels--Clara Peeters |
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St Sebastian Tended by St Irene--Brugghen |
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Night Watch--Rembrandt |
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Self-Portrait--Judith Leyster, shows wealth and success |
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The Anatomy Lesson--Rembrandt, diagonal, homage to science |
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Flower Still Life--Rachel Ruych, represents short span of human life |
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Officers of the Haarlem Militia--Frans Hals |
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Malle Babbe--Frans Halls |
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Thee Crosses--Rembrandt, drypoint |
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Woman Holding a Balance--Vermeer |
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Self-Portrait--Rembrandt, impasto |
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View of Delft--Vermeer, changed scene for ideal composition |
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The Suitor's Visit--Gerard ter Bosch, courtship scene? ambiguous |
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The Feast of St Nicholas--Jan Steen |
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Portuguese Synagogue, Amsterdam--Emanuel de Witte, shows Dutch religious tolerance |
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View of Haarlem from the Dunes at Overveen--Ruisdael |
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Still Life with Tazza--Pieter Claesz |
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Louis XIV--Hyancinthe Rigaud--humanizes the king |
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Mary Magdalen with the Smoking Flame--de la Tour, role of light: creates somber mood |
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The Peasant Family in an Interior--Le Nain |
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Le Nain Brothers are known for... |
Genre scenes of French peasants |
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Landscape with St Matthew and the Angel & with St John on Patmos--Nicolas Poussin |
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A Pastoral Landscape--Claude Lorrain |
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Banqueting House--Inigo Jones |
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St Pauls Cathedral--Christopher Wren |
