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33 Cards in this Set
- Front
- Back
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Reformation |
Protestant religious movement veered people away from religious art towards more secular forms to glorify god by depicting his creation |
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Counter Reformation |
Catholic Church continued to encourage religious art, but insisted it was strictly religious in content. |
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Iconoclasm |
The destruction of religious icons and other images for religious or political motives. During the reformation used this by invoking the decalogues prohibition of idolatry and the manufactor of graven images of god |
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Secular Subjects |
Part of the protestant reformation, glorifying god by painting things he made in his image. |
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Martyrdom |
People who are persecuted for refusing to advocate a belief or ideological |
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Chiaroscuro |
Italian art style where the painter uses strong contrasts between light and dark, usually bold contrasts affecting a whole composition |
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Salon |
Place in Paris the Academy would showcase art. |
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Genre Painting |
painting scenes from every day life of ordinary people in work or recreation, depicted in a generally realistic manner |
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Enlightenment |
an era from the 1650s to the 1780s in which cultural and intellectual forces in western europe emphasized reason, analysis, and individualism |
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Albrecht Altdorfer, Danube Landscape (1525) |
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Hans Holbein, Henry VIII (1540) |
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Pieter Bruegel the Elder, Hunters in the Snow (1565) |
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Gianlorenzo Bermini, Piazza and Collonade at St. Peter's, Rome, (1642-52) |
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Gianlorenzo Bernini, The Ecstasy of Saint Theresa, (1642-52) |
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Francesco Borromini, San Carlo alle Quattro Fontane, (1638-1667) |
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Caravaggio, The Entombment, 1603-4 |
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Artemisia Gentileschi, Judith Beheading Holofernes, (1612) |
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Spanish BaroqueDiego de Velazquez, The Water Carrier, (1619) |
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Diego de Velazquez, Las Meninas, (1656) |
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Peter Paul Rubens, Raising of the Cross, (1610) |
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Jan Steen, The Doctor’s Visit, 1669, |
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Pieter de Hooch, The Mother, 1660 |
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Frans Hals, Malle Babbe, 1635 |
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Rembrandt, Anatomy Lesson of Dr. Nicolaes Tulp, 1632 |
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Rembrandt, Self-portrait, 1658 |
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Hyacinthe Rigaud, Louis XIV, 1701 |
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Jules Hardouin-Mansart, Louis Le Vau, and Charles Le Brun, Hall of Mirrors, Palace of Versailles, begun 1678 |
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Nicolas Poussin, Abduction of the Sabine Women, 1633 |
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Antoine Watteau, L’Indifferent, 1716 |
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Germaine Boffrand, Salon de la Princesse, 1732 |
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Antoine Watteau, Pilgrimage to Cythera, 1717 |
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William Hogarth, The Marriage Contract, 1743-45 |
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Jacques-Louis David, Oath of the Horatii, 1784 |
