Art 101G Test 2

Front 1

works of art that depict ______ and _______ so that we recognize what is represented is called representational

Back 1

figure, objects

Front 2

works of art that depict figures and objects so that we _____________ is called representational

Back 2

recognized what is represented

Front 3

works of art that depict figures and objects so that we recognize what is represented is called ____________

Back 3

representational

Front 4

___________ art is art that does not depict a recognizable subject

Back 4

non-objective

Front 5

non-objective art is art that does not depict a _______________

Back 5

recognizable subject

Front 6

__________ is the degree that an image is altered from an easily recognizable subject

Back 6

abstraction

Front 7

abstraction is the degree that an image is ________ from an easily recognizable subject

Back 7

altered

Front 8

abstraction is the degree that an image is altered from an _______________

Back 8

easily recognizable subject

Front 9

What are the six types of art analysis?

Back 9

iconographic, biographical, feminist, contextual, psychological, formal

Front 10

__________ interprets objects and figures in an artwork as signs or symbols, often based on religious or historical contexts that would have been understood at the time when it was made.

Back 10

iconographic analysis

Front 11

iconographic analysis interprets __________ in an artwork as signs or symbols, often based on religious or historical contexts that would have been understood at the time when it was made.

Back 11

objects and figures

Front 12

iconographic analysis interprets objects and figures in an artwork as ______ or _______, often based on religious or historical contexts that would have been understood at the time when it was made.

Back 12

signs, symbols

Front 13

iconographic analysis interprets objects and figures in an artwork as signs or symbols, often based on ________ or _________ contexts that would have been understood at the time when it was made.

Back 13

religious, historical

Front 14

iconographic analysis interprets objects and figures in an artwork as signs or symbols, often based on religious or historical contexts that would have been _________ at the time when it was made.

Back 14

understood

Front 15

iconographic analysis interprets objects and figures in an artwork as signs or symbols, often based on religious or historical contexts that would have been understood _____________.

Back 15

at the time when it was made

Front 16

____________ considers whether the artist's personal experiences and opinions may have affected the making or meaning of the artwork in some way

Back 16

biographical analysis

Front 17

biographical analysis considers whether the artist's __________ and _______ may have affected the making or meaning of the artwork in some way

Back 17

personal experiences, opinions

Front 18

biographical analysis considers whether the artist's personal experiences and opinions may have affected the ________ or ________ of the artwork in some way

Back 18

making, meaning

Front 19

____________ considers the role of women in artwork as its subjects, creators, patrons, and viewers; it explores ways in which the work reflects the experience of women

Back 19

feminist analysis

Front 20

feminist analysis considers the ____________ as its subjects, creators, patrons, and viewers; it explores ways in which the work reflects the experience of women

Back 20

role of women in artwork

Front 21

feminist analysis considers the role of women in artwork as its _______, _______, _______, and _______; it explores ways in which the work reflects the experience of women

Back 21

subjects, creators, patrons, viewers

Front 22

feminist analysis considers the the role of women in artwork as its subjects, creators, patrons, and viewers; it explores ways in which the work _______________

Back 22

reflects the experience of women

Front 23

___________ looks at the making and viewing of a work in its context (historical, religious, political, economic, social, etc.); it studies the context that the artwork itself represents

Back 23

contextual analysis

Front 24

contextual analysis looks at the making and viewing of a work in its _______ (historical, religious, political, economic, social, etc.); it studies the context that the artwork itself represents

Back 24

context

Front 25

contextual analysis looks at the making and viewing of a work in its context (historical, religious, political, economic, social, etc.); it studies the ________ that the artwork itself represents

Back 25

context

Front 26

___________ investigates an artwork through interpretation of the mental state of the artist

Back 26

psychological analysis

Front 27

psychological analysis investigates an artwork through ___________________

Back 27

interpretation of the mental state of the artist

Front 28

___________ analyzes the artwork's use of elements and principles in art

Back 28

formal analysis

Front 29

formal analysis analyzes the artwork's use of ________ and _________ in art

Back 29

elements, principles

Front 30

_________ is an artwork in which the objects remind the viewer of the transience of life

Back 30

vanitas

Front 31

vanitas is an artwork in which the objects remind the viewer of ________________

Back 31

the transience of life

Front 32

________ is the surface quality of a work; for example fine vs coarse or detailed vs lacking in detail

Back 32

texture

Front 33

texture is the _________ of a work; for example fine vs coarse or detailed vs lacking in detail

Back 33

surface quality

Front 34

texture is the surface quality of a work; for example _____ vs coarse or detailed vs lacking in detail

Back 34

fine

Front 35

texture is the surface quality of a work; for example fine vs ______ or detailed vs lacking in detail

Back 35

coarse

Front 36

texture is the surface quality of a work; for example fine vs coarse or _______ vs lacking in detail

Back 36

detailed

Front 37

texture is the surface quality of a work; for example fine vs coarse or detailed vs ___________

Back 37

lacking in detail

Front 38

_______ is a 20th century art movement that favored a new perspective emphasizing geometric form

Back 38

cubism

Front 39

cubism is a ____th century art movement that favored a new perspective emphasizing geometric form

Back 39

20

Front 40

cubism is a 20th century art movement that favored a new perspective emphasizing _____________

Back 40

geometric form

Front 41

a _______ is a distance bridged between two supports such as columns or walls

Back 41

span

Front 42

a _______ is a distance bridged between two supports such as columns or walls

Back 42

span

Front 43

__________ construction has horizontal beams, or lintels, supported by a post at either end

Back 43

post-and-lintel

Front 44

post-and-lintel construction has _______ beams, or lintels, supported by a post at either end

Back 44

horizontal

Front 45

post-and-lintel construction has horizontal beams, or ______, supported by a post at either end

Back 45

lintels

Front 46

post-and-lintel construction has horizontal beams, or lintels, supported by a _____ at either end

Back 46

post

Front 47

a ___________ is a large room with a roof supported by a forest of columns

Back 47

hypostyle

Front 48

a hypostyle hall is a ________ with a roof supported by a forest of columns

Back 48

large room

Front 49

a hypostyle hall is a large room with a __________________

Back 49

roof supported by a forest of columns

Front 50

something that is ________ has a series of corbels — architectural features made of stone, brick, wood, etc — each projecting beyond the one below

Back 50

corbeled

Front 51

something that is corbeled has a series of _____ — architectural features made of stone, brick, wood, etc — each projecting beyond the one below

Back 51

corbels

Front 52

something that is corbeled has a series of corbels — architectural features made of stone, brick, wood, etc — each ______________

Back 52

projecting beyond the one below

Front 53

an ________ is a structure designed to carry water, often over long distances

Back 53

aqueduct

Front 54

an aqueduct is a structure designed to carry _______, often over long distances

Back 54

water

Front 55

a _______ is an archlike structure supporting a ceiling or a roof

Back 55

vault

Front 56

a vault is an _______ structure supporting a ceiling or a roof

Back 56

archlike

Front 57

a vault is an archlike structure supporting a __________

Back 57

ceiling or a roof

Front 58

something _________ uses and early medieval european style of architecture, based on roman-style rounded arches and heavy contruction

Back 58

romanesque

Front 59

something romanesque uses and early _____________ of architecture, based on roman-style rounded arches and heavy contruction

Back 59

medieval european style

Front 60

something romanesque uses and early medieval european style of _________, based on roman-style rounded arches and heavy contruction

Back 60

architecture

Front 61

something romanesque uses and early medieval european style of architecture, based on _______-style rounded arches and heavy contruction

Back 61

roman

Front 62

something romanesque uses and early medieval european style of architecture, based on roman-style rounded _______ and heavy contruction

Back 62

arches

Front 63

something romanesque uses and early medieval european style of architecture, based on roman-style rounded arches and _____________

Back 63

heavy contruction

Front 64

________: in a basilica or other church, the spaces between the columns of the nave and the side walls

Back 64

aisles

Front 65

aisles: in a basilica or other church, the spaces between the __________ and the side walls

Back 65

columns of the nave

Front 66

aisles: in a basilica or other church, the spaces between the columns of the nave and the _________

Back 66

side walls

Front 67

the ______ is the central space of a cathedral or basilica

Back 67

nave

Front 68

the nave is the __________ of a cathedral or basilica

Back 68

central space

Front 69

the nave is the central space of a _____________

Back 69

cathedral or basilica

Front 70

a _________ is an arch built on the exterior of a building that transfers some of the weight of the vault

Back 70

flying buttress

Front 71

a flying buttress is an ______ built on the exterior of a building that transfers some of the weight of the vault

Back 71

arch

Front 72

a flying buttress is an arch built on the _______ of a building that transfers some of the weight of the vault

Back 72

exterior

Front 73

a flying buttress is an arch built on the exterior of a building that ________________

Back 73

transfers some of the weight of the vault

Front 74

_________ have two curved sides to form a point at the apex

Back 74

pointed arches

Front 75

pointed arches have ___________ to form a point at the apex

Back 75

two curved sides

Front 76

pointed arches have two curved sides to form a point at the ______

Back 76

apex

Front 77

_______ is the principle of drawing attention to particular content in a work

Back 77

emphasis

Front 78

emphasis is the principle of __________ to particular content in a work

Back 78

drawing attention

Front 79

a ______ is an archlike structure supporting a ceiling or roof, with a web of protruding stonework

Back 79

rib vault

Front 80

a rib vault is an ________ structure supporting a ceiling or roof, with a web of protruding stonework

Back 80

archlike

Front 81

a rib vault is an archlike structure supporting a _________, with a web of protruding stonework

Back 81

ceiling or roof

Front 82

a rib vault is an archlike structure supporting a ceiling or roof, with a _______________

Back 82

web of protruding stonework

Front 83

a _______ is an evenly curved vault

Back 83

dome

Front 84

a dome is an ______________

Back 84

evenly curved vault

Front 85

an _______ is an imaginary line showing the center of a shape, volume or composition

Back 85

axis

Front 86

an axis is an ________ showing the center of a shape, volume or composition

Back 86

imaginary line

Front 87

an axis is an imaginary line showing the ____________

Back 87

center of a shape, volume or composition

Front 88

____________ are a row of windows high up in a church to admit light into the nave

Back 88

clerestory windows

Front 89

clerestory windows are a row of windows high up in a church to ________________

Back 89

admit light into the nave

Front 90

a _________ is a curving, triangular surface that links a dome to a square space below

Back 90

pendentive

Front 91

a pendentive is a curving, triangular surface that _______________

Back 91

links a dome to a square space below

Front 92

the _________ movement is a 20th century architectural movement that embraced modern industrial materials and a machine aesthetic

Back 92

modernist

Front 93

the modernist movement is a ____th century architectural movement that embraced modern industrial materials and a machine aesthetic

Back 93

20

Front 94

the modernist movement is a 20th century ___________ movement that embraced modern industrial materials and a machine aesthetic

Back 94

architectural

Front 95

the modernist movement is a 20th century architectural movement that embraced ___________ and a machine aesthetic

Back 95

modern industrial materials

Front 96

the modernist movement is a 20th century architectural movement that embraced modern industrial materials and a _____________

Back 96

machine aesthetic

Front 97

a _______ is a freestanding pillar, usually circular in section

Back 97

column

Front 98

a column is a ___________, usually circular in section

Back 98

freestanding pillar

Front 99

a column is a freestanding pillar, usually _______ in section

Back 99

circular

Front 100

a _______ is a projecting series of blocks between the shaft of a column and its plinth

Back 100

base

Front 101

a base is a projecting series of ______ between the shaft of a column and its plinth

Back 101

blocks

Front 102

a base is a projecting series of blocks between ____________ and its plinth

Back 102

the shaft of a column

Front 103

a base is a projecting series of blocks between the shaft of a column and its _______

Back 103

plinth

Front 104

a ______ is a main vertical part of a column

Back 104

shaft

Front 105

a shaft is a main _______ part of a column

Back 105

vertical

Front 106

a shaft is a main vertical part of a ________

Back 106

column

Front 107

a ________ is an architectural feature that crowns a column

Back 107

capital

Front 108

a capital is an architectural feature that crowns a _______

Back 108

column

Front 109

a ________ is a molding around the top of a building

Back 109

cornice

Front 110

a cornice is a ________ around the top of a building

Back 110

molding

Front 111

a cornice is a molding around ____________

Back 111

the top of a building

Front 112

an ________ is related to beauty, art and taste

Back 112

aesthetic

Front 113

something that's _______ has forms and shapes derived from living organisms

Back 113

organic

Front 114

something that's organic has forms and shapes derived from ____________

Back 114

living organisms

Front 115

to _________ is to make smaller shapes or spaces within a larger composition

Back 115

articulate

Front 116

to articulate is to make ________ shapes or spaces within a larger composition

Back 116

smaller

Front 117

something that's ________ is capable of stirring emption

Back 117

expressive

Front 118

___________ is a late 20th century architectural style adopting features of earlier styles

Back 118

postmodernism

Front 119

postmodernism is a late ___th century architectural style adopting features of earlier styles

Back 119

20

Front 120

postmodernism is a late 20th century _______ style adopting features of earlier styles

Back 120

architectural

Front 121

postmodernism is a late 20th century architectural style adopting ____________

Back 121

features of earlier styles

Front 122

_______ represents objects in an exaggerated way to emphasize certain aspects of the object

Back 122

stylized art

Front 123

stylized art represents objects in an ________ way to emphasize certain aspects of the object

Back 123

exaggerated

Front 124

stylized art represents objects in an exaggerated way to emphasize ___________

Back 124

certain aspects of the object

Front 125

a _______ is a roof supported by columns at the entrance of a building

Back 125

portico

Front 126

a portico is a _______ supported by columns at the entrance of a building

Back 126

roof

Front 127

a portico is a roof supported by ______ at the entrance of a building

Back 127

columns

Front 128

a portico is a roof supported by columns at the _____________

Back 128

entrance of a building

Front 129

a _______ is a triangular space situated above the row of columns at the end of a building int he classical style

Back 129

pediment

Front 130

a pediment is a _________ situated above the row of columns at the end of a building int he classical style

Back 130

triangular space

Front 131

a pediment is a triangular space situated _____ the row of columns at the end of a building int he classical style

Back 131

above

Front 132

a pediment is a triangular space situated above the __________ at the end of a building int he classical style

Back 132

row of columns

Front 133

the _______ style is a european artistic and archiectural style of the 16th to 18th centuries, characterized by extravagance and emotional intensity

Back 133

baroque

Front 134

the baroque style is a _________ artistic and archiectural style of the 16th to 18th centuries, characterized by extravagance and emotional intensity

Back 134

european

Front 135

the baroque style is a european ______ and ________ style of the 16th to 18th centuries, characterized by extravagance and emotional intensity

Back 135

artistic, architectural

Front 136

the baroque style is a european artistic and archiectural style of the ___th to ___th centuries, characterized by extravagance and emotional intensity

Back 136

16, 18

Front 137

the baroque style is a european artistic and archiectural style of the 16th to 18th centuries, characterized by _______ and emotional intensity

Back 137

extravagance

Front 138

the baroque style is a european artistic and archiectural style of the 16th to 18th centuries, characterized by extravagance and ___________

Back 138

emotional intensity

Front 139

a ________ is a sculpture made from a single piece of stone

Back 139

monolith

Front 140

a monolith is a ________ made from a single piece of stone

Back 140

sculpture

Front 141

a monolith is a sculpture made from ________________

Back 141

a single piece of stone

Front 142

a _______ is a mesopotamian steeped tower, roughly pyramid shaped, that diminishes toward a platform summit

Back 142

ziggurat

Front 143

a ziggurat is a ___________ steeped tower, roughly pyramid shaped, that diminishes toward a platform summit

Back 143

mesopotamian

Front 144

a ziggurat is a mesopotamian steeped ______, roughly pyramid shaped, that diminishes toward a platform summit

Back 144

tower

Front 145

a ziggurat is a mesopotamian steeped tower, roughly _______ shaped, that diminishes toward a platform summit

Back 145

pyramid

Front 146

a ziggurat is a mesopotamian steeped tower, roughly pyramid shaped, that diminishes toward a platform ______

Back 146

summit

Front 147

_________ is the use of size to denote importance in an artwork

Back 147

hierarchical scale

Front 148

hierarchical scale is the use of _______ to denote importance in an artwork

Back 148

size

Front 149

hierarchical scale is the use of size to denote ________ in an artwork

Back 149

importance

Front 150

a _________ is a coffin usually made of stone or clay

Back 150

sarcophagus

Front 151

a sarcophagus is a ______ usually made of stone or clay

Back 151

coffin

Front 152

a sarcophagus is a coffin usually made of _____ or _____

Back 152

stone, clay

Front 153

the singular of sarcophagi is ________

Back 153

sarcophagus

Front 154

the ___________, or composite view is a representation of a figure, part in profile and part frontally

Back 154

twisted perspective

Front 155

the twisted perspective, or ____________ is a representation of a figure, part in profile and part frontally

Back 155

composite view

Front 156

the twisted perspective, or composite view is a representation of a figure, part _______ and part frontally

Back 156

in profile

Front 157

the twisted perspective, or composite view is a representation of a figure, part in profile and part __________

Back 157

frontally

Front 158

________ are the relationship in size between a work's parts and its whole

Back 158

proportions

Front 159

an ________ is a high place in a greek city where a temple is located

Back 159

acropolis

Front 160

an acropolis is a high place in a _____ city where a temple is located

Back 160

greek

Front 161

an acropolis is a high place in a greek city where a ______ is located

Back 161

temple

Front 162

_________ is a style of designing columns and related parts of a greek or roman building

Back 162

architectural order

Front 163

architectural order is a style of designing _______ and related parts of a greek or roman building

Back 163

columns

Front 164

architectural order is a style of designing columns and related parts of a ______________

Back 164

greek or roman building

Front 165

a _______ is a strip that goes around the top of a building, often filled with sculptural ornamentation

Back 165

freize

Front 166

a freize is a ____________, often filled with sculptural ornamentation

Back 166

strip that goes around the top of a building

Front 167

a freize is a strip that goes around the top of a building, often filled with _____________

Back 167

sculptural ornamentation

Front 168

________ are architectural features that crown a column

Back 168

capitals

Front 169

capitals are architectural features that ___________

Back 169

crown a column

Front 170

an __________ is the part of a greek or roman building that rests on top of a column

Back 170

entablature

Front 171

an entablature is the part of a greek or roman building that rests ______________

Back 171

on top of a column

Front 172

_______ is greek art of the period 620 to 480 BC

Back 172

archaic

Front 173

archaic is greek art of the period ____ to _____ BC

Back 173

620, 480

Front 174

the ______ art period went from 323 to 100 BC

Back 174

hellenistic

Front 175

the hellenistic art period went from _____ to _____ BC

Back 175

323, 100

Front 176

a _______ is a sculpture of a greek nude youth

Back 176

kouron

Front 177

a kouron is a _______ of a greek nude youth

Back 177

sculpture

Front 178

a kouron is a sculpture of a ___________

Back 178

greek nude youth

Front 179

a __________ pose is when the upper body turns one way and the lower does another

Back 179

contrapposto

Front 180

______ is clay mixed with water used to decorate pottery

Back 180

slip

Front 181

slip is _____ mixed with water used to decorate pottery

Back 181

clay

Front 182

slip is clay mixed with ______ used to decorate pottery

Back 182

water

Front 183

slip is clay mixed with water used to ____________

Back 183

decorate pottery

Front 184

something _______ is something cut

Back 184

incised

Front 185

something incised is something _____

Back 185

cut

Front 186

a _______ is a statue of a person only depicting his head and shoulders

Back 186

bust

Front 187

a bust is a statue of a person only depicting his ______ and _______

Back 187

head, shoulders

Front 188

something _______ is something decorated with recessed paneling

Back 188

coffered

Front 189

something coffered is something decorated with ____________

Back 189

recessed paneling

Front 190

an _______ is a round opening at the center of a dome

Back 190

oculus

Front 191

an oculus is a ________ at the center of a dome

Back 191

round opening

Front 192

an oculus is a round opening at the ____________

Back 192

center of a dome

Front 193

art covers _________, politics and social order, stories and histories, looking outward, looking inward, invention and fantasy, and the natural world

Back 193

the sacred realm

Front 194

art covers the sacred realm, __________, stories and histories, looking outward, looking inward, invention and fantasy, and the natural world

Back 194

politics and social order

Front 195

art covers the sacred realm, politics and social order, ___________, looking outward, looking inward, invention and fantasy, and the natural world

Back 195

stories and histories

Front 196

art covers the sacred realm, politics and social order, stories and histories, ___________, looking inward, invention and fantasy, and the natural world

Back 196

looking outward

Front 197

art covers the sacred realm, politics and social order, stories and histories, looking outward, ___________, invention and fantasy, and the natural world

Back 197

looking inward

Front 198

art covers the sacred realm, politics and social order, stories and histories, looking outward, looking inward, ____________, and the natural world

Back 198

invention and fantasy

Front 199

art covers the sacred realm, politics and social order, stories and histories, looking outward, looking inward, invention and fantasy, and _____________

Back 199

the natural world

Front 200

art covering the ________ covers life and death, how to honor, and spiritual quests

Back 200

sacred realm

Front 201

art covering the sacred realm covers __________, how to honor, and spiritual quests

Back 201

life and death

Front 202

art covering the sacred realm covers life and death, ____________, and spiritual quests

Back 202

how to honor

Front 203

art covering the sacred realm covers life and death, how to honor, and ___________

Back 203

spiritual quests

Front 204

art in relation to _____________ includes expressions of might or spirituality

Back 204

politics and social order

Front 205

art in relation to politics and social order includes expressions of ______ or spirituality

Back 205

might

Front 206

art in relation to politics and social order includes expressions of might or _________

Back 206

spirituality

Front 207

________ paintings are representational

Back 207

realistic

Front 208

realistic paintings are ____________

Back 208

representational

Front 209

art covering ___________ investigates the human experience

Back 209

looking inward

Front 210

art covering looking inward investigates ________________

Back 210

the human experience

Front 211

art covering __________ covers human imagination and dreams

Back 211

fantasy and invention

Front 212

art covering fantasy and invention covers _______________

Back 212

human imagination and dreams

Front 213

a triptych has ___ panels

Back 213

3

Front 214

__________ are sculptures on the earth itself

Back 214

earthworks

Front 215

the _______ is the arrest, trial and execution of jesus christ and his suffering during them

Back 215

passion

Front 216

the passion is the ____________ of jesus christ and his suffering during them

Back 216

arrest, trial and execution

Front 217

the passion is the arrest, trial and execution of _________ and his suffering during them

Back 217

jesus christ

Front 218

the passion is the arrest, trial and execution of jesus christ and _____________

Back 218

his suffering during them

Front 219

_________ is a type of hard, gray sandstone

Back 219

sarsen

Front 220

sarsen is a type of _______________

Back 220

hard, gray sandstone

Front 221

_________ is a construction material made of lime, sand and rubble

Back 221

concrete

Front 222

concrete is a construction material made of _________________

Back 222

lime, sand and rubble

Front 223

a _______ is a vertical element, square in shape, that provides architetural support for crossing horizontal elements in post-and-lintel construction. Also used for decoration.

Back 223

pilaster

Front 224

a pilaster is a _______ element, square in shape, that provides architetural support for crossing horizontal elements in post-and-lintel construction. Also used for decoration.

Back 224

vertical

Front 225

a pilaster is a vertical element, ______ in shape, that provides architetural support for crossing horizontal elements in post-and-lintel construction. Also used for decoration.

Back 225

square

Front 226

a pilaster is a vertical element, square in shape, that provides architetural support for crossing _________ elements in post-and-lintel construction. Also used for decoration.

Back 226

horizontal

Front 227

a pilaster is a vertical element, square in shape, that provides architetural support for crossing horizontal elements in ___________ construction. Also used for decoration.

Back 227

post-and-lintel

Front 228

a pilaster is a vertical element, square in shape, that provides architetural support for crossing horizontal elements in post-and-lintel construction. Also used for __________.

Back 228

decoration

Front 229

an ______ is a central, normally public, interior space. first used in roman houses

Back 229

atrium

Front 230

an atrium is a ______, normally public, interior space. first used in roman houses

Back 230

central

Front 231

an atrium is a central, normally public, ______ space. first used in roman houses

Back 231

interior

Front 232

an atrium is a central, normally public, interior space. first used in ___________

Back 232

roman houses

Front 233

a ______ is a single row of stones or bricks forming a horizontal layer of a structure

Back 233

course

Front 234

a course is a ______ row of stones or bricks forming a horizontal layer of a structure

Back 234

single

Front 235

a course is a single row of ___________ forming a horizontal layer of a structure

Back 235

stones or bricks

Front 236

a course is a single row of stones or bricks forming a _______________

Back 236

horizontal layer of a structure

Front 237

________ is the use of levers to roll heavy objects over short distances

Back 237

tumbling

Front 238

tumbling is the use of ________ to roll heavy objects over short distances

Back 238

levers

Front 239

tumbling is the use of levers to roll ______ objects over short distances

Back 239

heavy

Front 240

tumbling is the use of levers to roll heavy objects over ________ distances

Back 240

short

Front 241

_______ is a fine-grained, powdery mineral often used to make plaster

Back 241

gypsum

Front 242

gypsum is a fine-grained, powdery mineral often used to make ________

Back 242

plaster

Front 243

________ is to move or raise an object using a lever-like action

Back 243

levering

Front 244

levering is to __________ an object using a lever-like action

Back 244

move or raise

Front 245

levering is to move or raise an object using a ______-like action

Back 245

lever

Front 246

a ________ is a final stone on top of a structure

Back 246

capstone

Front 247

a ______ is a stringed instrument that is plucked; the strings hang from a crossbar that is supported by two arms connected to a hollow box, which amplifies the sound

Back 247

lyre

Front 248

__________ is a bright blue, semi-precious stone containing sodium aluminum silicate and sulphur

Back 248

lapis lazuli

Front 249

lapis lazuli is a bright _____, semi-precious stone containing sodium aluminum silicate and sulphur

Back 249

blue

Front 250

lapis lazuli is a bright blue, semi-precious stone containing ___________ and sulphur

Back 250

sodium aluminum silicate

Front 251

lapis lazuli is a bright blue, semi-precious stone containing sodium aluminum silicate and _________

Back 251

sulphur

Front 252

_________ is also known as dry painting; using grains of sand as the medium

Back 252

sand painting

Front 253

sand painting is also known as _________; using grains of sand as the medium

Back 253

dry painting

Front 254

sand painting is also known as dry painting; using _________ as the medium

Back 254

grains of the sand

Front 255

sand painting is also known as dry painting; using grains of sand as the _________

Back 255

medium

Front 256

a _________ is a priest regarded as having the ability to communicate with the spiritual world

Back 256

shaman

Front 257

a shaman is a ______ regarded as having the ability to communicate with the spiritual world

Back 257

priest

Front 258

a shaman is a priest regarded as having the ability to _______________

Back 258

communicate with the spiritual world

Front 259

a _________ is a performance in which participants wear asks and costumes for a ritual or cultural purpose

Back 259

masquerade

Front 260

a masquerade is a performance in which participants wear ___________ for a ritual or cultural purpose

Back 260

masks and costumes

Front 261

a masquerade is a performance in which participants wear asks and costumes for ______________

Back 261

a ritual or cultural purpose

Front 262

the ________ is a nigerian yoruba society's celebration and honoring of women

Back 262

gelede ritual

Front 263

the gelede ritual is a _________ yoruba society's celebration and honoring of women

Back 263

nigerian

Front 264

the gelede ritual is a nigerian __________'s celebration and honoring of women

Back 264

yoruba society

Front 265

the gelede ritual is a nigerian yoruba society's celebration and honoring of _________

Back 265

women

Front 266

_________ is a mid 20th century artistic style with a simplified, unified and impersonal look, often employing geometrical or massive forms

Back 266

minimalism

Front 267

minimalism is a mid ____th century artistic style with a simplified, unified and impersonal look, often employing geometrical or massive forms

Back 267

20

Front 268

minimalism is a mid 20th century artistic style with a ____________ look, often employing geometrical or massive forms

Back 268

simplified, unified and impersonal

Front 269

minimalism is a mid 20th century artistic style with a simplified, unified and impersonal look, often employing ________ or __________ forms

Back 269

geometrical, massive

Front 270

_________ is a type of steel that forms a coating of rust that protects to from the weather and further corrosion

Back 270

cor-ten steel

Front 271

cor-ten steel is a type of steel that forms a _________ that protects to from the weather and further corrosion

Back 271

coating of rust

Front 272

cor-ten steel is a type of steel that forms a coating of rust that protects to from ________________

Back 272

the weather and further corrosion

Front 273

_________ art is created for a large audience

Back 273

community

Front 274

Community art is created for a ______ audience

Back 274

large

Front 275

__________ ideas drive community art

Back 275

philosophical

Front 276

Philosophical ideas drive __________ art

Back 276

community

Front 277

_________ art engenders civic pride

Back 277

community

Front 278

community art engenders ___________

Back 278

civic pride

Front 279

Light let in through ___________ is called luxe Devina, or divine light

Back 279

stained glass

Front 280

Light let in through stained glass is called __________, or divine light

Back 280

luxe devina

Front 281

Light let in through stained glass is called luxe Devina, or __________

Back 281

divine light

Front 282

Stories told in glass or sculpture in ________ because a lot of population was illiterate

Back 282

cathedrals

Front 283

Stories told in glass or sculpture in Cathedrals because ______________

Back 283

a lot of population was illiterate

Front 284

who did the gates at Central Park? when was it installed?

Back 284

Christo and Jean-claude. 2005

Front 285

the Colosseum used ______ different styles, one for each floor.

Back 285

four

Front 286

____________ was bult by frank Lloyd wright and was Finished in 1959

Back 286

New York's Guggenheim Museum

Front 287

New York's Guggenheim museum was bult by ____________ and was Finished in 1959

Back 287

frank lloyd wright

Front 288

New York's Guggenheim museum was bult by frank Lloyd wright and was Finished in _______

Back 288

1959

Front 289

_________ were mesopotamian-era temples

Back 289

ziggurats

Front 290

ziggurats were ___________-era temples

Back 290

mesopotamian

Front 291

Art in the _________ can be in a public space, or at least bought by public money

Back 291

public spehere

Front 292

Art in the public sphere can be in a public space, or at least bought ____________

Back 292

by public money

Front 293

______ undergrad Maya Lin was 20 yrs old when she designed the Vietnam Veterans Memorial

Back 293

Yale

Front 294

Yale undergrad ________ was 20 yrs old when she designed the Vietnam Veterans Memorial

Back 294

Maya Lin

Front 295

Yale undergrad Maya Lin was ____ yrs old when she designed the Vietnam Veterans Memorial

Back 295

20

Front 296

Yale undergrad Maya Lin was 20 yrs old when she designed the ___________________

Back 296

Vietnam Veterans Memorial

Front 297

_________ is an early medieval european style of archictecture, based on roman-style rounded arches and heavy construction

Back 297

romanesque

Front 298

romanesque is an early ________ european style of archictecture, based on roman-style rounded arches and heavy construction

Back 298

medieval

Front 299

romanesque is an early medieval _______ style of archictecture, based on roman-style rounded arches and heavy construction

Back 299

european

Front 300

romanesque is an early medieval european style of _________, based on roman-style rounded arches and heavy construction

Back 300

architecture

Front 301

romanesque is an early medieval european style of archictecture, based on roman-style ______ arches and heavy construction

Back 301

rounded

Front 302

romanesque is an early medieval european style of archictecture, based on roman-style rounded _______ and heavy construction

Back 302

arches

Front 303

romanesque is an early medieval european style of archictecture, based on roman-style rounded arches and ______________

Back 303

heavy construction

Front 304

__________: with the aim of teaching or educating

Back 304

didactic

Front 305

didactic: with the aim of ______________

Back 305

teaching or educating

Front 306

when a work is a ____________, different parts of a story are shown in the same visual space

Back 306

continuous narrative

Front 307

when a work is a continuous narrative, different parts of a story are shown in the ________________

Back 307

same visual space

Front 308

a ________ is a picture or pattern created by fixing together small pieces of stone, glass, tile, etc

Back 308

mosaic

Front 309

a mosaic is a picture or pattern created by __________________

Back 309

fixing together small pieces of stone, glass, tile, etc

Front 310

_________ is the small pieces of material used to make a mosaic

Back 310

tesserae

Front 311

tesserae is the _____________ used to make a mosaic

Back 311

small pieces of material

Front 312

tesserae is the small pieces of material used to make a __________

Back 312

mosaic

Front 313

a ___________ church is an eastern orthodox design, often in the shape of a cross with all four arms of equal length

Back 313

central-plan

Front 314

a central-plan church is an ____________ design, often in the shape of a cross with all four arms of equal length

Back 314

eastern orthodox

Front 315

a central-plan church is an eastern orthodox design, often in the shape of a ________ with all four arms of equal length

Back 315

cross

Front 316

a central-plan church is an eastern orthodox design, often in the shape of a cross with all four arms of _______ length

Back 316

equal

Front 317

an ______ is a semi-circular vaulted space in a church

Back 317

apse

Front 318

an apse is a _________ vaulted space in a church

Back 318

semi-circular

Front 319

an apse is a semi-circular ________ space in a church

Back 319

vaulted

Front 320

an apse is a semi-circular vaulted space in a _______

Back 320

church

Front 321

in a church, the ______ is the area where sacrifices or offering are made

Back 321

altar

Front 322

in a church, the altar is the area where ________________

Back 322

sacrifices or offering are made

Front 323

the _________ is a christian ceremony that commemorates the death of jesus

Back 323

eucharist

Front 324

the eucharist is a _______ ceremony that commemorates the death of jesus

Back 324

christian

Front 325

the eucharist is a christian ceremony that commemorates ____________

Back 325

the death of jesus

Front 326

something _________ has an abstract pattern dervice from geometric and vegetal lines and forms

Back 326

arabesque

Front 327

something arabesque has an _______ pattern derived from geometric and vegetal lines and forms

Back 327

abstract

Front 328

something arabesque has an abstract pattern derived from ________ and _________ lines and forms

Back 328

geometric, vegetal

Front 329

_________ are illustrations or decorations in a manuscript

Back 329

illuminations

Front 330

illuminations are _________ or __________ in a manuscript

Back 330

illustrations, decorations

Front 331

illuminations are illustrations or decorations in a ____________

Back 331

manuscript

Front 332

________ is a technique of hammering metal from the back

Back 332

repousse

Front 333

repousse is a technique of _____________

Back 333

hammering metal from the back

Front 334

a _________'s large towers are called minarets

Back 334

mosque

Front 335

a mosque's large ________ are called minarets

Back 335

towers

Front 336

a mosque's large towers are called __________

Back 336

minarets

Front 337

a ______ is a niche in a mosque wall that's oriented toward Mecca

Back 337

mihrab

Front 338

a mihrab is a _______ in a mosque wall that's oriented toward Mecca

Back 338

niche

Front 339

a mihrab is a niche in a mosque ______ that's oriented toward Mecca

Back 339

wall

Front 340

a mihrab is a niche in a mosque wall that's oriented toward ________

Back 340

mecca

Front 341

a ___________, or main entrance, is usually on the west front of a church

Back 341

royal portal

Front 342

a royal portal, or __________, is usually on the west front of a church

Back 342

main entrance

Front 343

a royal portal, or main entrance, is usually on the ______ front of a church

Back 343

west

Front 344

a ________ is a structure crossing the main body of a cruciform church

Back 344

transept

Front 345

a transept is a structure crossing the main body of a _______ church

Back 345

cruciform

Front 346

the ________ is the aprt of the church reserved for singers and clergy; situated between nave and apse

Back 346

choir

Front 347

the choir is the aprt of the church reserved for ___________; situated between nave and apse

Back 347

singers, clergy

Front 348

the choir is the aprt of the church reserved for singers and clergy; situated between ______ and ______

Back 348

nave, apse

Front 349

an _________ is a covered walkway, particularly around the apse of a church

Back 349

ambulatory

Front 350

an ambulatory is a ____________, particularly around the apse of a church

Back 350

covered walkway

Front 351

an ambulatory is a covered walkway, particularly around the _______ of a church

Back 351

apse

Front 352

a _______ is a stationary scene arranged for artistic impact

Back 352

tableau

Front 353

a tableau is a _________ arranged for artistic impact

Back 353

stationary scene

Front 354

__________ gives expression to intangible ideas, express things that can't be seen

Back 354

spirituality in art

Front 355

spirituality in art gives expression to _________ ideas, express things that can't be seen

Back 355

intangible

Front 356

4 broad categories in spiritual art...
1. ______________
2. Art hat refers to spirits or ancestors of natural world
3. Communication with spiritual world
4. Sacred places

Back 356

art that refers to specific gods or deities

Front 357

4 broad categories in spiritual art...
1. Art that refs to specific gods or deities
2. Art hat refers to spirits or ancestors of natural world
3. Communication with spiritual world
4. ___________

Back 357

sacred places

Front 358

4 broad categories in spiritual art...
1. Art that refs to specific gods or deities
2. Art hat refers to spirits or ancestors of natural world
3. ______________
4. Sacred places

Back 358

communication with the spirit world

Front 359

4 broad categories in spiritual art...
1. Art that refs to specific gods or deities
2. ____________________
3. Communication with spiritual world
4. Sacred places

Back 359

Art hat refers to spirits or ancestors of natural world

Front 360

__________ in art started in classic Greece

Back 360

humanism

Front 361

Humanism in art started in ___________

Back 361

classic greece

Front 362

Giving gods more __________ makes them more accessible to worshipers, while writings make them more believable

Back 362

visual form

Front 363

Giving gods more visual form makes them ____________, while writings make them more believable

Back 363

more accesible to worshippers

Front 364

Giving gods more visual form makes them more accessible to worshipers, while writings make them __________

Back 364

more believable

Front 365

_________: using signs and symbols

Back 365

iconography

Front 366

__-__ miles of tunnel ways under Rome, contains remains of approx. 4 million.
Smetimes hid bodies because Rome didn't respect early Christianity until 330 ad

Back 366

60, 90

Front 367

60-90 miles of tunnel ways under Rome, contains remains of approx. ___________.
Smetimes hid bodies because Rome didn't respect early Christianity until 330 ad

Back 367

4 million

Front 368

60-90 miles of tunnel ways under Rome, contains remains of approx. 4 million.
Smetimes hid bodies because ________________

Back 368

Rome didn't respect early Christianity until 330 ad