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37 Cards in this Set
- Front
- Back
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Cimabue, Madonna Enthroned with Angels and Prophets, ca. 1280-1290. Tempera on wood, 12'7" Florence |
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Giotto (Di Bondone), Madonna Enthroned (Maestà), ca. 1310. Tempera on wood, 10'8 x 6' 8" Florence |
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Giotto Di Bondone, Arena Chapel (Cappella Scrovegni, Padua, Italy, 1305-1306 |
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Giotto, Interior of the Arena Chapel Details, 1305-1306: Lamentation Kiss of Judas Last Judgement (with Enrico Scrovegni) |
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Duccio Di Buoninsegna, Virgin and Child Enthroned with Saints, principal panel of the Maestà ("Virgin in Majesty") altarpiece, from the Siena Cathedral, Siena, Italy, 1308-1311. Tempera on wood. |
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Duccio Di Buoninsegna, Betrayal of Jesus, detail from the back of the Maestà altarpiece, from the Siena Cathedral, 1309-1311. |
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Simone Martini, Annunciation altarpiece, from Siena Cathedral 1333, tempera and gold leaf on wood, center panel |
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Ambrogio Lorenzetti, Effects of Good Government, The Sala della Pace in Palazzo Pubblico, Siena 1338-40 Frescoe |
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Donatello, David, late 1420s-late 1450s. Bronze, 5' 2.25". Florence. |
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Donatello, Judith and Holofernes, late 1450s Originally placed in the Palazzo Medici, (Now in the Palazzo Veccio, Florence). |
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Donatello, St. Mark, 1411-1413 |
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Filippo Brunelleschi, dome of Florence Cathedral, Florence, Italy, 1420-1436. |
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Arnolfo Di Cambio, Brunelleschi, and others, Florence Cathedral, Florence, Italy, begun 1296. |
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Interior of the Florence Cathedral, bugun 1296. |
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Masaccio and Masolino, Brancacci Chapel, Santa Maria del Carmine, Florence c. 1424-1427 |
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Massacio, Expulsion of Adam and Eve, Brancacci Chapel, Santa Maria del Carmine, Florence c. 1425-1427 |
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Massacio, Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence c. 1424-1427 |
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Massacio, Holy Trinity, Santa Maria Novella, Florence ca. 1428. Fresco |
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Robert Campin (Master of Flémalle), Mérode Altarpiece (open), The Annunciation (center panel, ca. 1425-1428. Oil on wood. North. |
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Jan Van Eyck, The Arnolfini Portrait, 1434, oil on Panel. North. |
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Jan van Eyck, The Arnolfini Portrait (detail), " 1434, oil on panel. North. |
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Hubert and Jan van Eyck, Adoration of the Mystic Lamb (Ghent Altarpiece), Exterior, 1423-1432, oil on panel. |
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Hubert and Jan van Eyck, Adoration of the Mystic Lamb, Ghent Altarpiece, Interior, 1423.1432, oil on panel. |
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Giotto, Vices and Virtues, Arena Chapel, Padua c. 1305. |
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Hubert and Jan van Eyck, Ghent Altarpiece (detail), 1423-1432. |
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Man of Sorrows, woodcut, 1500. Printmaking for Devotional Images |
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Andrea Mantegna, Battle of the Sea Gods, 14to, engraving with drypoint. Printmaking for Autonomous Images. |
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Dürer vs. Marcantonio Raimondi (left) Albrecht Dürer, Presentation of Christ in the Temple, ca. 1503, engraving. (right) Marcantonio Raimondi after Dürer, Presentation of Christ in the Temple, 1505-1506, engraving. |
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Reproductive Printmaking (left) Raphael, Galatea, 1512, fresco in the Villa Farnesina, Rome. (right) Marcantonio Raimondi, After Raphael, Galatea, ca. 1515-1516, engraving. |
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Raphael, Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509-1511. Frescoes. |
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Raphael, Apollo and the Muses on Parnassus, 1509-1511, frescoe, Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509-1511. Fresco. |
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Marcantonio Raimondi, After Raphael, Apollo and the Muses on Parnassus, ca. 1514-1516, engraving. |
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Michelangelo Buonarroti, ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1508-1512. Fresco. |
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Reproductive Printmaking (left) Marcantonio Raimondi, After Raphael, only state. Engraving. (right) Raphael, Philosophy (school of Athens), Stanza della Sengnatura, Vatican Palace, Rome, Italy, 1509-1511. Fresco. |
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Michelangelo Buanarotti, Pietà, 1498-1499, Marble, St. Peter's, Vatican. |
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Michelangelo Buanarotti, David, 1501-1504. Marble. Intended for _. Moved to Palazzo Vecchio, Florence. |
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Polykleitos, The Doryphoros, Roman Copy of Greek mid-5th century BC original. Marble. |
