Arh Final

Front 1

Back 1

Oscar Rejlander, The Two Ways of Life, 1857, combination albumen print

-art photography, art photography was meant to bring photography up to the level of fine art, "grand machines", rejlander was trained as a painter, set up like a theatrical stage, predecessor to pictorialism

-sometimes only the right half is printed, controversial content

-combination printing, over thirty negatives were used here, range of focus and varying lighting set ups

Front 2

Back 2

Henry Peach Robinson, Figures in a Landscape, c 1880,albumen print from 2+ negatives

-elevating their wort o fine art through references to literature and theater, landscape painting

-combination printing allowed control over the amount of focus in each part of the print, maintaining daguerreotype-like clarity throughout the photo. there were debates at the time about how human vision worked

-robinson decides its much more enjoyable to see everything in focus.

Front 3

Back 3

Lady Clementina Hawarden, Photographic study (figure andmirror), c 1864, albumen print

-she uses a lot of light, so much that it affects the clarity of her images, the dark cuts in to the figure, the light washes out the figure

- art photography

Front 4

Back 4

Julia Margaret Cameron, Sir John Herschel, carbon print,1867

-uses light and shadow to build up the sculptural feeling of the face

Front 5

Back 5

Roger Fenton, The Valley of the Shadow of Death,1855, salted paper print (Newhall, p. 87)

Front 6

Back 6

Alexander Gardner, Killed at the Battle of Antietam, 1862,albumen print

Front 7

Back 7

Timothy O’Sullivan, Pyramids and Tufa Domes, Pyramid Lake,NV, 1868, albumen print, approx 8 x 10”

Front 8

Back 8

Timothy O’Sullivan, Ancient Ruins in Canyon ofChelle, NM,1873, albumen print (Newhall, p. 100)

Front 9

Back 9

Eadweard Muybridge, Galloping Horse, 1878,albumen print (reproduced as drawings in Scientific American, Oct. 18, 1878, and also in the French magazine, La nature) (Newhall, p. 120)

Front 10

Back 10

Anon., France, The Ghost of Bernadette Soubirous, c. 1890,albumen silver print

Front 11

Back 11

Hippolyte Baraduc, Photograph of the FluidicNimbus of a Medium’s Thumb, 1893, gelatin silver print

Front 12

Back 12

Jacob Riis, The Bandits’ Roost, gelatin silver print(Newhall, p. 131)

Front 13

Back 13

Peter Henry Emerson, Poling the Marsh Hay, 1886, platinumprint

Front 14

Back 14

A Stiff Pull, 1888, albumen print; A Stiff Pull,photogravure from Pictures of EastAnglian Life, pl. 4

Front 15

Back 15

George Davison, The Onion Field, photogravure, published in Camera Work, 1907 (Newhall, 144)

Front 16

Back 16

Stieglitz, Paula, or Sun’s Rays, Berlin, 1889,gelatin silver print (Newhall, p. 140)

Front 17

Back 17

Stieglitz, Winter Fifth Avenue, photogravure, 1893, printed1905; gelatin silver print from entire negative,

Front 18

Back 18

Steichen, Pond, Moonrise, 1904, platinumprint with applied color

Front 19

Back 19

Steichen, Rodin, the Thinker, 1902,photogravure from 2 negatives

Front 20

Back 20

Coburn, Views in Edinburgh, 1905; A Passagebetween Tall Lands: Weir’s Close, platinum print

Front 21

Back 21

Blessed art thou among Women, 1899,platinum print (Newhall, 157)

Front 22

Back 22

Paul Strand, From the Viaduct, 1915, platinum print

Front 23

Back 23

Strand, Abstractions, Porch Shadows, CT, 1915, gelatinsilver print

Front 24

Back 24

Eugene Atget, Storefront, 21 Faubourg St-Honoré,1902, albumen print

Front 25

Back 25

Atget, Staircase, Hotel Sully-Charost, 1904-5,albumen print

Front 26

Back 26

Lazslo Moholy-Nagy, From the Radio Tower, Berlin, c. 1928,gelatin silver print (Newhall 198)

Front 27

Back 27

Man Ray, Rayograph, 1922, gelatin silver print, from Les champs délicieux,(Newhall, 203)

Front 28

Back 28

André Kertész, Meudon, 1928, gelatin silver print (Newhall, 224)

Front 29

Back 29

Kertesz, Clochards sleeping on the Quai, 1927, gelatin silverprint

Front 30

Back 30

Brassai, Involuntary sculpture, 1933, gelatinsilver print

Front 31

Back 31

Henri Cartier-Bresson, Beyond the Gare St. Lazare, 1932, gelatinsilver print

Front 32

Back 32

Lewis Hine, A Madonna of the Tenements, c. 1911,gelatin silver print

Front 33

Back 33

August Sander, Unemployed Man, 1928, gelatin silver print

Front 34

Back 34

William Warnecke, Shooting of NY Mayor William Jay Gaynor, 1910,gelatin silver print (Newhall, 256)

Front 35

Back 35

Martin Munkacsi, cover for Berliner Illustrirte Zeitung, July 21,1929

Front 36

Back 36

Erich Saloman, A Summit Meeting, 1928, gelatin silver print