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54 Cards in this Set

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Caravaggio's "The calling of St. Matthew" in Rome


BAROQUE IN ITALY - Light from Jesus to Matthew

Artemesia Gentileschi's "Judith and Her Maidservant with the Head of Holofernes"


BAROQUE IN ITALY - Red Curtain, Theatricality

Artemesia Gentileschi's "Self-Portrait as the Allegory of Painting."


BAROQUE IN ITALY - not idealized, in reference to "la pittura" a beautiful woman painting, creating history for women in the arts

Gualli's "Triumph of the Name of Jesus"


BAROQUE IN ITALY - combination of sculpture, painting, and architecture. *Ultimate expression of Baroque illusionism. Christ as the Light of the world.

Caravaggio's "The Conversion of St. Paul"


BAROQUE IN ITALY - drama of Saul being struck by the light of God and falling off his horse - very baroque

Bernini's Colonnade at St. Peter's, Rome


BAROQUE IN ITALY - columns of overwhelming size to bring people back to the Catholic church and the pope. Astonishing and Inspiring *dramatic baroque

Borromini's interior view into the dome of Sant'Ivo


BAROQUE IN ITALY - spiral lantern and stars represent the family of the pope in power *pointing to the heavens

Borromini's Sant'Ivo


BAROQUE IN ITALY - six pointed star-shaped base representing wisdom *drama and theatricality of baroque - trying to bring back the folds

Bernini's "The Ecstasy of St. Teresa"


BAROQUE IN ITALY - D.R.A.M.A. as if it were on a stage. Viewers watching her very sexual arousal - very baroque

Bernini's "Baldacchino" in St. Peter's Rome


BAROQUE IN ITALY - baldacchino or canoy for main altar of st. peters. cast real vines, fruits, and lizards and makes it look like a theatrical, dramatic curtain - alive with energy, epitome of baroque

Velasquez' "The Water Carrier of Seville"


BAROQUE IN SPAIN - giving drink to the thirsty, one of the Seven Acts of Mercy - super catholic like Spain

Valasquez's "Las Meninas (Maids of Honor)"


BAROQUE IN SPAIN - Shows the elevation of the artist in society as he paints the princess Margarita for the King and Queen of Spain

de la Tour's "Joseph the Carpenter"


BAROQUE IN FRANCE - Illumination -lighting- on the face of the boy Jesus engages the audience in this narritive moment

Palace of Versailles, Versailles, France


BAROQUE IN FRANCE - In attempts to crush civil rebellion, the King Louie the 14th moves to Versailles to keep an eye on the aristocracy in Paris

Rembrant's "The Night Watch"


DUTCH BAROQUE - Girl in scene is glowing from within as her own light source because she isn't really within the reality of the painting-rather as a symbol for the brotherhood of the night watch in the netherlands in their war against spain

Rembrant's "Hundred Guilder Print"


DUTCH BAROQUE - Religious content in Neth. - Jews and Religious content show the religious tolerance in Neth. at the time. - Print means it can be distributed to the masses who want relig. subject matter

van Rusidel's "Bleaching Grounds Near Haarlem"


DUTCH BAROQUE - because of the lack of religious commissions in prodestant Netherlands, nature and genre scenes become popular - church is fading into the background symbolic of this

Vermeer's "Woman Holding a Balance"


DUTCH BAROQUE - balance as a symbol for the last judgment scene behind her, weighing the sins of mankind

Ruben's "The Raising of the Cross"


DUTCH BAROQUE - Monumental size, Diagonal angle, contrast, dramatic colors inspired by Ruben's trip to Italy


Watteau's "A Pligrimage to Cythera"


ROCOCO IN FRANCE - interest in light, flirtatious themes. Combination of Roman/Greek mythology and modern people in love

Fragonard's "The Swing"


ROCOCO IN FRANCE - Sexual and Scandalous Painter shows lover (another artist) as he looks up her skirt while husband pushes her.

Tiepolo's fresco on the ceiling of "Kaiseraal Residenz


ROCOCO IN GERMANY - Apollo, mythological, light pastel color palette, earthy, smooth, and sensual - very rococo

Hogarth's "The Orgy" from "The Rake's Progress"


ROCOCO IN ENGLAND - emphasis on narrative. so many illusions and events going on in the picture, very comical and witty

Piranesi's "Tomb of Metalli"


NEOCLASSICISM - shows both the fascination with Ancient Rome/Greece and its success along with it's failures

Kauffmann's "Cornelia Presenting Her Children as Her Treasures"


NEOCLASSICISM - shows how women were limited by the academy so she only draws images of the female form and the domestic life she observes in her own world

West's "The Death of General Wolfe"


NEOCLASSICISM - glorifies the death of a general as heroic, not focusing on the sacrifice of the soldiers

David's "Oath of the Horatii"


NEOCLASSICISM - loyalty to state over love and family, academy history painting

David "The Death of Marat"


NEOCLASSICISM - knife and marat falling out of the page at the viewer. Natoriously unattractive man looks like a Greek god.with an unmistakable "lamentation" pose. ref to antiquity AND ren.

Canova's "Cupid and Psyche"


NEOCLASSICAL - emotion and gesture unseen before, shows the bliss of change and new life, like the politics of the time. Ignorant of suffering or reality.

Goya's "The Third of May, 1808"


ROMANTICISM - closeness of soldiers shows urgency, like the brush strokes, violent painting of a violent event

Cole's "The Oxbrow"


ROMANTICISM - sublime nature as a powerful and dangerous force

Gericult's "The Raft of the Medusa"


ROMANTICISM - focusing not on hope or human curelty but on human nature and will to survive

Goya's "The Sleep of Reason Produces Monsters"


ROMANTICISM - showing what the world looks like when Enlightenment logic is suspended

Delacroix "Women of Algiers"


ROMANTICISM - rough, descriptive brushstrokes lead into what becomes Impresssionism

Courbet's "Burial at Ornans"


REALISM - shows reality, nievte, and the mixture of classes happening in the aftermath of the fall of aristocracy in Europe

Manet "Luncheon on the Grass"


REALISM - from the salon de refuses, almost impressionistic style on the background while the subject matter is in focus - leads into impressionism

Eakins' "Max Schmitt in a single scull"


REALISM - not a quickly sketched moment, but a painstakingly reconstructed event. Scientific Inquiry seen in ripples and reflection

Homer's "Snap the Whip"


REALISM - documenting the specific moments of young America where the boys and their game is frozen in time with tight scientific precise strokes

Daumier's "The Third Class Carriage"


REALISM - Romantic compassion in a Realist image where the poorer subjects remain dignified in the midst of suffering.

Monet's "On the Bank of the Seine"


IMPRESSIONISM - blocky thick color where objects in shadow retain color. Silhouette of foliage rather than detail, witnessing a split second in time

Monet's "Impression Sunrise"


IMPRESSIONISM - where the movement got its name because the it wasn't really depicting the harbor in a realistic manner

Manet's "A Bar at the Folies Bergere"


IMPRESSIONISM - Alienation amidst energy, showing her engaged with the man intent on hiring her but a confusing and un-scientific depiction of space, very manet

Cassat's "The Child's Bath"


IMPRESSIONISM - addition of pattern makes the painting flat, Japanisma!!!

Renoir's "Luncheon of the Boating Party"


IMPRESSIONISM - Light/feathery brushwork adds to the light-hearted, summery feel and setting of the image

Monet's "Wheatstack"


IMPRESSIONISM - Use of complimentary colors creates rhythm in the painting and gives it a shimmering quality

Washington, "John Brown"


PHOTOGRAPHY - daguerreotype of abolitionist. printed with chemicals on copper, very expensive and very precious to owners as a literal likeness of a loved one - created celebrity

Watkins' "Yosemite Valley from the Best General View"


PHOTOGRAPHY - new way to capture landscape and explore the west. bring along painters and photographers to get color and flexibility and science

O'Sullivan's "A Havest of Death"


PHOTOGRAPHY - Only captures the aftermath and while it does show reality, it shows staged reality. Horse in background alludes to apocolpyse and the 4 horsemen

Cezanne's "Mont Sainte-Viroire"


POST IMPRESSIONISM - form created by patches of color not value of light and dark

Gaugin's "Where Do We Come From? What are We? Where Are We Going?"


POST IMPRESSIONISM - depicts the full circle of life and portray's Gaugin's confusion and struggle to find his place in theses modern times.

Wainwright Building


ARCHITECTURE - innovation of steel allows creation of new taller buildings in chicago after the fire

Frank Loyd Wright's "The Robie House"


ARCHITECTURE - innovation of steel allows for the creation of cantalevers (the large planes jutting out from the house in each direction)

Seurat "A Sunday Afternoon on the Island of La Grande Jatte"


POST-IMPRESSIONSIM - Pointilism where up close a combination of colored dots becomes a single cohesive hue from far away

Van Gogh's "Starry Night"


POST-IMPRESSIONISM - depiction of the peaceful harmonious world that Van Gogh wanted to live in. Harmony between heaven and earth. all unified.