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21 Cards in this Set
- Front
- Back
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Red House Webb and Morris 1860 -Fights against machinery and mass production -Used materials that are long-lasting |
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Central Park
New York Olmsted & Vaux 1860 -Influenced parks around the US -Started from the "City Beautiful" Movement (incorporating green into cities) |
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Rookery Burham and Root 1885 -Design ornament to be read as a whole -Solid mass w/ vertical&horizontal pulls -Stone facade for strength |
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Wright Home and Studio
Oak Park, Illinois Frank Lloyd Wright 1889 -> -Designed for family life "hearth" -Used high chairs to create own space -High windows to shield other buildings - |
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Wainwright Building
St. Louis Louis Sullivan 1890 -Emphasizing height of building - |
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World's Columbian Exhibition
Chicago Daniel Burnham 1890 -Cornices on all, buildings white to unify -Steel frames in plaster to appear as stone |
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Court of Honor
Richard Hunt [Part of the Columbian Exposition] |
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Willits House
Illinois Frank Lloyd Wright 1900 -Horizontality representative of a prairie -Entrance is hidden -"Breaking the Box" (missing corners, outward opening windows) |
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Postal Savings Bank
Vienna Otto Wagner 1900 -Industrial looking; Iron and Bolts -"Celebration of Light", point down not up |
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Carson Pirie Scott
Chicago Louis Sullivan 1900 -Concentration on ornamentation at entrance -Controversial use of iron for decoration |
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Hill House
Helensburgh Charles Rennie Mackintosh 1900 -Simple castle form -Palette of earth tones - |
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Van Eetvelde House
Belgium Victor Horta 1900 -Iron into decoration of building -Iron makes glazed exterior possible -Bring light into center |
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Robie House
Chicago Frank Lloyd Wright 1910 -Prairie school mastery -Exterior spaces and interior spaces integrated -Continuous windows on enterance -Fireplace separates parts of house |
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Casa Mila
Barcelona Antonio Gaudi 1910 -Light courts in building -Wave forms - |
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Palais Stoclet
Belgium Josef Hoffmann 1910 -Interior focus on beauty of materials -Simplified materials and furnishings -Series of geometric volumes |
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Steiner House
Vienna Adolf Loos 1910 -Controversial against architectural conceptions -Rounded front, Square back -Open plan interior malleable to family needs |
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Fagus Factory
Alfeld-an-der-Leine, Germany Walter Gropius 1910 -Horizontal and Vertical pulls -Glass corners are "Breaking the Box" |
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Glass Pavilion
Werkbund Exhibition, Cologne Bruno Taut 1914 -Concrete building to display glass -Light colors alleviate human spirit |
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Bauhaus
Dessau Walter Gropius 1925 -Basic forms -Multiple designs put into one -Fascination with cubism |
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Schroeder House
Utrecht Gerrit Rietveld 1925 -De Stijl -Open concept building (aka walls move) -Relates to the human body - |
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Villa Savoye
France Le Corbusier 1930 -Automobile Integration -Lets earth be a continuous space (raised up) |
