Arch 218 Midterm 2 (Lecture 9) Baroque Part 2

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Guarino Guarini

(1624-1683)

-Turin a capital of Baroque architecture

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini.

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini

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San Lorenzo

Turin, Italy

(1668-87)

ARCH: Guarino Guarini

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Chapel of the Holy Shroud

Turin, Italy

(1667-94)

ARCH: Guarino Guarini

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Chapel of the Holy Shroud

Turin, Italy

(1667-94)

ARCH: Guarino Guarini

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Chapel of the Holy Shroud

Turin, Italy

(1667-94)

ARCH: Guarino Guarini

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Chapel of the Holy Shroud

Turin, Italy

(1667-94)

ARCH: Guarino Guarini

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Palazzo Carignano

Turin, Italy

(1679-92)

ARCH: Guarino Guarini

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Palazzo Carignano

Turin, Italy

(1679-92)

ARCH: Guarino Guarini

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Palazzo Carignano

Turin, Italy

(1679-92)

ARCH: Guarino Guarini

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Palazzo Carignano

Turin, Italy

(1679-92)

ARCH: Guarino Guarini

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Benedictine Abbey

Weltenburg, Germany

(1717-21)

ARCH: Cosmas D. Asam and Egid Q. Asam

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Benedictine Abbey

Weltenburg, Germany

(1717-21)

ARCH: Cosmas D. Asam and Egid Q. Asam

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Benedictine Abbey

Weltenburg, Germany

(1717-21)

ARCH: Cosmas D. Asam and Egid Q. Asam

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Bishop’s Palace

Würzburg, Germany

(1719-44)

ARCH: Johann Balthazar Neumann

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Bishop’s Palace

Würzburg, Germany

(1719-44)

ARCH: Johann Balthazar Neumann

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Bishop’s Palace

Würzburg, Germany

(1719-44)

ARCH: Johann Balthazar Neumann

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Ceiling fresco, Bishop’s Palace

Würzburg, Germany

(1719-44)

Fresco by Giovanni Battista Tiepolo

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Chapel, Bishop’s Palace

Würzburg, Germany

(1719-44),

ARCH: Johann Balthazar Neumann

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Chapel, Bishop’s Palace

Würzburg, Germany

(1719-44),

ARCH: Johann Balthazar Neumann

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Chapel, Bishop’s Palace

Würzburg, Germany

(1719-44),

ARCH: Johann Balthazar Neumann

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Vierzehnheiligen

Franconia, Germany

(1743-72)

ARCH: Johann Balthazar Neumann

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Vierzehnheiligen

Franconia, Germany

(1743-72)

ARCH: Johann Balthazar Neumann

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Vierzehnheiligen

Franconia, Germany

(1743-72)

ARCH: Johann Balthazar Neumann

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Vierzehnheiligen

Franconia, Germany

(1743-72)

ARCH: Johann Balthazar Neumann

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Vierzehnheiligen

Franconia, Germany

(1743-72)

ARCH: Johann Balthazar Neumann

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El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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Library, El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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Altar, El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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Altar, El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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Hospice of San Fernando.

Madrid, Spain

(1722)

ACRH: Pedro de Ribera.

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Churrigueresque style= plain building with elaborate entrance

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Hospice of San Fernando.

Madrid, Spain

(1722)

ACRH: Pedro de Ribera.

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Charterhouse Sacristy

Granada, Spain

(1727-64)

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Charterhouse Sacristy

Granada, Spain

(1727-64)

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Charterhouse Sacristy

Granada, Spain

(1727-64)

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Royal apartments, El Escorial

Near Madrid, Spain

(1562-82)

ARCH: Juan Bautista de Toledo and Juan de Herrera

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Guarino Guarini

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"Gothic is light, tall, and required a miracle to hold up"

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Guarino Guarini

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"I, using my own discretion, and by analogy with what goes on in every other profession, consider that one can both amend some of the old rules and add new ones"

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Guarino Guarini

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goal of gothic building--"to erect buildings that were in fact very strong, but would seem weak and as though they needed a miracle to keep them standing"

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Palazzo Carignano

Turin, Italy

Guarini

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Phillip

Back 48

"... this is one of the principal memorials that can be bequeathed here, both for the monks as well as for the public benefit of all men of letters who may wish to read them"

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retable

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decorative screen behind the altar