Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
126 Cards in this Set
- Front
- Back
- 3rd side (hint)
Abstract vs concrete |
Something experienced as an idea vs something that can be experienced via the senses |
|
|
Allegory |
A story with two or more levels of meaning (one literal and the other symbolic allo |
|
|
Alliteration |
The repetition of the initial consonant sounds in two or more neighboring words |
|
|
Allusion |
A brief reference to literature, geographical locations, historical events, legends, etc of popular culture |
|
|
Analogy |
A comparison of two things, which are alike in several aspects, for clarification and explanation, sometimes analogies establish a pattern of reasoning by using a less abstract and more familiar argument |
|
|
Anaphora |
One of the devices of repetition in which the same phrase is repeated at the beginning of two or more lines |
|
|
Apostrophe |
A figure of speech that directly addresses an absent or imaginary person or thing or a personified abstraction, such as love or Liberty; the effect may add familiarity or emotional intensity |
|
|
Assonance |
Repetition of vowel sounds |
|
|
Cacophony |
Sounds which are discordant and harsh |
|
|
Caesura |
An audible pause within a line of verse |
|
|
Chiasmus |
Inversion in the second of the parallel phrases |
|
|
Cliché |
Overused phrase |
|
|
Colloquial |
The use of slang or informalities |
|
|
Connotation |
The implied or suggested meaning of a word; association |
|
|
Consonance |
Repetition of constant sounds |
|
|
Consonance |
Repetition of constant sounds |
|
|
Couplet |
Two line grouping of poetry |
|
|
Denotation |
The strict, literal, dictionary definition of a word |
|
|
Denotation |
The strict, literal, dictionary definition of a word |
|
|
Dialect |
The use of words, phrases, grammatical constructions, and sounds that capture everyday or colloquial language l: showing the actual way people speak |
|
|
Denotation |
The strict, literal, dictionary definition of a word |
|
|
Dialect |
The use of words, phrases, grammatical constructions, and sounds that capture everyday or colloquial language l: showing the actual way people speak |
|
|
Diction |
Word choice |
|
|
Elegy |
Song or poem expressing sorrow or lamentation |
|
|
Enjambment |
Continuation of one syntactic unit from one line of verse to the next |
|
|
Enjambment |
Continuation of one syntactic unit from one line of verse to the next |
|
|
Euphemism |
A more agreeable or less offensive substitute for an unpleasant word or concept |
|
|
Enjambment |
Continuation of one syntactic unit from one line of verse to the next |
|
|
Euphemism |
A more agreeable or less offensive substitute for an unpleasant word or concept |
|
|
Euphony |
Sounds that are harmonious and pleasant |
|
|
Figurative language |
Language that goes beyond the normal meaning of words used; not literally meant |
|
|
Foot |
A unit of rhythm (stressed and unstressed syllables) within a poem |
|
|
Foot |
A unit of rhythm (stressed and unstressed syllables) within a poem |
|
|
Form |
General term for structure of a work of poetry |
|
|
Foot |
A unit of rhythm (stressed and unstressed syllables) within a poem |
|
|
Form |
General term for structure of a work of poetry |
|
|
Hyperbole |
Exaggeration for emphasis or humor |
|
|
Foot |
A unit of rhythm (stressed and unstressed syllables) within a poem |
|
|
Form |
General term for structure of a work of poetry |
|
|
Hyperbole |
Exaggeration for emphasis or humor |
|
|
Iambic pentameter |
Five foot line of poetry made up of unstressed-stressed poetic feet |
|
|
Foot |
A unit of rhythm (stressed and unstressed syllables) within a poem |
|
|
Form |
General term for structure of a work of poetry |
|
|
Hyperbole |
Exaggeration for emphasis or humor |
|
|
Iambic pentameter |
Five foot line of poetry made up of unstressed-stressed poetic feet |
|
|
Imagery |
The use of language to represent objects, actions, feelings, thoughts, etc, |
|
|
Irony |
The constant between what is stated explicitly and what is really meant |
|
|
Irony |
The constant between what is stated explicitly and what is really meant |
|
|
Juxtaposition |
Arrangement of two or more ideas side by side for purposes of comparison, contrast, emphasis, etc. |
|
|
Metaphor |
One thing is spoken as though it were something else; a comparison is implied |
"Joe is a rock" |
|
Meter |
The number and type of feet in each line of poetry |
|
|
Metonymy |
A figure of speech in which the name of one object is substituted for that of another object closely associated with it |
|
|
Mixed metaphor |
Metaphors which are incongruous or inconsistent are mixed together |
"If we hit the bullseye, the dominoes will fall like a house of cards" |
|
Narrator |
The speaker in the text |
|
|
Narrator |
The speaker in the text |
|
|
Ode |
A poem of appreciation |
|
|
Narrator |
The speaker in the text |
|
|
Ode |
A poem of appreciation |
|
|
Oxymoron |
A combination of contradictory words and meanings |
|
|
Narrator |
The speaker in the text |
|
|
Ode |
A poem of appreciation |
|
|
Oxymoron |
A combination of contradictory words and meanings |
|
|
Onomatopoeia |
Words imitate the natural sounds they name |
"Woof" |
|
Narrator |
The speaker in the text |
|
|
Ode |
A poem of appreciation |
|
|
Oxymoron |
A combination of contradictory words and meanings |
|
|
Onomatopoeia |
Words imitate the natural sounds they name |
"Woof" |
|
Paradox |
A statement that appears to be self contradictory or opposed to common sense but upon closer examination contains some degree of validity |
|
|
Narrator |
The speaker in the text |
|
|
Ode |
A poem of appreciation |
|
|
Oxymoron |
A combination of contradictory words and meanings |
|
|
Onomatopoeia |
Words imitate the natural sounds they name |
"Woof" |
|
Paradox |
A statement that appears to be self contradictory or opposed to common sense but upon closer examination contains some degree of validity |
|
|
Parody |
A work (literature, music, film) that closely imitates the style or content of another work with specific aim of comic affect of ridicule |
|
|
Parallelism |
A repetition of patterns of grammatical structure or length |
|
|
Parallelism |
A repetition of patterns of grammatical structure or length |
|
|
Pastoral |
A work which generally idealizes a simple, rural existence |
|
|
Personification |
Presenting or describing concepts, animals, or inanimate objects by giving them human qualities |
|
|
Personification |
Presenting or describing concepts, animals, or inanimate objects by giving them human qualities |
|
|
Point of view |
The perspective from which a story is told |
|
|
Personification |
Presenting or describing concepts, animals, or inanimate objects by giving them human qualities |
|
|
Point of view |
The perspective from which a story is told |
|
|
Pun |
A play on words that are either identical in sound or similar in sound but are sharply different in meaning |
|
|
Quatrain |
A four line stanza or group of lines in a poem |
|
|
Quatrain |
A four line stanza or group of lines in a poem |
|
|
Repetition |
Words, phrases, actions, and ideas that appear over and over again |
|
|
Quatrain |
A four line stanza or group of lines in a poem |
|
|
Repetition |
Words, phrases, actions, and ideas that appear over and over again |
|
|
Rhetoric |
The art of writing and speaking effectively and persuasively |
|
|
Quatrain |
A four line stanza or group of lines in a poem |
|
|
Repetition |
Words, phrases, actions, and ideas that appear over and over again |
|
|
Rhetoric |
The art of writing and speaking effectively and persuasively |
|
|
Sarcasm |
Biting, caustic language that is meant to hurt or ridicule someone or something |
|
|
Quatrain |
A four line stanza or group of lines in a poem |
|
|
Repetition |
Words, phrases, actions, and ideas that appear over and over again |
|
|
Rhetoric |
The art of writing and speaking effectively and persuasively |
|
|
Sarcasm |
Biting, caustic language that is meant to hurt or ridicule someone or something |
|
|
Satire |
A work that used irony, with, parody, hyperbole, understatement, etc. to target human vices and follies for reform or ridicule |
|
|
Sentimentality |
An attempt to evoke an emotional response beyond bounds of reason |
|
|
Shift |
A change in verb tense, location, speaker, tone, etc |
|
|
Simile |
A comparison between two things which are not alike, but which share at least one common element; similes use like or as |
|
|
Stanza |
A grouping of lines in a poem |
|
|
Style |
The sum of choices an author makes in blending diction, syntax, figurative language, and other literary and rhetorical devices |
|
|
Symbolism |
The use of words or objects to stand for other words or objects |
|
|
Symbolism |
The use of words or objects to stand for other words or objects |
|
|
Synecdoche |
A part of something is used to stand for the whole |
|
|
Symbolism |
The use of words or objects to stand for other words or objects |
|
|
Synecdoche |
A part of something is used to stand for the whole |
|
|
Synesthesia |
Figure of speech, where one sense experience is used to describe another |
|
|
Symbolism |
The use of words or objects to stand for other words or objects |
|
|
Synecdoche |
A part of something is used to stand for the whole |
|
|
Synesthesia |
Figure of speech, where one sense experience is used to describe another |
|
|
Syntax |
Sentence construction |
|
|
Text |
Something written or spoken considered as an object to be examined |
|
|
Text |
Something written or spoken considered as an object to be examined |
|
|
Theme |
The central idea or message of a text (the insight it offers) |
|
|
Text |
Something written or spoken considered as an object to be examined |
|
|
Theme |
The central idea or message of a text (the insight it offers) |
|
|
Thesis |
The sentence or group of sentences that directly express a writers opinion, purpose or idea |
|
|
Text |
Something written or spoken considered as an object to be examined |
|
|
Theme |
The central idea or message of a text (the insight it offers) |
|
|
Thesis |
The sentence or group of sentences that directly express a writers opinion, purpose or idea |
|
|
Tone |
The author's attitude toward his or her subject and toads the audience, the way the authors personality is reflected in the work |
|
|
Translation |
Something which proves a connection from one section of a text to another |
|
|
Translation |
Something which proves a connection from one section of a text to another |
|
|
Understatement |
The minimization of fact or presentation of something as less significant than it is, the opposite of hyperbole |
|