Ah1001 Visual Analysis Test

Front 1

Back 1

Chartres, cathedralchurch of Notre-Dame (France): junction of nave and transept: from 1194. Architect unknown.

Front 2

Back 2

Beauvais, cathedralchurch of St Peter (France): interior looking east. Circa 1225-60. Architect unknown.

Front 3

Back 3

Beauvais, cathedralchurch of St Peter (France): exterior view of the east end, showing flyingbuttresses. Circa 1225-60. Architect unknown.

Front 4

Back 4

Anon., Barberini Ivory,Emperor Justinian, early 6th century, Louvre.

Front 5

Back 5

Anon., Icon of theVirgin and Child, late 12th – early 13th century, Mosaic,Sinai, St Catherine’s Monastery.

Front 6

Back 6

Anon., Virgin andChild Enthroned (“Kahn Madonna”), c. 1250-1275. Tempera on panel,Washington, National Gallery of Art.

Front 7

Back 7

Nicola Pisano, PisaBaptistery pulpit (1260) - whole.

Front 8

Back 8

Nicola Pisano,Nativity, detail of the Pisa Baptistery pulpit (1260).

Front 9

Back 9

Nicola Pisano (withGiovanni), Adoration of the Magi, detail of the Siena Cathedral pulpit(1265-68).

Front 10

Back 10

Nicola and GiovanniPisano, Fontana Maggiore, Perugia (completed 1278) – whole.

Front 11

Back 11

Giovanni Pisano,Massacre of the Holy Innocents, detail of the pulpit in San Andrea, Pistoia(c.1298-1301).

Front 12

Back 12

Giotto and assistants, LastJudgement: fresco, c. 1305. Arena chapel, Padua – whole.

Front 13

Back 13

Giotto, Nativity ofChrist: fresco, c. 1305. Arena chapel, Padua.

Front 14

Back 14

Giotto, Arrestof Christ: fresco, c. 1305. Arena chapel, Padua.

Front 15

Back 15

Duccio, Maestà(front): panel painting, 1308-11. Florence, Uffizi – whole.

Front 16

Back 16

Duccio, Maestà(back): panel painting, 1308-11. Florence, Uffizi – whole.

Front 17

Back 17

Simone Martini, Maestà:wall painting (a secco technique),1315 and 1321. Siena, Palazzo Pubblico: Saladel Mappamondo.

Front 18

Back 18

Anonymous French or English painter, WiltonDiptych: Richard II of England with his patron saints and the Virgin and Childwith angels (c.1395-99), tempera on oak panel, 36.8 x 26.7 cm, London,National Gallery.

Front 19

Back 19

Limburg Brothers (d. 1416), Feasting (calendarminiature: January), from the Très Riches Heures de Jean, duc de Berry(c.1412-16), Chantilly, Musée Condé.

Front 20

Back 20

Anonymous (Paris?, 14th century), Table Fountain, giltsilver and translucent enamel,h 33.8, w 25.4, d 26 cm, The Cleveland Museum of Art.

Front 21

Back 21

Claus Sluter (d. 1405/6), Portal with Duke Philipthe Bold of Burgundy and Margaret of Flanders, and the Virgin Mary on thetrumeau (1389-1406), Charterhouse of Champmol, Dijon.

Front 22

Back 22

Jan van Eyck (d. 1441), Man with a Red Chaperone(Self-Portrait?) (1433), oil on panel, 33.3 x 25.8 cm (incl. frame),London, National Gallery.

Front 23

Back 23

Hubert (d. 1426) and Jan van Eyck (d. 1441), GhentAltarpiece (started c.1423-5, completed 1432), polyptych, oil on panel, exterior/ closed position, 375 x 260 cm incl. frame, Ghent, Cathedral of St Bavo.

Front 24

Back 24

Hubert and Jan van Eyck, Ghent Altarpiece(completed 1432), polyptych, oil on panel, interior / open position, 375 x 520cm incl. frame, Ghent, Cathedral of St Bavo.

Front 25

Back 25

Jan van Eyck (d. 1441), Madonna with ChancellorRolin (c. 1434-36), oil on panel, 66 x 62 cm, Paris, Louvre.

Front 26

Back 26

Jan van Eyck (d. 1441), Madonna with Canon Joris van derPaele (c.1434-36), oil on panel, 121 x 157 cm, Bruges, Groeninge Museum.

Front 27

Back 27

Workshop ofRobert Campin (d. 1444), Annunciation Triptych (a.k.a. Merode Altarpiece) (c.1427-32), 64 x 27 cm(each wing) and 64 x 63 cm (central panel, without frame), New York, CloistersMuseum.

Front 28

Back 28

Rogier van der Weyden (c.1399-1464), Descentfrom the Cross (or Deposition of Christ) (c.1435), oil on panel, 204.5 x 261.5 cm, Madrid, Prado.

Front 29

Back 29

Rogier van der Weyden (c.1399-1464), LastJudgement Polyptych (c.1443-51), closed / exterior, oil on panel, Beaune,Hôtel-Dieu.

Front 30

Back 30

Rogier van der Weyden (c.1399-1464), Last JudgementPolyptych (c.1443-51), open,oil on panel, 215 x 560 cm, Beaune, Hôtel-Dieu.

Front 31

Back 31

Hugo van der Goes (c.1440-1482), PortinariAltarpiece (c.1475), open, oil on panel, 254 x 589.2 cm, Florence, UffiziGallery.

Front 32

The Five Orders of Architecture

Back 32

Front 33

Back 33

Sebastiano Serlio, Table of Classical Orders from RegoleGenerali di Architettura, Venice: Francesco Marcolini, 1537, p. VI.

Front 34

Back 34

Filippo Brunelleschi, Ospedale degli Innocenti, begun 1419, Florence.

Front 35

Back 35

Filippo Brunelleschi, Double-Shell Dome, 1417-36,Cathedral (Santa Maria del Fiore), Florence.

Front 36

Back 36

Filippo Brunelleschi, Dome: detail of lantern,1436-50, Cathedral (Santa Maria del Fiore), Florence.

Front 37

Back 37

Leon Battista Alberti, San Francesco (Tempio Malatestiano), Rimini, c.1453.

Front 38

Back 38

Leon Battista Alberti, Façade S. Maria Novella, Florence, 1458-70.

Front 39

Back 39

Leon Battista Alberti, Sant’Andrea, interior, Mantua, begun in 1472.

Front 40

Back 40

Ghiberti,Adam & Eve Scenes, from his second Baptistery Doors (Doors ofParadise), c. 1429-36.

Front 41

Back 41

Donatello, St Mark for the niche of theLinen Workers’ Guild at Orsanmichele, 1411-14, Marble, 2.6m, Museo di Or SanMichele, Florence.

Front 42

Back 42

Nanni di Banco, ‘Four Crowned Saints’ (Quattro Santi Coronati) for the niche of the Stonemasons & Woodworkers,Marble, 1.8m., Orsanmichele, c. 1415.

Front 43

Back 43

Donatello, St George, for Armourers’ Guild,detail of relief of St George killing the dragon (39x120cm), 1410-15, Marble,Orsanmichele.

Front 44

Back 44

Donatello, David, made for the Medici,Bronze, 1.58m, 1430-60?, Museo Nazionale del Bargello, Florence.

Front 45

Back 45

Gentile da Fabriano, Strozzi altarpiece (Adorationof the Magi): completed 1423. Florence, Uffizi Gallery.

Front 46

Back 46

Masaccio and Masolino, St Ambrogio altarpiece(Sant'Anna Metterza [/] Annaselbdritt): 1423-5. Florence, Uffizi Gallery.

Front 47

Back 47

Masaccio, Expulsion of Adam and Eve from Eden (fresco): c. 1427. Brancacci chapel, Santa Maria del Carmine,Florence.

Front 48

Back 48

Masaccio, Baptism of the Neophytes (fresco):c. 1427. Brancacci chapel, SantaMaria del Carmine, Florence.

Front 49

Back 49

Domenico Ghirlandaio, Visitation, 1489-1490,Florence, Santa Maria Novella, Tornabuoni Chapel.

Front 50

Back 50

Sandro Botticelli, Primavera, mid 1470s.

Front 51

Back 51

Sandro Botticelli, Birth of Venus, c. 1485.

Front 52

Back 52

Anonymous German artist, St Christopher (‘Buxheim’ woodcut) (1423), hand-coloured.

Front 53

Back 53

Master E.S. (German engraver, active c.1450-1467), LargeEinsiedeln Madonna (1466), engraving, hand-coloured.

Front 54

Back 54

Master of the Playing Cards, 3 of deer(c.1430-1450), engraving.

Front 55

Back 55

Martin Schongauer (German, 1435/50–1491), Road to Calvary, or Christ Carryingthe Cross (c.1475-80), engraving.

Front 56

Back 56

Housebook master (German, active c.1470-1500), TheHoly Family with the Rose-bush (c.1490), drypoint.

Front 57

Back 57

Tilman Riemenschneider, St Barbara (c.1510-20), Bavarian National Museum, Munich.

Front 58

Back 58

Tilman Riemenschneider, Altarpiece of the Assumption of the Virgin Mary (c. 1505-10), Creglingen(whole).

Front 59

Back 59

Tilman Riemenschneider, Holy Blood altarpiece (1499-1505), Rothenburg ob der Tauber (whole).

Front 60

Back 60

Tilman Riemenschneider, Holy Blood altarpiece (1499-1505), Rothenburg ob der Tauber: detailof central corpus showing Last Supper.

Front 61

Back 61

Hieronymus Bosch, Tabletop of the Seven DeadlySins and Four Last Things, oil on panel (c.1500?), Madrid, Prado.

Front 62

Back 62

Hieronymus Bosch, Garden of Earthly Delights, triptych, oil onpanel (c.1500?), closed, Madrid, Prado.

Front 63

Back 63

Hieronymus Bosch, Garden of Earthly Delights (c.1500?),triptych, oil on panel, open, Madrid, Prado.

Front 64

Back 64

Matthias Grünewald, Isenheim Altarpiece(1512-16), oil on panel, 800 x 500 cm, closed state, Colmar, Muséed’Unterlinden.

Front 65

Back 65

Piero Della Francesca, The Flagellation of Christ, tempera on panel, c.1448-9, Galleriadelle Marché, Urbino.

Front 66

Back 66

Piero della Francesca, The Baptism of Christ, tempera on panel, 1440s-50s, NationalGallery, London.

Front 67

Back 67

Piero della Francesca, The Dream of Constantine from TheStory of the True Cross, c.1454-58, fresco, Cappella Maggiore, DanFrancesco, Arezzo.

Front 68

Back 68

Piero della Francesca, The Resurrection of Christ, fresco, c.1458, Museo Civico, Sansepolcro.

Front 69

Back 69

Albrecht Dürer, Self-portrait in a Fur-CollaredRobe (1500), oil on panel, 67 x 49 cm, Munich, Alte Pinakothek.

Front 70

Back 70

Albrecht Dürer, Christ Among the Doctors(1506), oil on panel, 65 x 80 cm, Madrid, Museo Thyssen-Bornemisza.

Front 71

Back 71

Albrecht Dürer, Adam and Eve (1504),engraving, 25.2 x 19.4 cm.

Front 72

Back 72

Albrecht Dürer, Knight, Death and the Devil(1513), engraving, 24.6 x 19 cm.

Front 73

Back 73

Joachim Patinir (d. 1524), Crossing the RiverStyx (1520-24), oil on panel, 64 x 103 cm, Madrid, Prado.

Front 74

Back 74

Jan Gossaert (1478-1532), Neptune and Amphitrite(1516), oil on panel, 188 x 124 cm, Berlin, Gemäldegalerie.

Front 75

Back 75

Pieter Bruegel, Fall of Icarus (c.1555-58),oil on panel, 73.5 x 112 cm, Brussels, Royal Museum of Fine Arts.

Front 76

Back 76

Pieter Bruegel, The Hunters in the Snow(winter: December/January) (1565), oil on panel, 117 x 162 cm, Vienna,Kunsthistorisches Museum.

Front 77

Back 77

Andrea Mantegna, SanZeno Altarpiece, 1456-1459, Verona, church of San Zeno.

Front 78

Back 78

Andrea Mantegna, Camera picta, 1465-1474, Mantua, Ducal Palace, full view of two walls andceiling.

Front 79

Back 79

Andrea Mantegna, The Triumphs of Caesar. Julius Caesar on his Chariot (canvas 9), c.1484-92.

Front 80

Back 80

Gentile Bellini (attributed to), The SultanMehmet II, 1480.

Front 81

Back 81

Leonardo da Vinci, Adoration of the Magi, 1481-3,Uffizi, Florence.

Front 82

Back 82

Leonardo da Vinci, Virgin of the Rocks, mid-late1480s, Louvre, Paris.

Front 83

Back 83

Leonardo da Vinci, Last Supper, 1495-8,Santa Maria delle Grazie, Milan.

Front 84

Back 84

Leonardo da Vinci, Virgin and Child with St.Anne? and John the Baptist, c.1505, National Gallery, London.

Front 85

Back 85

Michelangelo, Pietà,c.1500, Vatican.

Front 86

Back 86

Michelangelo, David, 1504, Galleriadell’ Accademia, Florence.

Front 87

Back 87

Michelangelo, Doni Tondo, 1504-06, Florence,Uffizi.

Front 88

Back 88

Michelangelo, Ceiling of the Sistine Chapel,1508-1512, detail, ignudi.

Front 89

Back 89

Michelangelo, The Last Judgement, 1535-1541,Sistine Chapel, Rome.

Front 90

Back 90

Pantheon, 126 AD: Rome.

Front 91

Back 91

Bramante, Tempietto (‘Little Temple’), c. 1502:Rome, church of San Pietro in Montorio.

Front 92

Back 92

Bramante, Santa Casa (‘Holy house’), Loreto: begun 1509.

Front 93

Back 93

Raphael, School of Athens (Philosophy), 1510-11, Fresco, Rome, Vatican Palace, Stanza della Segnatura.

Front 94

Back 94

Raphael, Sistine Madonna, c. 1513, Oil oncanvas, Dresden, Staatliche Museen.

Front 95

Back 95

Raphael, Pope Julius II, 1512, Oil on panel,London, National Gallery.

Front 96

Back 96

Raphael, Transfiguration, 1518-20, Oil onpanel, Rome, Pinacoteca Vaticana.

Front 97

Back 97

Giovanni Bellini, St Francis in the Desert,late 1470s.

Front 98

Back 98

Giorgione, The Tempest, c. 1505-1506.

Front 99

Back 99

Giorgione, The Old Woman (‘La Vecchia’), c.1510.