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20 Cards in this Set
- Front
- Back
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The Nightmare by Henry Fuseli - 1781 - Romanticism (OF)
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Abbey in the Oak Forrest by Caspar David Friedrich - 1810 - Romanticism (OF - Germany) - gothic
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Monk by the Sea by Caspar David Friedrich - 1809 - Romanticism (OF, Germany) - "endless, infinite"
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The Sleep of Reason Produces Monsters by Francisco de Goya - 1793-1803 - Romanticism (OF) - part of "Los Caprichos" series; absurdities of Spanish society
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genius
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18th century idea; a special person, who was born with particular powers of observation and creativity. His nature was marked by enthusiasm, and his achievements tended toward the sublime. Genius was thought sometimes to border on madness
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sublime
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describes works of art or nature that inspire awe in, and even repel the viewer; according to Burke qualities include excessive size, infinite extension, & extreme darkness
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medievalism
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interest in the art and literature of the middle ages, characteristic of the Romantic era; rejected by neoclassicists; i.e. Friedrich's interest in Gothic architecture, Ingres's interest in Jan van Eyck, Y Delacroix's interest in Dante
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J.W. von Goethe
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German Romantic writer; author of Faust: A Tragedy
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Edmund Burke
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British political philosopher; wrote Philosophical Inquiry into the Origin of Our Ideas of the Sublime & Beautiful
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The Painter's Studio by Gustave Courbet - 1855 - Realism - Real allegory; triptych
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The Gleaners by Jean-Francois Millet - 1857 - Realism - gleaners suppressed by horizon line; light gives sentimental, "pastoral air"; rural realism
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Third-Class Carriage by Honore Daumier - 1862 - Realism - class striations within train; urban realism; no central action
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Luncheon on the Grass (Déjeuner sur l'herbe) by Edouard Manet - 1863 - Realism - refused for Official Salon so displayed in Salon des Refuses; criticism of naked woman; use of atmospheric perspective to focus
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Olympia by Edouard Manet - 1863 - Realism - straightforward "sex for money", it's a business
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Bar at the Folies-Bergere by Edouard Manet - 1882 - Realism - illusion of deep space;
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Salon de Refuses
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1863; salon for works rejected from the Official Salon; seen as a humorous exhibition by many of period; Luncheon on the Grass (Dejeuner sur l'herbe) displayed here
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plein air painting
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open-air painting; made possible by the packaging of oil paint in collapsible tubes; Allowed realists to work ON-THE-SPOT: evolution of impressionism
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The Magpie by Claude Monet - 1869 - Impressionism - Technique of spontaneity
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Impression: Sunrise by Claude Monet - 1873 - Impressionism - Monet's impression of the sun as he viewed it; open-air painting; line b/w reflection & real object often unclear
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Impressionism (by Monet's pupil)
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"Paint what you see, not what you know"
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