• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/20

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

20 Cards in this Set

  • Front
  • Back
French Baroque
heavily influenced by classicism, Peter Paul Rubens
Rococo
Rubenists - sensual works emphasized by impasto and other techniques associated with Rubens' works
Neoclassicism
Art of the Enlightenment (reason, thought, precise, influenced by Roman and Greek antiquity)
Third of May 1808 by Francisco de Goya - 1814 - Romanticism (Outside of France) - Retribution; R b/c demonstrates dark side of human behavior & has emotional appeal (figure in white: Christ-like)
Saturn Devouring His Children by Francisco de Goya - 1819-23 - Romanticism (OF) - part of "Black Paintings" collection; R b/c dark side of human nature (madness); Saturn = Chronos = "Father Time"; eye contact is w/ Saturn
Hannibal Crossing the Alps by Joseph Mallord William Turner (J.M.W.) - 1812 - Romanticism (OF) - R. b/c man as victim of "sublime & terrible effects of nature"; lack of clarity; Rubenesque impasto
The Slave Ship by J.M.W. - 1840 - Romanticism (OF) - R. b/c sublime quality of nature & dark side of human nature; water red b/c reflecting sun? but mostly b/c bodies in water; based on Zong incident in 1783
Napoleon on His Imperial Throne by Jean-Auguste-Dominique Ingres (J. -A. -D.) - 1806 - French Romanticism - for Paris Salon; includes tip of hat to Raphael w/ Madonna of the Chair; figure similar to colossus of Zeus; influence of Flemish oil painting
Grande Odalisque by J.-A.-D. Ingres - 1814 for private patron - French Romanticism - Elongation of figure for Beauty (like Madonna with the Long Neck; "Odalisque": harem girl; resembles Raphael's mistress
Apotheosis of Homer by J.-A.-D. Ingres - 1827 - French Romanticism - R. b/c "gathering of genius"
Riderless Horse Race by Theodor Gericault - 1817 - French Romanticism - everyday life as monumental history; striving for something great; got idea while traveling in Rome at own expense; abandoned for Shipwreck of the Medusa
Bathers by J. -H. Fragonard - 1765 - Rococo - focus on female flesh; sensual connection b/w artist & work and sensual nature of scene depicted
The Swing by J.-H. Fragonard - 1766; commissioned by Baron de St.-Julien - Rococo - Roc. b/c sensual environment & risque; "goods of the clergy" pun
The Cupid Seller by Joseph-Marie Vien - 1763 - Neoclassical - angel's obscene gesture; classical in style but not in sbj. matter
Oath of Horatii by Jacque Louis David - 1784, for Louis XVI - Neoclassical - Composition of 3s; Upright vs. downcast, curved vs. angular contour lines = virtuous vs. not virtuous, male vs. female.
Death of Marat by Jacque Louis David - 1793 - Neoclassical - drapery makes scene more appropriate; martyred Marat (Jacobin); "The pen is mightier than the sword" w/ dagger laid aside and pen in hand
Napoleon Crossing the Alps by Jacque Louis David - 1800 - Neoclassicism - propagandistic portrait for Napoleon
Pauline Borghese as Venus by Antonia Canova - 1808 - Neoclassicism
Vedute (Views) of Rome by G. G. Piranesi - mid 1700s - Romanticism (OF)
Artist Contemplating Ancient Ruins by Henry Fuseli - 1770s - Romanticism (OF)