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85 Cards in this Set
- Front
- Back
Realism (French) |
Gustave Courbet, The Stone Breakers, 1849 |
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Realism (French) |
Honore Daumier, Third-Class Carriage, ca. 1862 |
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Realism (French) |
Edouard Manet, Olympia, 1863 |
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Realism (America) |
Thomas Eakins, The Gross Clinic 1875 |
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America, Industrial Revolution |
Roebling, Brooklyn Bridge, 1867-1883 |
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Invention of Photography |
Dauguerre, Still Life in Studio, 1837 |
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Invention of Photography |
Timothy O'Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, 1863 |
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Invention of Photography |
Eadweard Muybridge, Horse Galloping, 1878 |
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Impressionism (French) |
Claude Monet, Impression: Sunrise, 1872 |
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Impressionism (French) |
Pierre-Auguste Renoir, Le Moulin de la Galette, 1876 |
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Impressionism (French) |
Edouard Manet, A Bar at the Folies-Bergere, 1882 |
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Impressionism (French) |
Edgar Degas, The Rehearsal, 1874 |
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Aestheticism (British) |
James Abbot McNeil Whistler, Nocturne in Black and Gold (the falling rocket), ca.1875 |
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Post Impressionism |
Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892-1895 |
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Post Impressionism |
Georges Seurat, A Sunday on La Grande Jatte, 1884-1886 |
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Post-Impressionism |
Van Gogh, Night Cafe, 1888 |
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Post-Impressionism |
Van Gogh, Starry Night, 1889 |
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Post-Impressionism |
Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going?, 1897 |
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Post-Impressionism |
Paul Cezanne, Mont Saint Victoire, 1902-1904 |
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Post Impressionism |
Cezanne, Basket of Apples, ca.1895 |
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Symbolism |
Gustave Moreau, The Apparition, 1874-1876 |
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Symbolism |
Edvard Munch, The Scream, 1893 |
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Symbolism |
Gustave Klimt, The Kiss, 1907-1908 |
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Symbolism |
Rodin, Berghers of Calais, 1884-1889 |
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Art Nouveau |
Horta, Tassel House, Brussels, 1892-1893 |
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Art Nouveau |
Tiffany, Water Lily Lamp, 1904-1915 |
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Art Nouveau |
Alexandre-Gustave Eiffel, Eiffel Tower, Paris, France, 1889 |
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Art Nouveau |
Henry Hobson Richardson, Marshall Field Wholesale Store, Chicago, 1885-1887 |
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Fauvism |
Matisse, The Joy of Life, 1905-1906 |
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German Expressionism |
Kirchner, Street, Dresden, 1908 |
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German Expressionism (Blue Rider) |
Kandinsky, Improvisation 28 (second version), 1912 |
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Cubism (pre-cubism) |
Picasso, Les Demoiselles d'Avignon, 1907 |
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Cubism (Analytic Cubism) |
Georges Braque, The Portuguese, 1911 |
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Cubism (Synthetic Cubism) |
Picasso, Still Life With Chair-Caning, 1912 |
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Cubism (Cubism/Futurism) |
Duchamp, Nude Descending Staircase No. 2, |
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Futurism (Italy) |
Giacomo Balla, Dynamism of a Dog on a Leash, 1912 |
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Dada |
Marcel Duchamp, Fountain, 1917 |
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Dada |
Duchamp, L.H.O.O.Q., 1919 |
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Dada |
Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-1923 |
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Dada (German) |
Grosz, Fit for Active Service, 1916-1917 |
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Degenerative Art Exhibition |
Adolf Hitler, accompanied by Nazi commission members, including photographer Heinrich Hoffman, Wolfgang Willrich, Walter Hansen, and painter Adolf Zeigler, viewing the "Entartete Kunst, show on July 16,1937 |
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Surrealism |
Salvador Dali, The Persistence of Memory, 1931 |
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Surrealism |
Rene Magritte, The Treachery (or Perfidy) of Images, 1928-1929 |
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Surrealism |
Meret Oppenheim, Object (Luncheon in Fur) 1936 |
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Surrealism |
Picasso, Guernica, 1937 |
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Surrealism |
Frida Kahlo, The Two Fridas, 1939 |
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Russian Constuctivism |
Vladimir Tatlin, Monument to the Third International, 1919-1920 |
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Modern Photography/ Straight Photography |
Alfred Stieglitz, The Steerage, 1907 |
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De Stijl (The Style) |
Piet Mondrian, Composition with Red, Blue, and Yellow, 1930 |
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De Stijl (The Style) |
Gerrit Thomas Rietveld, Schroder House (looking Northwest) Utrecht, the Netherlands, 1924 |
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American Regionalism/ American Scene Painting |
Edward Hopper, Nighthawk, 1942 |
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American Regionalism/American Scene Painting |
Grant Wood, American Gothic, 1930 |
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New Deal "Documentary" Photography |
Dorothea Lange, Migrant Mother, Nipomo Valley, 1935 |
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Europe After WWII |
Alberto Giacometti, Man Pointing No. 5, 1947 |
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Europe After WWII |
Bacon, Figure with Meat, 1954 |
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Abstract Expressionism (action painting) |
Jackson Pollock, Number 1, 1950 (Lavender Mist) |
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Abstract Expressionism (action painting) |
Willem de Kooning, Woman 1, 1950-1952 |
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Abstract Expressionism (color field) |
Mark Rothko, No. 12, 1960 |
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Minimalism |
David Smith, Cubi XII, 1963 |
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Minimalism |
Donald Judd, Untitled, 1969 |
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Pop Art |
Andy Warhol, Green Coca- Cola Bottles, 1962 |
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Pop Art |
Warhol, Marilyn Diptych, 1962 |
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Pop Art |
Claes Oldenburg, Lipstick (ascending) on Caterpillar Tracks, 1969. Reworked 1974 |
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Hyper-Realism |
Duane Hanson, Supermarket Shopper, 1970 |
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1960s Street Photography/ New Documents |
Diane Arbus, Child With Toy Hand Grenade in Central Park, NYC, 1962 |
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Feminism |
Judy Chicago, The Dinner Party, 1979 |
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Feminism |
Cindy Sherman, Untitled Film Still #35, 1979 |
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Feminism (Performance Art) |
Carolee Schneemann, Meat Joy (Performance) 1964, |
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Feminism |
Guerrilla Girls, Advantages of Being A Woman Artist, 1988 |
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Earthworks/ Land Art |
Robert Smith, Spiral Jetty, Great Salt Lake, Utah, 1970 |
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Earthworks/ Land Art |
Christo and Jeanne-Claude, Surrounded Islands, Biscayne Bay, Miami FL, 1980-1983 |
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Conceptual Art |
Jean Tinguely, Homage to New York, |
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Conceptual Art |
Joseph Kosuth, One and Three Chairs |
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Globalism/ Identity Politics in Contemporary Art |
Robert Mapplethorpe, Self-Portrait, 1980 |
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Globalism/ Identity Politics in Contemporary Art |
Faith Ringgold, Who's Afraid of Aunt Jemima?, 1983 |
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Globalism/ Identity Politics in Contemporary Art |
Kehinde Wiley, Napoleon Leading the Army over the Alps, 2005 |
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Globalism/ Identity Politics in Contemporary Art |
Chris Ofili, The Holy Virgin Mary, 1998 |
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Globalism/ Identity Politics in Contemporary Art |
Jaune Quick-to-See Smith, Trade(Gifts for Trading Land with White People), 1992 |
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Gloabalism/ Identity Politics in Contemporary Art |
Shirin Neshat, Allegiance and Wakefulness, 1994 |
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Contemporary Art- Body Politics |
Jenny Saville, Branded, 1992 |
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Contemporary Art- Body Politics |
Jeff Koons, Pink Panther, 1988 |
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Contemporary Art: New Media |
Andreas Gursky, Chicago Board of Trade II, 1999 |
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Contemporary Art: New Media |
Jenny Holzer, Untitled (selections from Truisms, Inflammatory Essays, The Survival Series, Under a Rock, Lament and Child Text.) 1989 |
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Contemporary Art: New Media |
Bill Viola, The Crossing, 1996 |
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Contemporary Art: New Media |
Matthew Barney, Cremaster cycle, installation at the Solomon R. Guggenheim Museum, New York, 2003 |
