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16 Cards in this Set
- Front
- Back
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Chartres, Nave. View to East 1300 |
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elevations of a) Laon, B) Paris, C) Chartres, D) Amiens |
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Reims Cathedral, West Facade 1250 Reims, France Spires attempt to "pierce levels" and accentuate the verticality of the building fringes on columns interacts w/ each other |
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Reims. Interior 1250 Friz-ench. Gothic as fuuuuck |
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Reims. Exterior 1250 more naturalistic treatment represents departure from gothic and renewed interest in classical approach |
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St. Chappelle. Upper Chapel 1400, Paris Built to house crown of thorns- related to Louis' status as "rex Christianmoste"/ successor to tribal kings of old test. |
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Moralised Bible. M. 240 1230, Toledo Commissioned by Blance of Castile and Louis Vellum Recalls windows of St. Chappelle |
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Salisbury Cathedral 1220 Salisbury, England Like other English Cathedrals, has longer, flatter footprint, strongly projecting transepts |
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Salisbury 1220 |
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Salisbury. Nave 1220 English Gothic. Strong divisions between floors, "coloristic effects" |
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St. Elizabeth. View to Southeast corner 1235 Marburg, Germany |
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St. Elizabeth 1235, Marburg, Germany |
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Hours of Jeanne d'Evreux 1325 artist: Pucelle betrayal of Christ @ L and anunciation and Joan praying in initial D @ R |
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Virgin and Child of Jeanne d'Evreux 1325 |
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Madonna and Child Enthroned 1310 Florence Artist: Giotto use of intuitive perspective, shading, to create "believable" 3d space |
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Arena Chapel. interior 1300, Padua shows the lamentation |
