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32 Cards in this Set

  • Front
  • Back
scale
the relative size of pieces
bas-relief (low)
shallowest form of relief (which is the raising of 3D forms from a flat background)
frontal
organized for being viewed from the front
full round (high)
description applied to an fully 3D piece, no matter how large or small or how shaped
walk through
being surrounded by the work of art-walking not only up to and around a piece but also in it
involving the viewer
tactile/visual appeal, engaging curiosity, representation, abstraction and stylization, scale, content, personal interaction, the unexpected, and verbal statements about the work
representation
accurately replicating forms with which we are familiar
abstract
eliminate all but a few characteristics of a figure, forcing people to use their imagination to link this highly simplified form with the more detailed object they know
stylization
subordinating accurate representation to a desired way of design
super realism
extremely accurate representation of actual 3D objects
nonobjective
works that have no apparent relationship to objects from our 3D world
content
the subject matter of a work of art
installation
designed environments installed in museums or galleries, sometimes temperarily
performance
live experience conducted or set up by the artist
maquette
a small-scale model of a work, usually developed to aid the planning process
repetition
use of similar design features again and again
variety
a principle of design in which parts are seemingly different but nonetheless have something in common
rhythm
unification of parts of a work through measured repetition of visual accents
asymmetrical balance
placement of nonidentical forms to either side of a balancing point in such a way that the two sides seem to be of the same visual weight
symmetrical balance
the placing of identical forms to either side of the central axis of a work to stabilize it visually
emphasis
stress placed on a single area of a work or a unifying visual theme
economy
deletion of nonessential details to reveal the essence of a form
proportion
a sense of appropriateness in the size relationships of different parts of a work
form
the volume and shape of a 3D work
primary contours
the shape of the outermost extremity of a 3D work
secondary contours
the forms developed within the outer boundaries of a work
positive form
a solid area that physically occupies space in a 3D work of art
negative form
a shaped space that has no physical existence but is enclosed or defined by positive forms, a void.
static form
a 3D work that appears stationary
dynamic form
a 3D work that conveys an illusion of movement and change
implied line
a line in a work that is subtly perceived by the viewer but that has no physical form; the overall flow of one line into another in a work, with continuation from one to the next suggested by their common direction and/or juxtaposition
directional line
a line that seems to guide the viewer's eye along a particular visual path