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24 Cards in this Set
- Front
- Back
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Henri Matisse, The Serf,1900-04. Bronze. |
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Matisse, The Open Window,1905. Fauvism. |
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Matisse, The Joy of Life,1905-6. Fauvism. |
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Matisse, Blue Nude: Memory of Biskra, 1907. |
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Alfred Stieglitz, The Steerage. 1907.Gelatin Silver Print. |
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Constantin Brancusi, Sleeping Muse 1, 1909-10. Marble. |
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Ernst Ludwig Kirchner, Street,Dresden 1908. DieBrücke/GermanExpressionsim. |
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Wassily Kandinsky, Composition VII, 1913. Der Blaue Reiter/German Expressionism. |
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Pablo Picasso, Les Demoiselles d’Avignon, 1907. Expressionism/proto-cubism. |
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George Braque, Houses at L’Estaque, 1908. Early Cubism. |
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George Braque, Violin and Palette, 1909. Analytic Cubism. |
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Picasso, Portrait of Daniel-Henry Kahnweiler,1910. Analytic Cubism. |
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Picasso, Still Life with Chair Caning, 1912. Synthetic Cubism. |
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Umberto Boccioni, The City Rises, 1910. Futurism. |
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Boccioni, Development of a Bottle in Space,1912. Futurism. |
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Boccioni, Unique Forms of Continuity in Space, 1913. Bronze. Futurism. |
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Gino Severini, Dynamic Hieroglyphic of the Bal Tabarin, 1912. Futurism. |
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Robert Delaunay, Simultaneous Contrasts: Sun and Moon,1913. Orphism. |
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Kazimir Malevich, Morning in the Village After a Snowstorm,1912. |
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Kazimir Malevich, Suprematist Composition: White Square on White, 1918. Suprematism. |
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ElLissitzky, The Constructor (Self-Portrait), 1924. Gelatin Silver print. |
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Vladimir Tatlin, Monument to the Third International, 1919-20. Wood, iron, and glass. Constructivism. |
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Aleksandr Rodchenko, HangingConstruction, 1920. Constructivism. |
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Rodchenko, Assembling for a Demonstration, 1928. Gelatin-Silver print. |