• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/22

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

22 Cards in this Set

  • Front
  • Back
Aertsen, "Butcher's Stall", 1530, Northern Late Renaissance
everyday genre painting scene, but with the holy family visible in the background
spirituality in everyday life, IN THE DETAILS, disguised symbolism
Altdorfer, "Battle of Issus", 1530, Northern Late Renaissance
Battle of Alexander the great, but modernized to reflect contemporary conflicts of the patron
love of landscape=apparent
Bruegel, "Peasant Wedding", 1530, Northern Late Renaissance
simple, not formal clothes, emphasis on COMMUNITY
simplified forms brings the scene together
warm, inviting, lively, movement
NOT confrontational at all
Using vernacular, imagery of the people
Bruegel, "Blind Leading the Blind", 1530, Northern Late Renaissance
comes from saying: when the blind lead the blind you fall
using imagery and language of the people
Bruegel, "The Return of the Hunters", 1530, Northern Late Renaissance
SECULAR, mostly about the landscape/nature, how the village and the landscape interact
focus on everyday peasant life
Bruegel, "Netherlandish Proverbs", 1530, Northern Late Renaissance
all references to dutch proverbs at the time, something his audience enjoyed, VERNACULAR
intersection of wit and study of human nature
Clouet, "Francis I", 1530, Late Northern Renaissance
very formal, flattened, decadent, attests to the king's confident/suave nature.
"Portal de San Gregorio", 1530, Late Spanish Renaissance
Influenced by earlier german architecture
had facade with no purpose, arabesque moorish influences as well
Cranach, "Law and Gospel", 1530, Late Northern Renaissance
a friend of Luther's, Cranach is contrasting protestantism and catholicism in terms of how to reach salvation
Durer, "Fall of Man", 1530, Late Northern Renaissance
COmbination of greek idealization/perfection study and naturalism study with the nature in the background
but also disguised symbolism of the style period in cat/mouse and each of the specific plants
Durer, "Four Horsemen of the Apocalypse", 1530, Late Northern Renaissance
very precise, academic approach to his art
shows death, famine, war and plague (each a horseman)
made wood cuts more fine art than was traditional
Durer, "Knight, Death and the Devil", 1530, Late Northern Renaissance
knight runs into death, reminding him that he might die at any time, reminder to be a good Christian
devil is behind him
all of the scientifically rendered plants and animals are symbolic
Durer, "the Four Apostles", 1530, Late Northern Renaissance
clearly studied Michelangelo, heavy substantial bodies
painted for the council of Nuremburg, supported Martin Luther
says: don't be misguided by false human words, all you need is the word of god
John=red, Peter=one with key
El Greco, "Burial of Count Orgaz", 1530, Late Spanish Renaissance
looked a lot at mannerists, tinteretto,
light/dark, drama, busy, supernatural,
coffin itself is right below painting, moving towards baroque idea of coextensive space
foreshortening, elongated figures
Gossaert, "Neptune and Aphrodite", 1530, Late Northern Renaissance
became fascinated by antiquity/greek mythology
architecture/perspective also very classical
inspired by durer
Grunewald, "Isenheim Alterpiece (outside)", 1530, Late Northern Renaissance
in a hospital, point of meditation (+prayer to christ)
crucifixion in middle, but jesus not centered, when opens, jesus' arm is cut off (amputated like patients)
has a sort of skin disease on outside too
and then it's gone
st. anthony on right--->curer of diseases
Grunewald, "Isenheim shrine Inside" 1530, Late Northern Renaissance
Holbein, Francis I, 1530, Late Northern Renaissance
like older northern renaissance with detail, skill, oil paint
Jewels, Fur symbols of wealth
shoulders and hugeness are signs of power
Holbein, "The French Ambassadors", 1530, Late Northern Renaissance
arts/sciences symbols everywhere--->well learned, distinguished and proud of it
skull=anamorphic skill, visual pun, funny
momento mori, death is inevitable, so be good
"Juan de Herrera Escorial" 1530, Spanish Late Renaissance
classical in style, severe doric, plain walls/massive towers
complex with mausoleum, church, monastery, palace all in one
"dynamic pantheon" gridlike plan
sense of overwhelming weight and strength, heroic
Teerlinc, "Elizabeth I as a Princess", 1530, Late Northern Renaissance
successful female painter, made a lot of money on commissions
Massys, "Money-Changer and His Wife", 1530, Late Northern Renaissance
everyday man, but message about how money worries etc distract good men from christian values
she has more interest in watching his transactions than the religious book she is reading
lots of spiritual physical symbols