Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
21 Cards in this Set
- Front
- Back
|
Montage Editing |
Editing in which shots are fast paced that compresses time and conveys a lot of information |
|
|
Hard lighting |
Long throw, hard shadows and ease control More dramatic lighting |
|
|
Soft lighting |
Soft throw, soft shadows, more difficult to control, used in comedies and interviews |
|
|
Color temperature |
Blue is the hottest and red is the coolest |
|
|
High key lighting |
Soft lighting |
|
|
Low key lighting |
Uses Hard lighting (dark tones) |
|
|
Refraction lighting |
Using neutral density gels to control light |
|
|
Kuleshov editing |
Showing the face of someone and what they’re looking at so the audience interprets it by how the person is looking at it |
|
|
Diffusion lighting |
Soften hard lighting |
|
|
Continuity editing rules |
1. 180 degree rule 2. Make sure eye lines match 3. 20mm/30 degree rule 4. Match action between shots 5. Maintain screen direction |
|
|
30 degree rule |
The camera should move 30 degrees relative to the subject between shots of the same object |
|
|
Deep listening |
analyzing sound and then creating meaning out of it |
|
|
Diegetic sound |
Sound coming from the scene (person talking/walking) |
|
|
Non diegetic |
Sound coming from a different source (narration, sound effects, mood music) |
|
|
Shot/reverse shot |
Scene that cuts back and forth between two actors |
|
|
Master shot |
The 2 shot that incorporates both actors |
|
|
Electromagnetic spectrum |
Back (Definition) |
|
|
Screen direction |
Where a person is walking that where the screen direction is |
|
|
Headroom |
The space between a persons head and the frame |
|
|
Lead room |
The space between a person where they are walking and the frame |
|
|
4 panels of premier |
1. Project window 2. Source panel 3. Timeline 4. Program panel |
