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9 Cards in this Set
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Ca d'Oro 1421-1437 Marino contorini was never to be douge Rediculously ornate All marble sculpted Used to be more decorated Added lead and oil to marble to make it pop Painted to make it more colorful Added gold leaf on salt water canal A house of gold That alone was ostentatious Every venician knew the gold would flake off So he was proclaiming wasteful consumption in city that privileged individual modesty venice believed more in group identity like palazzo ducale |
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Basilica San Marco 1063 Venice, Italy wealth from trading stole and taxed stuff part of piazzetta and piazza of san marco church and govt building work together |
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Palazzo Ducale 1340-1345 part of the piazza san marco delicate looking mocks palazo vechio and florence ogive quatrafoil lacey crenellations |
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Campanile 9th to 10th century rebuilt 1912 bell tower in piazza san marco |
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Torre dell'Orologio 1499-1500 clock tower roman and arabic numerals living quarters for time keeping moors ring the bell |
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Marcello Pagan, Ducal Procession 1556-1559 Douge wearing gold robe and cape and funny crown Umbrella carrier All labeled underneath Diagram of power these processions had specific order Diagram of power is reason for procession so they know ur power Shows participation Civic and religious devotion And lot of money on candles These processions still occur |
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Gentile Bellini, Procession in Piazza San Marco 1496 ordinary frat members lay religious organization venice is where healing happens, the miracle even tho felt somewhere else tell u relic works and so come donate douge in gold and umbrella like documentary campanile moved cus interferes with argument that church and state work together |
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Gentile and Giovanni Bellini, St. Mark Preaching in Alexandria 1504 anachronic cus st mark is preaching but in africa so 1st and 16th century also polytopic cus in alexandria and venice cus have basilica but with minarets ; have camels and giraffess venicians and muslims having alexandria be venice partially neutralizes threat |
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Jacob Tintoretto, Stealing of the Body 1562-66 Body is going to san marco Argument about future holdings Important his body saved in 1st century to then be saved in 7th century and brot to venice Prefigures Future exists in painting of past Anachronic and polytopic christians save body in 1st century in egypt from being cremated so that it can later be saved in 9th century and be brot to venice Space very diff Bellini in front of painting Tintoretto move towards u and frame Take it perpendicular to picture frame Go form church in back to us as if struggling with body Looks like they might tumble onto ur head |
