Durer Death And The Devil Analysis

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Printmaking is an art form that largely began in the early 16th Century Renaissance Europe. The art form involved drawing or engraving directly in a metal plate, and the use of paint and oils in order to duplicate an image. This inexpensive process allowed for the infinite duplication of artwork, resulting in the large recognition of artists from across Europe and public knowledge of their works. This form of art was of great benefit to those of whom could not afford original works, allowing for the lower classes of Europe to afford and hence appreciate great works and artists.

Albrecht Durer (1471-1528) was born in Nuremberg, Germany during the European Reformation and the inauguration of the Northern European Renaissance (1430-1580). Durer
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In this engraving created in 1513, demonstrates Durer’s uses personification of the Christian faith. The knight is shown bravely riding past monstrous figures, clearly representing evil and the devil. Durer’s style of intimate detail in conjunction with his mathematically and scientifically accurate anatomy and perspective is apparent in this print. Durer uses a technique consisting of the engraving his lines close together in order to indicate depth within the image. Durer’s print “Apollo and Diana” (1505) is an engraving that typically represents the art created during the Renaissance all over Europe. The subject of a Greek God and Goddess Apollo and Diana reflects the neo-classical art in which resided and the conceived the Renaissance period. This artwork is different to those of the Renaissance in Italy and other parts of the Renaissance in Europe, as Durer’s knowledge of human anatomy greatly assisted him in creating this anatomically accurate work. Durer’s use of shading and light creates depth and weight within the work, whilst his almost perfected linear perspective used gives the artwork an enlightened sense of

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