The fundamental purpose for this is that electronic music is a channel in which the musician directly produces the performance either as a recording or a live concert. The composer shouldn’t need another being to read or interpret the written “One such faithful realization of “Stockhausen’s Studie II was completed 52 years after the original in 2006 by German composer Georg Hajdu using a graphical programming language Max/ MSP for laptop computer.” (Holmes) Scoring frequently results in a composer creating a distinctive method of notation to describe the fundamentals of a piece that is particularly appropriate for the technology accessible to them. For non-electronic music, artists must read and interpret written scores in order to recreate a musical outcome. “The ability to modify the time or duration of a sound is one of its most fundamental characteristics. Traditional instrumental music, once recorded, benefits from a similar control over the manipulation of a real-time performance” (Holmes). A negative attribute for various artists is that there might be too much editing in the material. If the material to create the piece needs much attention in editing and correcting, then the sounds will be too much
The fundamental purpose for this is that electronic music is a channel in which the musician directly produces the performance either as a recording or a live concert. The composer shouldn’t need another being to read or interpret the written “One such faithful realization of “Stockhausen’s Studie II was completed 52 years after the original in 2006 by German composer Georg Hajdu using a graphical programming language Max/ MSP for laptop computer.” (Holmes) Scoring frequently results in a composer creating a distinctive method of notation to describe the fundamentals of a piece that is particularly appropriate for the technology accessible to them. For non-electronic music, artists must read and interpret written scores in order to recreate a musical outcome. “The ability to modify the time or duration of a sound is one of its most fundamental characteristics. Traditional instrumental music, once recorded, benefits from a similar control over the manipulation of a real-time performance” (Holmes). A negative attribute for various artists is that there might be too much editing in the material. If the material to create the piece needs much attention in editing and correcting, then the sounds will be too much