The two paintings have both over exaggerated the female form, Dali giving the female figure large breasts and Varo giving the female mannequin 9 breasts, as if to say that the idealization of the female figure cannot be obtained without enhancement. Dali creates the femme fatale figure almost as if he is frustrated with how much power the right and lust filled female figure can have, where as Remedios Varo attempts to mock desiring to want to become a mans idealization of the perfect female, transforming from the femme fatale into the femme
The two paintings have both over exaggerated the female form, Dali giving the female figure large breasts and Varo giving the female mannequin 9 breasts, as if to say that the idealization of the female figure cannot be obtained without enhancement. Dali creates the femme fatale figure almost as if he is frustrated with how much power the right and lust filled female figure can have, where as Remedios Varo attempts to mock desiring to want to become a mans idealization of the perfect female, transforming from the femme fatale into the femme