She claims that throughout the narrative, Dorotea is conscious of herself and her surroundings, and uses her speech as a way to affirm her agency: she knows what she is saying, why she is saying it and for what purpose. At the same time, Dorotea uses psychological and moral means to convince others, for her benefit. As Villar asserts, “Dorotea no carece ni de lucidez ni de capacidad elocutiva” (186). In “El Erotismo de Don Quijote”, Teresa Aveleyra describe Don Quijote as a character who is obsessed with an ideal love. As she explains, this is evident in the creation of Dulcinea as “un objeto amoroso ideal” (468), a woman that constitutes, to his eyes, femininity. In her creation, Cervantes characterizes a woman, both “ideal y abstracta” (469), who serves him “para evadir toda aproximación a la mujer real y concreta”
She claims that throughout the narrative, Dorotea is conscious of herself and her surroundings, and uses her speech as a way to affirm her agency: she knows what she is saying, why she is saying it and for what purpose. At the same time, Dorotea uses psychological and moral means to convince others, for her benefit. As Villar asserts, “Dorotea no carece ni de lucidez ni de capacidad elocutiva” (186). In “El Erotismo de Don Quijote”, Teresa Aveleyra describe Don Quijote as a character who is obsessed with an ideal love. As she explains, this is evident in the creation of Dulcinea as “un objeto amoroso ideal” (468), a woman that constitutes, to his eyes, femininity. In her creation, Cervantes characterizes a woman, both “ideal y abstracta” (469), who serves him “para evadir toda aproximación a la mujer real y concreta”