In “The Monkey Garden,” Esperanza realizes that Sally is talked into kissing the boys. Esperanza brings out a brick in hopes of saving Sally from the boys, but Sally does not want to be rescued because she is flirting with the boys. Esperanza says that she does not understand why they laugh and “it was a joke [she does not] get” (Cisneros 96). The fact that Esperanza is unable to understand the idea of flirting, relates to the theme of losing innocence. In the next vignette, “Red Clowns,” Esperanza is sexually abused against her will at a carnival. Esperanza exclaims that she could not make the man stop when he says, “I love you, Spanish girl, I love you, and [presses his] sour mouth to [hers]” (Cisneros 100). Juxtaposed to “The Monkey Garden,” the vignette, “Red Clowns” shows the reader Esperanza’s loss of innocence because readers infer that she is raped. By juxtaposing these vignettes, the author heightens the contrast between innocence and adultery and gives Esperanza’s knowledge and
In “The Monkey Garden,” Esperanza realizes that Sally is talked into kissing the boys. Esperanza brings out a brick in hopes of saving Sally from the boys, but Sally does not want to be rescued because she is flirting with the boys. Esperanza says that she does not understand why they laugh and “it was a joke [she does not] get” (Cisneros 96). The fact that Esperanza is unable to understand the idea of flirting, relates to the theme of losing innocence. In the next vignette, “Red Clowns,” Esperanza is sexually abused against her will at a carnival. Esperanza exclaims that she could not make the man stop when he says, “I love you, Spanish girl, I love you, and [presses his] sour mouth to [hers]” (Cisneros 100). Juxtaposed to “The Monkey Garden,” the vignette, “Red Clowns” shows the reader Esperanza’s loss of innocence because readers infer that she is raped. By juxtaposing these vignettes, the author heightens the contrast between innocence and adultery and gives Esperanza’s knowledge and