“Is lust in action; and till action, lust…
Enjoy’d no sooner but despised straight… All this the world well knows; yet none knows well To shun the heavens that leads men to this hell” (1-14).
These contrasts display …show more content…
Hitchcock portrays their body movements to respond to Alicia’s final straw, Devlin resting his face against hers when they meet and then rising it when she confesses the poison she experiences. Finally, they put their pride aside for each other. Alicia held a deep desire for Devlin, yet kept it in. She kept going further in her secret role -- dating Sebastian, to marrying him, to finally getting poisoned by him when he discovered she was a spy. Yet as she did this, she hoped for Devlin to stop the role she was playing. Finally, when she is poisoned she states how she is glad he came. Devlin finally stopped it. Her desire for him was so great, that she went to extreme measures in her role, until she could no longer control it. This desire Alicia had for Devlin almost cost her her life. While Shakespeare presents desire negatively through his contrasts of the craving of desire, Hitchcock uses body movements to display the desire Alicia and Devlin have for each other, while creating stubborn characters through their dialogue. Devlin rests his cheek on Alicia, while Alicia caresses his cheek display this deep desire they have for one another. Yet, he rises slowly when she tells him she has been poisoned. This is how he knows the role has gone too far. Her desire for him, and his for her, could have killed her. Desire is …show more content…
The desire Darcy had for Elizabeth, was not going to ruin any lives. Darcy thought ahead with his future. Shakespeare’s description of desire through contrasts of lust presents its future to be injurious. Hitchcock’s demonstration of desire illustrates itself to be fatal. Yet, Austen’s presents desire to be almost hopeful. Darcy becomes a better person with his great desire for Elizabeth. Desire is expressed in all different forms - a novel, sonnet, and a film. In spite of desire having a negative connotation in most art, it has the potential to not be harmful for good