After World War I, the Dada movement arose out of Switzerland from the years 1916-1924. It was heavily influenced by various other movements including Cubism, Expressionism, and Futurism. The movement was portrayed through many different outlets including photography, literature, sculptures, and of course paintings. This movement was known for how it made fun of or mocked modern common aesthetic. It contrasted the ideas of materialism, and how “nationalistic attitudes” turned out to be a heavy influence (“The Art Story” n.p.). Dadaism would be a key stepping-stone into Surrealism. Jean Hans Arp was a very abstract artist who was active throughout Dadaism and surrealism as well. Arp was one of the very first artists to truly play with chance, and incorporate true randomness into his paintings. He was interested in evoking the viewers’ conscious mind’s perception through his style
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He lived in Paris as well as New York and Hollywood, frequently traveling between the three. Man Ray did painting, films, prints, poetry, sculptures, and paintings throughout the Dada movement. Like Jean Hans Arp, Man Ray was heavily influenced by Cubism, Futurism, and his work would eventually also morph into Surrealism. He believed that supporting and motivating art was more important than the art and the subject itself. Ray also matured from an abstract artist. He believed that artwork had a “life beyond the artwork” (“The Art Story” n.p.). This was not an uncommon thought, however Man Ray was the first to publicize and truthfully introduce it. This was a thought process that began abstractly then developed into the Dada trademark. Andre Breton described him as a pre-surrealist, and a building block for the movement. Although Man Ray initially wished to be a photographer, his object artwork and readymades would be the artwork that would hold up throughout
He lived in Paris as well as New York and Hollywood, frequently traveling between the three. Man Ray did painting, films, prints, poetry, sculptures, and paintings throughout the Dada movement. Like Jean Hans Arp, Man Ray was heavily influenced by Cubism, Futurism, and his work would eventually also morph into Surrealism. He believed that supporting and motivating art was more important than the art and the subject itself. Ray also matured from an abstract artist. He believed that artwork had a “life beyond the artwork” (“The Art Story” n.p.). This was not an uncommon thought, however Man Ray was the first to publicize and truthfully introduce it. This was a thought process that began abstractly then developed into the Dada trademark. Andre Breton described him as a pre-surrealist, and a building block for the movement. Although Man Ray initially wished to be a photographer, his object artwork and readymades would be the artwork that would hold up throughout